Project Crialla

Hi Guys!

Ain't no analog snyths this time! Just some soft melancholy with a few piano keys and pads here and there. I hope you enjoy this short lullaby!

Feel free to download lossless format as well!

Thank you for your great support!

Blank

Project Silent NOISE

Bjerke

Just another sunday electro chill, feel free to share and comment!

Buy on bandcamp

Sunday flow

A slightly scary and gloomy background music, it'll surely gives you the blues. Specially composed for horror videos, games with massive distortion and depressing tunes.

Please, feel free to comment and share, and most of all, repost! ;)
Cheers!

iTunes

Swamp of souls

A gloomy, rainy melody, featuring a Roland CR-78 drum machine. Also piano, ukulele, koto, a flute and the sounds of Dvorák Symphony Hall. I hope you enjoy this one. 

Please, feel free to comment and share, and most of all, repost! ;)
Cheers!

Tibetan rain

This track is a fusion of classical and electronic chill elements, featuring me as the male vocal. 

And thank you for the >10k plays. :)

Hope you enjoy!

The ferryman's dream

I hope you like this story as well. Just some tiny little thoughts of mine presented in melodic F minor. Feel free to comment and repost! Thank you very much!

Pleasure Blue

I hope you enjoy this story, nothing special just a journey to that deep forest I love.

Morgan's Forest

Spotify

Morgan's forest

Inspired by the legendary game from 1995: Hexen (my all time fav - I know, who cares). This track is absolutely recorded without any quantization (of course, the drumline is programmed). I hope you enjoy this one as well!

Seven Portals

I hope you like this story as well. Just some tiny little thoughts of mine presented on piano and shakuhachi.

Spotify: https://open.spotify.com/track/1Stma8fw51nYgG1IHz0zgS?si=371e51f717184b76

Angels of Grief

My first track in which I've used only hardware synths: Roland JV-880 and Clavia Nord Lead R2 with an AKAI MPK-61. Hope you enjoy this one. I tried to go back in time for a few decades and make a stuff that sounds like an 80's soundtrack. Feel free to comment and share! Thank you for your great support!

Download 24/96

First Encounter

Inspired by the legendary game from 1995: Hexen. This track is absolutely recorded without any quantization too (of course, the drumline is programmed). I hope you enjoy this one as well!

Drummand's cave

“Waltz of the Dewy Fawns” – a melancholic, dream-like piano miniature, as if dawn itself waltzed through a misty forest. Gentle, fragile, a bit bittersweet.
And hey – my stuff is finally on Spotify too, if you feel like indulging in more of these sonic daydreams.

https://open.spotify.com/track/6hxBadfEPLdrubBia1D0QU?si=a6f6ed9d36f644

Waltz of the Dewy Fawns

Thanks for 5,000+ plays here on the original version. 💙 If you enjoy the track, please follow me on Spotify 👉 https://open.spotify.com/artist/11aJaGrMtHdHyxyKkIpiyV – that’s where it really helps!
Also on YouTube: https://www.youtube.com/@GregoryBlank

Morgan's Forest (spotify edit)

🎧 Listen on Spotify 👉 https://open.spotify.com/album/21Fk7BM979YlZyMQ7NjoUT 

Step into the shadows of The Pass of Crialla – a dark cinematic ambient track with haunting textures and moody atmospheres. Perfect background for writing, world-building, or focusing while you work. 

#darkambient #cinematic #atmospheric #soundscape

The Pass of Crialla (spotify edit)

🎧 Listen on Spotify 👉 https://open.spotify.com/album/1fqLeWvMYIfJPggGZc7Atn

A piece of relaxing, atmospheric music for meditation, study or simply unwinding.

Tibetan Rain (Spotify edit)

🎧 Listen on Spotify 👉https://open.spotify.com/album/7r2KE6gqTmdCPhpprHdh1F

Inspired by the legendary game from 1995: Hexen. A dark cinematic ambient soundtrack with haunting textures and moody atmospheres.

Seven Portals (spotify edit)

This time I'd like to invite you to the great mountains of The Dark Priest's realm, right into Crialla's Pass. Hope you enjoy the journey.

