Don't Call It A Comeback

Snap rule, heres a disco remix, enjoy. - (NOW MASTERED)

Free Download Here : https://www.facebook.com/djjansenbrown/app_208195102528120

Add Me On Facebook

Snap! - The Power (Jansens Year of Love Remix)

my remix of kraak & smaaks latest track, available on beatport now!

KRAAK & SMAAK feat. Lex Empress - HOLD BACK LOVE (LOVEBIRDS VOCAL)

Ridiculously indulgent edit of early house classic (re-mastered version).


Kariya - Let Me Love You For Tonight (Henry's Edit)

credits:
2pac feat. Dr. Dre and Roger Troutman - "California Love"
sample: Donald Byrd - Wind Parade

download

California Love (Chi Duly's Late Night Remix)

We decided to slow things down this time, and do an edit that would be great for the lovely cooler weather. Free download! Keep it Casual!

www.facebook.com/CasualEncountersMusic
www.twitter.com/CEProd

Montell Jordan - This Is How We Do It (Casual Encounters Edit) [FREE DOWNLOAD!]

GREG WILSON PRESENTS SCHOOLED IN THE CLASSICS
PRESS RELEASE

2013 sees Greg Wilson taking his first steps back into record production, starting off with Schooled In The Classics, a series of groove based dance tunes put together to play out at his gigs, the initial tracks being first road tested in Chicago and New York last year to a great response. Greg now plans to issue 8 Schooled In The Classics tracks this year, both digitally and via 4 limited edition 180g vinyl releases. The first 2 tracks in the series, ’12-Turn-13’ and ‘Blue Angel’, will be issued on Feb 26th.

Drawing inspiration from his past to record new material, Greg’s intention is not to attempt to re-create what went before, but to try to channel the more freeflowing spirit of those times. The project name, Schooled In The Classics, is a tip of the hat to the New York luminaries of the early 80’s like Tee Scott, Shep Pettibone, Larry Levan, François Kevorkian and John ‘Jellybean’ Benitez, whose experimental, dub influenced approach to dance music gifted us with so many superbly innovative club mixes, inspiring everything that followed, as dance culture emerged from the underground to explode into the mainstream glare during the late 80’s Acid House / Rave era.

During Greg's two decade DJ hiatus, his primary occupation was that of producer, and it’s an area of work to which he has always intended to return. 2013 is a fitting year for this, being that it's 30 years on from Greg's original venture into production, in 1983, when he went into the studio for the first time, recording some of the demos for what would evolve into the Street Sounds ‘UK Electro’ album, on which he co-wrote / produced all but one of the tracks. It would reach #60 on the UK chart in 1984, and acquire cult status as a forbearer of what would happen a few years later in the decade, when British dance music really came into its own via a new wave of home-grown artists including Coldcut, M/A/R/R/S, Bomb The Bass and S Express, A Guy Called Gerald and 808 State.


Buy from Juno

Greg Wilson Presents Schooled In The Classics '12-Turn-13'

GREG WILSON PRESENTS SCHOOLED IN THE CLASSICS 
PRESS RELEASE

2013 sees Greg Wilson taking his first steps back into record production, starting off with Schooled In The Classics, a series of groove based dance tunes put together to play out at his gigs, the initial tracks being first road tested in Chicago and New York last year to a great response. Greg now plans to issue 8 Schooled In The Classics tracks this year, both digitally and via 4 limited edition 180g vinyl releases. The first 2 tracks in the series, ’12-Turn-13’ and ‘Blue Angel’, will be issued on Feb 26th.

Drawing inspiration from his past to record new material, Greg’s intention is not to attempt to re-create what went before, but to try to channel the more freeflowing spirit of those times. The project name, Schooled In The Classics, is a tip of the hat to the New York luminaries of the early 80’s like Tee Scott, Shep Pettibone, Larry Levan, François Kevorkian and John ‘Jellybean’ Benitez, whose experimental, dub influenced approach to dance music gifted us with so many superbly innovative club mixes, inspiring everything that followed, as dance culture emerged from the underground to explode into the mainstream glare during the late 80’s Acid House / Rave era.

During Greg's two decade DJ hiatus, his primary occupation was that of producer, and it’s an area of work to which he has always intended to return. 2013 is a fitting year for this, being that it's 30 years on from Greg's original venture into production, in 1983, when he went into the studio for the first time, recording some of the demos for what would evolve into the Street Sounds ‘UK Electro’ album, on which he co-wrote / produced all but one of the tracks. It would reach #60 on the UK chart in 1984, and acquire cult status as a forbearer of what would happen a few years later in the decade, when British dance music really came into its own via a new wave of home-grown artists including Coldcut, M/A/R/R/S, Bomb The Bass and S Express, A Guy Called Gerald and 808 State.

Don't Call It A Comeback

gregjmiddleton