Supernatural.  interplanetary, extraordinary.  💙💙

Greg ..Have a smashing time at Concorde today 🤩

What track is this please Greg? I love it!

...  [078] Psychemagik - Mink & Shoes (Dub Mix) [082] Stephanie Mills - Put Your Body In It (12" Version) [086] ? ...  [095] Tyrone Brunson - The Smurf (Single Version) [097] ? ...  [101] The Streets - Turn The Page [Pure Groove T/A Locked On] [104] Shuya Okino - Still In Love [Soul Heaven] [114] Marvin Gaye - Got To Give It Up [118] ? ...  [128] Shocking Blue - Love Buzz (2024 Mix) [Red Bullet] [131] ? ...  [140] Brass Construction - Changin' [People Love Music] [143] ? ...  [146] Tamiko Jones - Can't Live Without Your Love (12" Version) ...  [157] Charles Earland - Let The Music Play [Mercury] [163] Yazoo - Situation (Original US Dub) [Mute] [166] Charanjit Singh (Synthesizer) - Raga Bhairav [Saregama] [169] Alfonso - Keep The Fire [Electric Friends Music] [176] Roberta Flack Feat. Donny Hathaway - Don't Make Me Wait Too Long [Atlantic] [183] Roberta Flack - Killing Me Softly With His Song

Ähnliche Tracks: Dave-Allison-Clubbing Shanghai guest mix

Mousse T recorded live at Djoon Club, Paris
Saturday March 8th, 2014
more infos on www.djoon.com

Free Download

Mousse T @ My Grooves, Djoon, Saturday March 8th, 2014

Sunner Soul pres Make Me Feel EP [VMR115]

This mix starts off on the deep side and then gets more soulful on the half hour mark. Enjoy x

DISCOSCENE #005 - DEEP & SOULFUL HOUSE

SB@Youtube

Superbreak Radio Show Episode 094

Live recording from a special daytime event at The Social in London. 

I never normally record the audience in my mixes, but, for some strange reason, there seems to have been a mic active on my device picking up the crowd. My aversion to this is that, apart from the general ambience of the room, it also picks up people chatting in or around the booth, especially in a small compact space like we were in. I hope this isn’t distracting, but, weighing things up, it was such a good day, and its so long since I’ve uploaded a mix to SoundCloud, that I think it’s only right to share regardless.


AN AFTERNOON AT THE SOCIAL LONDON 01.03.25 (greg wilson live mix)

Dave-Allison-Clubbing Shanghai guest mix

Listen back to Natasha Kitty Katt’s live set from Ministry of Sound for Future Disco! 
A true Katt trip through the tracks she’s been loving lately—don’t miss it! 🎶✨

Natasha Kitty Katt - Live at Ministry of Sound - Future Disco

Slightly Transformed
ST Radio EPS 30 - Ben Jamin
Find Ben Jamin - https://soundcloud.com/ben_jamin_edits

ST Radio EPS 030 - Ben Jamin

Recorded live poolside at Pikes Hotel Ibiza on June 24th 2025. I played 3 hours from late afternoon into early evening on a very very hot day !  
First 45 minutes was all styles before settling at 100 bpm (ish) for the rest of the session.
The whole 13 hour day was amazing with superb sessions from DJ Gripper, Legendary Italian producer Don Carlos, Ibiza overlord Andy Wilson, and ace DJ and producer Willie Graff.

Andy Kidd - Live poolside session @ Pikes Hotel Ibiza,  June 24th 2025

Over Three Hours Live At Itty Bittys, Waterford On The 4th May, 2025

DiscoDaze - Live @ Itty Bittys, Waterford, 04.05.25

Stories of Vice

Full recording from the Freeze promoted party at The Garage in Liverpool on 05.12.15 to mark the 40th anniversary of my first club appearance on December 6th 1975. For further info: http://www.gregwilson.co.uk/2015/12/40th-anniversary-weekend-recorded/

Check out my label's music at: https://superweirdsubstance.bandcamp.com

5 HOUR 40TH ANNIVERSARY @ THE GARAGE LIVERPOOL 05.12.15 (greg wilson live mix)

TRACKLIST & DOWNLOAD HERE: blrrm.tv/dimitri

Dimitri From Paris Boiler Room London DJ Set

Recorded live at the famous Pikes (where Whams "Club Tropicana" was filmed) alongside the blossoming Melon Bomb crew. Get to know these guys!

