slapping the bass... superlative !!!🇮🇹🇮🇹🇮🇹

So deep and delicious! One of this dj’s fave traxx ✌️🤟😊

its all U need to get in a good mooood❤️❤️❤️

www.facebook.com/livegeza 
www.mixcloud.com/djCorey/ 
www.twitter.com/djCoreyhun

Disclaimer 
The dj set, mashup bootleg or remix was created only for entertainment purposes for my friends and myself. 
I do not have any financial benefit from this activity, and I wish to express my respect to the copyright owners of the tracks.

Jogi nyilatkozat. 
A dj set vagy mashaup bootleg, remix kizárólag saját és barátaim szórakoztatására készült. 
Kereskedelmi forgalomba soha nem kerül. Egyéb haszonszerzési célzattal sem használom fel. 
A hangminták, zeneszámok szerzői jogait semmilyen módon nem kívánom, kívántam megsérteni.


Crusaders - Street life (CAW Re-edit Re-dub)

~~~~~~~~~~~~~~~~~~~~~~~~~~~~ www.revibed.com ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Now available on Revibed!

🎶 Gypsy Nights – Island In The Sun

Release: Island In The Sun
Label: Evador Records
Genre: Funk/Soul
Year: 1982
Country: US

Reviving music that was only ever released on vinyl or cassette in an era when there was no such thing as digital databases presents a unique but important challenge: tracking down the original artists. 

So we are calling on all music lovers across the globe to become part of the history of this release and help us bridge this gap.

Do you have any info that could lead us to this artist or the people behind the original label? Then we would love to hear from you! Send us a DM or get in touch via artists@revibed.com to help bring this sought-after jam back. 🔎

Buy Here

Gypsy Nights – Island In The Sun (1982)

Boz Scaggs ‘Lowdown’ (greg wilson edit)

115 bpm

Previously limited vinyl only 2008.

This is a straightforward, no added elements extension of ‘Lowdown’ that I knocked together back in 2004, and which would later be shared on limited vinyl in 2008 as ‘Blue Eyed Boz’, issued on the same 12” as ‘Adriano Italiano’ to launch the GW Ruff Edits series. It’s popped up in a few of my live mixes down the years, and features in the East Village London mix on here from last December.

'Lowdown' was released in the UK 35 years ago, in September 1976. Between January 2006 and September 2007 I compiled a series called Time Capsule for Samurai FM, where, month by month, I revisited the tracks I used to play in the clubs exactly 30 years earlier. It was a real labour of love, for not only did I have to research and often re-source the music included (I had a load of records stolen in 1985, so there were big holes in my collection), I also wrote an accompanying piece every month looking at the records featured, and how my fledgling DJ career was shaping up. 'Lowdown' was a single I used to play at the time in my New Brighton residencies, the Chelsea Reach and the Penny Farthing. Time Capsule covered the period I was at the Chelsea and the Penny, leading up to when I took over at the Golden Guinea, where I’d spend 3 memorable years before embarking on my Wigan / Manchester adventure in the early 80’s. 

I’d hoped to take Time Capsule all the way through 1977, but the workload became too much and I found myself unable to meet the monthly deadlines, so I reluctantly had to stop at Sept 77, with the intention of getting back to it in the future if I ever have sufficient time on my hands. Even if this turns out to be all I ever manage to do, Time Capsule, as I left it 4 years ago, still stands as a snapshot archive from a key moment in dance culture, as the Disco era gained full momentum and the 12” gradually began to take over from the 7” in the affections of British DJ’s.

All the programmes, plus ‘First Impressions’, which inspired the series, can be accessed here:
https://www.mixcloud.com/gregwilson/playlists/greg-wilson-time-capsule/

Here’s what I wrote about ‘Lowdown’ for the Sept 76 Time Capsule:
“Regarded as one of the classic Blue-Eyed Soul singles, 'Lowdown' by Boz Scaggs, despite its popularity on the UK club scene, peaked at a somewhat disappointing position of number 28 on the British chart. By contrast, the single had reached number 3 stateside, with the album it was taken from, 'Silk Degrees', becoming an American classic, which sold more than 5 million copies and spent over 2 years on the chart! Picking up a Grammy for Best Rhythm & Blues song, 'Lowdown' was recorded with a team of session musicians, who would later form the nucleus of the hit band Toto. In the early 60's, Scaggs, who was Ohio born, had left his Texas home to briefly join London's burgeoning R&B scene, returning to record his debut solo album, 'Boz' in 1965. He'd later appear on the first 2 Steve Miller Band LP's, 'Children Of The Future' (1968) and 'Sailor' (1969), before continuing his solo career with a series of albums for Atlantic Records. However, it wasn't until he signed to Columbia that the commercial acclaim, which had previously eluded him, finally came thanks to 'Silk Degrees'.”

