تذكرني بكل الليالي المقمرة، وأيام الحجر وكورونا، وأحاديثنا الممتدة والمتشعبة

New Single From Dustin Tebbutt

Available now on iTunes: http://smarturl.it/bonestrack
www.dustintebbutt.com

Lyrics:
 Couldn’t find you 
Honesty
All the blisters
You were holding alone

Couldn’t find you
Honesty
Were you water
Were you breaking

My frozen bones
My broken mind
It pulls this frozen 
Weight on us 

Now I’ve spoken
What it meant to be
In your doorway
Standing taller than those
Long shadows

Couldn’t find you 
Honesty
Were you water
Were you breaking
Was it tearing out
At your feint skin
Are you out there 
‘Cause I’m shaking

 Website: www.dustintebbutt.com Facebook: www.facebook.com/DustinTebbuttMusic Twitter: https://twitter.com/DustinTebbutt Instagram: http://instagram.com/dustintebbutt

Bones

All Is Well

This is the title track of This Is The Kit's album BASHED OUT produced by The National's Aaron Dessner.

This Is The Kit is the much beloved musical project of Kate Stables, born in England and based in Paris, though the heart of their musical community remains in Bristol, UK. Bashed Out is her band’s third album, the result of an extended period collaboration with the record’s producer Aaron Dessner (Sharon Van Etten, Local Natives). Dessner--the co-founder of the Brassland label--is best known for his work in The National and, indeed, the backing band he gathered for Bashed Out combines the talents of This Is The Kit’s touring members (Rozi Plain, Jesse Vernon, Jamie Whitby-Coles), alongside a number of session players drawn from the Brooklyn music scene: Bryce Dessner, Thomas Bartlett (Doveman, The Gloaming), Matt Barrick (The Walkmen) and Ben Lanz (Beirut, The National) all made key instrumental contributions.

As notable as the band, however, is front woman Kate Stables, whose voice hearkens back to the classic singer-songwriter era--her distinctive, cutting vocals up front in the mix. It’s a self-confidence gained since her previous album, 2011’s Wriggle Out the Restless, which made her band a minor institution in the United Kingdom, especially on the radio which has embraced the group. This Is The Kit has received across the board support from BBC 6 DJs Lauren Laverne, Radcliffe & Maconie, Marc Riley, Cerys Matthews, and Mary Anne Hobbs--receiving further play from BBC Radio 1’s Huw Stephens, Jen & Ally, and Phil Taggart. "Wonderful wonderful stuff," said DJ and Elbow frontman Guy Garvey, before arguing their last album should have made the Mercury Prize shortlist.

On Bashed Out, the band continue their musical evolution into a synesthetic, shape-shifting entity—rooted in folk but encompassing elements of psychedelia, alternative rock, and electronic textures and sensibilities. The Line of Best Fit has called Kate's and TITK and "essential fixture of British folk music for the past 10 years…one of a handful of truly innovate songwriters working with the British folk template today."

Bashed Out

This Is The Kit: "Bashed Out" single

Follow me on Instagram - instagram.com/harrisonstormmusic


iTunes: http://apple.co/1KRMxRM
spotify: http://spoti.fi/1NAQ2LX

Produced and Mixed by Hayden Calnin
Mastered by Andrew Edgson at Studio301

Justin Lewis playing some g tar 
Ruby Whiting on backing vocals.

twitter.com/HarrisonStorm
facebook.com/harrisonstormmusic

Buy on iTunes

Sense of Home

and when she came round
i only noticed one thing
the blackest hair that i’ve seen
like something out of a dream
it kinda looked like the night
the time i rethink my means
so when she finally talked i internally scream
something bout u got me seeing energy
light beaming my vision untill i can’t see
don't go u could come with me
don't go u could come with me
don't go u could come with me
don't go u could come with me
black hair
black hair
its not where u are
its bout what u do
its not where u are
its bout what u do
its not where u are
its bout what u do
its not where u are
its bout what u do

black hair

Master & a Hound

Well nighttime passes, but the dark remains
and I was feelin’ like a little child, but I am loathe to place blame
on that lioness-esque woman, who will go here unnamed
she was looking in me for a lion, when she found it so tame

On that erstwhile May morning, I took the 6 downtown to Spring
and I was writing something elegiac, that I never learned to sing
but I think that it was this song, just four years premature
and I remember crossing out the line - “all is fair in love and war”

Well if all is fair in love and war
then I don’t know what we’re fighting for

Cuz my baby she’s a real peach
even when the night come crashin’ down
real peach
and the nighttime rolls away, alright
and we’re comin’ back to the demon-killing work of love
(my god)

Well nighttime passes and the dark retreats
I hand it over to my upper angel who visits me in sleep
we’re in the field beyond the right and wrong and the fallacy of form
you can call it what you wanna call it, I just say “all is fair in love and war”

Well if all is fair in love and war
then I don’t know what we are fighting for
So if we don’t care to fight no more
let’s go upstairs and let’s shut the door

Cuz my baby she’s a real peach
even when the night come crashin’ down
real peach
and the nighttime rolls away, alright
and we’re comin’ back to the demon-killing work of love
(my god) illuminate

The Rains

Real Peach

Beta Radio - Tongue Tied

Website: http://betaradio.com/
Facebook: https://www.facebook.com/wearebetaradio/
Twitter: https://twitter.com/betaradio
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That Moon Song

gregoryalanisakov

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