www.facebook.com/Melon-Bomb-413662...470309/?fref=ts

TRACKLIST

EW&F - In The Stone (The Reflex Revision)
Dave Gerrard - What You Gonna Do
DP - Da Funk (Fingerman's Classic Edit)
Fingerman - Button Pusher (Dr Packer Remix)
Massimo Vanoni - I See You (Fingerman's Disco Odyssey Re-Edit)
Chris Shennan - Without Luv
DB - Golden Years (The Reflex Revision)
Stone Roses - Fools Gold (Copycat & Secret Cinema Rework)
A&R Edits - It's Your Favourite Foreign Movie (Fingerman Edit)
Late Nite Tuff Guy - Thats A Groove
Grace Jones - Pull Up To The Bumper (Joey Negro Remix)
Melon Bomb - Breakin' It Down
Chewy Rubs - Future Freak
Fingerman - Mainliner (Bonus Tool)
Fingerman - Nine Oh Nine
Appo - Sunshine
Jo Bisso - The Mystery With Me (Ooft! Beautiful Love Edit)
Late Nite Tuff Guy - Do I Believe In God?
Fouk - Gruff (Snacks Remix)
Goldboy - We Are Serious
J-Kriv & The Disco Machine - Can't Give It Up (Dicky Trisco Mix)

Fingerman @ Melon Bomb At Pikes, Ibiza 6/5/16

Recording from socially distanced event at Escape To Freight Island @ Depot Mayfield in Manchester 08.08.20.

A socially distanced gig is strange, but it’s all we have for now. With people required to be sat at tables and dancing a no no, a different approach was required, where I could be a bit more free-flowing in what I played without a dancefloor to take into consideration. I started off at Freight Island with a Beach Boys favourite from ’68, ‘Do It Again’, harking back to their surf style of the earlier ‘60s, having scaled the heights and sailed the psychedelic seas in the intervening years, ‘Do It Again’, with those wicked drums, carried a weight of nostalgia and a hint of melancholy – an after the summer song if you will, about a time that can never return. This seemed an appropriate starter for the situation we find ourselves in – dancing in a club or a field already a memory.

This booking, my first since I got back from Australia in March, fell just a few weeks on from the death of Denise Johnson. This was a big shock – she was literally just about to release her first solo album ‘Where Does It Go’, and nobody could have imagined that this would be issued posthumously. Denise came to the clubs I was playing at in the early-‘80s and I remember her first band Fifth Of Heaven from the latter years of the decade. She guested with likes of New Order, Electronic, Ian Brown and A Certain Ratio, but will forever be remembered for her contribution to Primal Scream's ‘Screamadelica’ in ’91.

It has to be said that the Manchester Evening News and a number of publications including The Guardian, The Independent and the NME were shambolic in reporting her death, running a picture that wasn’t Denise. I know that Dave Haslam, the former-Hacienda resident who DJ’d before me that day was one of the first to point out this insensitive blunder on social media, which evoked long-standing black stereotypes and must have been horrible for her family and friends.

I, of course, wanted to play something in memory of Denise, as I had with Andrew Weatherall following his death earlier this year. That two of the key contributors to ‘Screamadelica’ had passed within a matter of months is still difficult to take in, the chaos of the times we’re experiencing amplifying the unreality of things.

Rather than a Primal Scream track I picked out a lesser-known personal favourite Denise recorded for Creation Records with Hypnotone, 1990’s ‘Dream Beam’. The Primal Scream hook-up came about when Hypnotone performed at Danny Rampling’s legendary acid-house party Shoom in London, with Denise impressing. Hypnotone faded into the memory as she scaled the heights with the ‘Screamadelica’ LP and subsequent recordings with Primal Scream. The Jesse Jackson speech over the top of Hypnotone was unplanned, but randomly reeled up on my tape at that point for me to appropriately add its Weatherall reference.

The mix then heads off in its own direction, which turned out to carry a recurring jazz-funk theme via big back in the day tracks from George Benson, The Crusaders, Sea Level, Rodney Franklin and MFSB. These are tracks Denise would have instantly recognised from when she first started going out to the clubs. The late-'70s Jazz-Funk scene in the city, with Colin Curtis and John Grant at Rafters and regular all-dayers at The Ritz, a far too rarely mentioned, a part of Manchester’s musical lifeblood.

My next gig was supposed to be a socially distanced Halloween fancy dress at Camp and Furnace for the Liverpool Disco Festivall, but the new COVID-19 restrictions placed on Merseyside put paid to that. The good news is that it’s now been re-arranged for the final weekend of November, which falls around on the Festival’s 4th anniversary, so all is not lost and there’s something to look forward to after restrictions are lifted. Tickets/details here: skiddle.com/e/13892893

ESCAPE TO FREIGHT ISLAND @ DEPOT MAYFIELD MANCHESTER 08.08.20 (greg wilson live mix)

Live recording from the Stonebridge tent at Glastonbury Festival 2013.

Read the accompanying blog post, 'Glastonbury - The Greatest Show On Earth' here:
http://www.gregwilson.co.uk/2013/07/glastonbury-the-greatest-show-on-earth/

Check out my label's music at: https://superweirdsubstance.bandcamp.com

GLASTONBURY STONEBRIDGE 27.06.13 (greg wilson live mix)

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

AN AFTERNOON AT THE SOCIAL LONDON 01.03.25 (greg wilson live mix)

gregwilson

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