Greg Wilson – September 2011

Check out my label's music at: https://superweirdsubstance.bandcamp.com

Boz Scaggs 'Lowdown' (greg wilson edit)

Raw Silk 'Do It To The Music' (greg wilson edit)

114bpm

Never previously shared

I know there are quite a few edits of ‘Do It To The Music’ knocking about, a couple of which I’ve played out myself (Frico & Kid Color), but here’s the one I put together back in 2006 that’s popped up in a couple of my mixes, just a ruff from the vinyl incorporating both the main vocal mix and the dub, with no added elements. I only ever intended it to be for my own personal use, rather than something I considered pressing up (otherwise I’d have tried to get hold of a slightly cleaner copy to work from). The reason I’d discounted it for inclusion on a limited run 12” was because I’d thought about the track as a potential candidate for the first Credit To The Edit album the previous year, but I’d already used the acappella from the beginning of the dub over DMX Krew’s ‘Who Got The Funk’, the combination becoming Raw DMX ‘Do It To The Funk’ – the first track I played on my DJ comeback at Music Is Better (see: http://www.gregwilson.co.uk/2011/09/music-is-better-re-edited-highlights), and subsequently a key C2theE track. I figured an additional Raw Silk edit would be overkill, so the idea was shelved. But now we’re at a different point in time and I’m sharing edits here on SoundCloud, so here it is.

Mixed by Nick Martinelli & David Todd and released in the US on Mel Cheren’s West End label, ‘Do It To The Music’ was picked up on import by specialist DJ's in the UK, but following its release here on KR it’d crossover to the more mainstream clubs, and eventually enter the Top 20 of the charts here. West End was the source for so many classic underground cuts during my time at Legend and Wigan Pier (Peech Boys, Brenda Taylor, Stone, Shirley Lites, Barbara Mason, Forrrce, DJ Divine etc), and it was right up there with the likes of Prelude and Tommy Boy and as one of the most essential labels of the era as far as the black scene here in the UK was concerned.

So, without further adieu; no time for criticising, music's hypnotising, everybody's temperature's rising, so get down.

Greg Wilson – October 2011

Check out my label's music at: https://superweirdsubstance.bandcamp.com

Raw Silk 'Do It To The Music' (greg wilson edit)

"Get Down Edits - Life Is Good"

Remix by Darren Daz Dalton

Let me take you to a place I know you want to go
it's a good life

I wanna stand around and beg you
just don't say no
no no
no no.
I have got a feeling that you're gonna like it what I'm doing to you

And I know what I'm doing
I'll be doing what you want to me to do.

Love is shining
life is thriving in the good life
good life

Good life
good life
good life
good life

in the good life
good life.

Bandcamp

Get Down Edits - Life Is Good - Low Res Preview

Barry White-It's Ecstasy(SteEdgeSlowItDownEdit)

After some spectacular releases on his own Magic Circles imprint and Paper Music, Smashed Atoms explodes onto Hot Digits with Cut This Way. Also featuring some superb remix action from Get Down Edits featuring Micko Roche and Chopshop regular Dave Gerrard!

HOTDIGIT037 Smashed Atoms - Cut This Way (Preview)

2020 Update: Now available on limited 12" vinyl for the first time. Released 17th January on A&R Edits, coupled with Moplen's edit of Tavares' 'It Only Takes A Minute Girl', which you can check out here: https://hearthis.at/ar-edits/123-the-tavares-it-only-takes-a-minute-girl-moplen-edit

Buy the vinyl here: https://a-and-r-edits.bandcamp.com/

David Joseph’s ‘You Can’t Hide (Your Love From Me)' is a track I’ll forever have a strong personal association with, given that it was with 2 copies of this 12" that I made my claim to fame as the 1st UK DJ to mix live on TV – on February 25th 1983 at Newcastle’s Tyne Tees TV studio, on the classic British music show, ‘The Tube’. Full story and YouTube clip here at Electrofunkroots:
 http://www.electrofunkroots.co.uk/articles/on_the_tube.html 

