Trans - I Got Life (Soundtrack)

Feeling Good

05 - Feeling Good

Bye Bye Binarity

06 - Bye Bye Binarity

Clärchens Walzer

04 - Clärchens Walzer

Reprise

03 - Reprise

Surgery

02 - Surgery

Metamorphoses

01 - Metamorphoses

Source music from the film "Trans - I Got Life"
written and performed by Isabelle Pabst and Gregor Schwellenbach

Drowning In Your Eyes

Sicker Man: Bold Morning (Gregor Schwellenbach Mix)

Kölsch's Gooody Goddies at Radio 1 Pete Tong from Nov 15th 2013
http://www.bbc.co.uk/programmes/b006ww0v

"Kölsch - Der Alte - Gregor Schwellenbach Version" on BBC Radio 1 - Pete Tong 15.11.2013

Lindenfels

Perotin

Gregor Schwellenbach improvised this piano-only DJ set before his life performance at Platoon Kunsthalle Berlin on occasion of the first edition of Shalom Salon's Piano-Bass-Drum-Night. 
June 4, 2015

16 things you should know about piano music [Platoon Kunsthalle Berlin, June 4, 2015]

Alligatoah & Rheinbrass - Trauerfeier Lied
Live beim New Fall Festival
Tonhalle Düsseldorf
1.11.2015
Piano: BRKN
Arrangement: Gregor Schwellenbach

Alligatoah & Rheinbrass - Trauerfeier Lied - Arrangement: Gregor Schwellenbach

BWV 1068 II. Air (Gregor Schwellenbach Version)

from 
Wyoming - Remains (Single)
AdP Records 2016
https://itunes.apple.com/de/album/remains-single/id1080658804

Remains - Single

Wyoming - Remains (Gregor Schwellenbach Remix)

aroseis:
Julian Klein - Concept, Composition
Gregor Schwellenbach - Akai S900 Sampler
Almut Lustig - Tamtam
Kristina Lösche-Löwensen - Theremin
Ulf Pankoke - Trumpet

Live recording of the performance at the Berlin Wall commemoration August 13th 2016 at Kapelle der Versöhnung, Berlin

Dreizehn Acht Einundsechzig - [Berlin Wall Commemoration 13.08.2016]

Gregor Schwellenbach & Ensemble perform Gui Boratto's "Beautiful Life" and Kölsch's "Der Alte" at WDR Funkhaus
9.5.2013
Gregor Schwellenbach - Piano
Constanze Sannemüller - Violine
Yanet Infanzon - Violine
Johannes Platz - Viola
Matthias Kaufmann - Cello
Norbert Krämer - Percussion

Beautiful Life (Gui Boratto) / Der Alte (Kölsch) - [Life at WDR Funkhaus - 9.5.2013]

The actual mix I made for my own late summer holidays

Three David Bowie tunes covered on a Yamaha PSS 270, Casio MT 11 and a Rocktron Banshee Talkbox.

The Man Who Sold the World (David Bowie on Portasound)

Three David Bowie tunes covered on a Yamaha PSS 270, Casio MT 11 and a Weltmeister Basset.

Space Oddity (David Bowie on Portasound)

Ashes To Ashes (David Bowie on Portasound)

Aus "Die Geister von Amnas" von Lothar Kittstein
Regie: Bernhard Mikeska, Theater Oberhausen 2011
Vocals: Angela Falkenhan

Auf der Straße nach Amnas (Text: Lothar Kittstein, Die Geister von Amnas - Theater Oberhausen 2011)

Irgendwo ans Meer (Generation P - Schauspiel Bonn 2007)

From the German premiere of Anthony Neilsons 'realism' at Theater Bonn in 2007. Vocals: Andreas Maier

Was'n Haufen Ärsche (Realismus - Schauspiel Bonn 2007)

Obacht (Bertolt Brecht - Die heilige Johanna der Schlachthöfe - The Fringe Ensemble 2010)

Gregor Schwellenbach: The Body as Archive
release date: 7 September 2018
The music was composed for the film The Body as Archive by Michael Maurissens and Darko Dragicevic.
Published by Edition Threshold & Brook
Mastered by Taylor Deupree at 12k Mastering, New York
Artwork by Alexander Basile 
Distributed by Kompakt
2018 GALERIE (GLR1)

For the dance film essay „The Body as Archive“ Gregor Schwellenbach chose a simple yet radical approach: he created a kind of catalog of sounds, clearly structured, presented with sobriety and boldness. The sounds are not embedded in the familiar frame of rhythm-harmony-melody; rather, they are introduced smoothly, presented one after the other, sometimes going together, then standing alone. It is a sensual approach, at the same time executed strictly systematically. Or vice versa: Schwellenbach’s composition is strictly systematical, giving maximum space for sensuality and the unfolding of sounds. Schwellenbach strives to create a system that doesn’t become rigid, by treating the material gently and with sincerity. In composing „The Body as Archive“ he sets clear rules: everything is played by hand, he only uses instruments he plays himself: Keyboards (Rhodes, piano, synthesizer) and double bass. Almost all material is played in the same key, the chords can be used in any combination, everything fits to everything. The ten parts of „The Body as Archive“, mastered by Taylor Deupree, could be played all at the same time without sounding cacophonous. Everything is pure presence, a gently woven stream of elegance and attentiveness. The organization of sounds - usually an action of preparation, didactic and discipline - turns into poetry.

The Body as Archive

The Body as Archive Pt 10

Gregor Schwellenbach - The Body As Archive Pt 10

Komposition: Gregor Schwellenbach
Text: Matthäus 26, 38-41

Kanon aus dem Spielfilm "Verlorene" (2019) von Felix Hassenfratz

Bleibet hier und wachet mit mir [Schwellenbach/Matthäus 26] - aus dem Film "Verlorene"

A quick short ballroom edit of Mathew Woods Single "Naked" from the album "Spectrum of a Sinner"

Matthew Wood - Naked (GSwell Edit)

for Alexander Riemenschneiders staging of Albert Camus' "Die Gerechten" (Les Justes) at Deutsches Schauspielhaus Hamburg 2010

1 An jenen stillen Orten
2 Ich werde ihn töten
3 Das ist Terror
4 Russland wird schön sein
5 Tiefschwarze Nacht Der Schnee schmutzig

Martin Schminke - Vl
Roman Brncic - Vl
Alexander Kiss - Vla
Matthias Kaufmann - Vcl

Die Gerechten

Julia by "The Very Best" 
Afri Mendoza Remix by Gregor Schwellenbach
2009

watch the video here
http://youtu.be/MbmepuUT0ko

Popular tracks by Gregor Schwellenbach