Name: Fugue 'Gigue-Fantasy' ________________________________ (final 8 Ver 2 3 by Gregorio-X in ode
Duration: 2 min 39 s
Description: baroque with splashes of other time periods

The coda is extremely inventive and I really enjoyed it. The entire piece is fun to listen to and to me comes across as joyful and full of whims (unexpected and fun turns of direction).

"Andaluza" from Cuatro Piezas Espanolas
(piano original)
Orchestration & Mockup by John Driscoll

[Redone in 2024]

"Andaluza" by DE FALLA - Orchestrated

An Orchestration/Elaboration of the First Piano Prelude by the 20th century Ukrainian composer, Vasyl Barvinsky

Orchestration by John Driscoll

Stand with Ukraine - Concert Piece for Orchestra

sunny afternoon

Santa Maria _____________________________________________mix 3 72314

Let Me Kiss Your Tears #2

The water metaphor had me thinking to try to have the piece feel like it is always moving, yet still at the same time… As one might look at a river.  
There are gushing bits, and quiet tributaries and stuff in between… 
A word about its structure: 
To do this I set the piece up in 6 sections - each with a different 'tonality' - (or it may sound  like there are only 6 chord changes in the whole piece).  The length of time  given each chord to my mind gives it a sense of being still, or static.
Each section uses the motivic material that is in the first section - though it is sometimes elongated or compressed, etc. (This is the part of the structure that is the glue - as it moves to the next tonality).. And with the differing tonality, creates another frame of reference for those motivic cells… Like a   snap shot down stream  of the same river… Generally the sections get shorter as it continues, and then dissolves into  the coda,  which is the furthest removed from the opening statement.. 
(I was going to call it 'water fantasy' due to it appearing to wander/meander.)  
My challenge was to create different moods employing a common template..

Water Odyssey ______________________________________________(take 2)

in her eyes ______________________________________________  (take 1)

"Für Penny" (2016)

baroque with splashes of other time periods

Fugue 'Gigue-Fantasy' ________________________________   (final 8 Ver 2 3

Completed in late 2017, the Magnet Sky Overture is a tone poem, in roughly four short parts (Andante misterioso – Allegro scherzando – Lento maestoso – Grandioso finale), depicting the modern web of social motion in our newly connected world.

Magnet Sky Overture

"Little Troll" by Grieg - Lyric Pieces, Op. 71 No. 3 - Orchestrated (2017)

Orchestration by John Driscoll (https://soundcloud.com/driscollmusick) of original piece by Mariza Costa-Cabral. The choice of all instruments is John's, as well as all richness of musical details, and the midi and sound files.

I wrote this piece for my husband.

The accompanying image was found on the internet without attribution.

I trust you like a flying trapezist - by Mariza Costa-Cabral, orchestrated by John Driscoll

Winter Waltz

BRAHMS Op. 60 Scherzo - Orchestrated (2020)

D'un Jardin Clair by Lili BOULANGER - Orchestrated (2020)

I am a composer and pianist.
The pieces here are instrumental - ensemble and some solo piano, and some electro-acoustic  pieces.  There is a variety of influences; each piece sets up its own parameters, stylistically, (which at times can be ambiguous).

Fugue 'Gigue-Fantasy' ________________________________ (final 8 Ver 2 3

Gregorio-X

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Mariza Costa-Cabral

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