Last April I was sent a link to an edit by Italian DJ Moplen™ and was, as you can imagine, intrigued when I saw what it was - David Joseph – ‘You Can't Hide (Your DUB From Me)’. Utilizing the Larry Levan mix (I’d used original UK twelves on The Tube, the Levan mix wouldn’t come until later, when the track went big in the NYC clubs), Moplen had done a fine job, but unfortunately I couldn’t play it. 

I replied to his mail, explaining that because of my connection to the track I would need the vocal in there at some point, otherwise the dancefloor might feel short changed. The whole dub vibe teases things up a treat, but the money shot of the song is a must for my own purposes. Moplen was getting a great reaction to the edit as it was, and rightly so – check it out here:
http://soundcloud.com/moplen/david-joseph-you-cant-hide-moplen-edit  

So, for my own personal use, I edited Moplen’s edit to incorporate the full vocal, and the resulting version became one of my big festival tracks of 2011, and something that’s appeared in a number of my live mixes.

This track has come a long way with me since I was first sent a UK promo by Island Records 29 years ago.  

Check out my label's music at: https://superweirdsubstance.bandcamp.com

David Joseph 'You Can't Hide (Your Love From Me)' (greg wilson edit of moplen edit of levan mix)

Decided to re-visit this  my first ever edit 
Totally from scratch new intro and outro hope ya dig
march 2018

Free

Sexy Eyes  (Chuggin Edits)

Available on limited edition mint 10 Inch vinyl, download

Hello there! Volume 4 of our Too Slow To Disco 10 Inch Edits series is around the corner. This time with two great reworks by Parisian AOR-DIsco magician DoctorSoul. You can preorder the mint beauty (limited to 500 copies) below now!

Preorder here: https://tooslowtodisco.lnk.to/Edits04

Side A: 
Saturday Morning (DoctorSoul Wot Yow Life Can Truly Be Re - Therapy)       

Side B: 
Plus d'Un Milliard de Filles (DoctorSoul Mais C'est Toujours La Même Re - Therapy)

25.10: Release 10“ 
26.10: Release Party Berlin: Monarch
01.11: Release Digital Traxsource exclusive 
08.11: release digital all important dance shops

DoctorSoul is one of the hottest Parisian Disco & Soul producers, who releases his music a.o. on Yam Who?’s überhip Disco Label MIDNIGHT RIOT RECORDS from London. His releases often reach the Disco DownLoad Charts, he just reached No 1 in the Traxsource charts with “Secret Friend”. He has his own unique production style, which is always on the dubby side if things, but still very poppy and true to the original. A difficult balance, that he masters like not many others.  One of the reasons for this special sound might be the fact that he was born and raised in West Africa. On the musical production side, DoctorSoul has collaborated with many artists/ bands from diverse genres (Funk/ Disco/ Boogie/ Rock/ Rap and even in Jazz) in bringing production remixes for the likes of legendary Brazilian pianist virtuoso TANIA MARIA, singer JEFF CASCARO, or Soul/ Westcoast music band MANDOO, and Disco/Funk veteran act INTERVIEW (among others...). 
Dj Supermarkt’s sets are full of his productions for years now, but it was when he heard DoctorSoul’s amazing, totally unique production work for “Saturday Morning”, that he immediately called him to save that track for a new TSTD EDITS 10 Inch.
His tracks are spinned all around the globe by renowned DJ colleagues such as Lenny Fontana, DJ Supermarkt, Ashley Beedle, Ursula 1000, Yam Who? Jaegerossa, Mannix Kling, JM Soul, Disco Daze, ChuggingEdits, Limpodisco, Ruff Diamond, The Cool Million a.m.m. 


• Follow on Facebook, Instagram and more https://tooslowtodisco.lnk.to/SocialYD
• Official Website https://tstd.lnk.to/WebsiteYD

This is the Official Youtube channel for Too Slow To Disco. Subscribe Now to be kept up to date with all of our latest releases, new finds, music videos and more https://tooslowtodisco.lnk.to/YoutubeYD

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shop it here

TSTD EDITS 04: Side A - Saturday Morning (DoctorSoul What Yow Life Can Truly Be Re - Therapy)

I want to thank everyone who has listened and downloaded this  , this will be the finally version for Soundcloud unfortunately after being told I could put it on M+M IV they changed there mind why don't know its like that .  so I am offering it for free if it is released all I ask is that you support it and the woks of all those who bring you some great music.. But please do Support my M+M Vol IV release ....

Al Green - Lets Stay Together John Morales M+M Mix 2017

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Boz Scaggs 'Lowdown' (greg wilson edit)

gregwilson

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