For the artwork I used the extremly talented Darren Benton's picture, called Snowy Pass.

24/96 download

The Pass of Crialla

Hey, it was a hard one, but I enjoyed it a lot. For the drumline I used the Korg MS20 samples from my previous live session. This time I used the Slim Phatty with instant program changes through the recording session which was quite a pain in the arse.

I made the record without multitracking and overdubs and as you may already know, without quantizations. The Moog, the MS20 and the Nord flow into the DAW through a Focusrite Pro 40. The drumline and the bassline is sequenced from the DAW, cause I have only two hands. :)

Gears used (without being exhaustive):
- Leads, pads and the solo at he beginning: Nord Rack 2
- Main bassline, and deep bass sweeps: Moog SP
- Drumline: Korg MS-20 (kick / snare / hihats - own patches)

Greetings from Hungary, love you all!

Project District 21

Support

Project DiSTRiCT 21 - Live session V. (MS20, Moog SP, Nord R2)

Yesterday I sunk in my thoughts, grabbed my Minilogue and started playing. I enjoyed it quite a lot (and the damned cabernet franc as well) so I decided to hook up the Nord Lead 4R too. This happened. 

As you may already know, I made the record without quantizations, just to keep things simple and straight.

If you like my stuff, please share a coin on Bandcamp! I need more wine. :)

Greetings from Hungary!

Richard

Richard (Minilogue, Nord Lead 4R)

Hi Guys!

This is quite a strange one, I know. I tried to make a warm bell sound with my Nord Rack 2 and with her big sister, the Nord Lead 4R as well. The Nord 2 won. Again. Anyway, I used my old Slim Phatty for the creamy lead without quantizations. 

Used gears:
Moog Slim Phatty: the creamy lead impro
Roland JV-880 - vox
Korg TR Rack - pads (from 03:29)
Nord Rack 2 - Bells (all way long) and the crying lead (from 1:52)
LinnDrum - drumline (again) :)

You can download the lossless version from Bandcamp under the buy link.

Thank you for your great support!

Blank

Nikolaus (Moog SP, JV-880, TR Rack, Nord R2, LinnDrum)

Hi Guys!

It was a fast run and nothing happened as I planned. I tried to make a song using only my minilogue. I used my Akai MPK61 in split mode to be able to record the bassline and the lead in one take. I liked it a lot (yeah, it was fun) but than I turned on my Moog and damn, I was lost in a sec. I made a tiny little sequence for the Moog as well and I transposed it with the Akai while I was playing the bassline. I liked a lot how it worked, so I put the 707 behind it and after the main take, I run out of hands, so I programmed a sequence for the JV as well (the choir/vox stuffs). So at the end I managed to fuck up the whole live session and created this synth porn. I hope you like it this way.  

Maybe I'll made a live session from this piece but without the JV880, cause I only have two hands. :)

Used gears:
Korg Minilogue: Basically the spine of the track
Moog Slim Phatty: the 2nd (cleaner) bass sequence
Roland JV-880 w Vintage card: choirs and such
Roland TR-707: not the choirs

You can download the lossless version as well!

Thank you for your great support!

Blank

Helge (Minilogue, Moog SP, JV 880, TR-707)

A fragile piano theme unfolding in shades of silence and longing — Picture is a piece born from quiet rooms and wandering thoughts. Thank you for the countless plays and shares; it means the world. And now, you can also find it on Spotify: https://open.spotify.com/track/1681FsQVhOg8zp61lITxoZ?si=7af235cfef0d4b32

Picture

Gregory Blank is a Hungarian composer creating introspective, cinematic instrumentals where classical piano blends with warm strings and subtle ambient textures. His works evoke calm, melancholy, and moments of quiet wonder — designed for deep listening, reflection, or simply slowing down.

All music is self-composed and recorded in his home studio near Budapest, released gradually like faded letters from afar. He plays on two fields: sometimes with classical piano at the forefront, other times with synth-driven detours — but always circling back to the same atmosphere of quiet melancholy. And yes — even these pieces have begun to appear on Spotify (not all yet, but the collection is steadily expanding).

Gregory Blank

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