love all three tracks of a same but though this does a bit more

Complete collection of Greg Wilson Remixes 2005-2013.

Accompanying blog post: http://www.gregwilson.co.uk/2014/03/greg-wilson-versions-2005-2013/

40 tracks in total.

Check out my label's music at: https://superweirdsubstance.bandcamp.com

Greg Wilson Versions 2005-2013

Accompanying blog post: http://www.gregwilson.co.uk/2014/03/greg-wilson-versions-2005-2013/

Discogs: http://www.discogs.com/xx-Shelter-Night-Time/release/2821374

Check out my label's music at: https://superweirdsubstance.bandcamp.com

The XX 'Night Time' (greg wilson version 2010)

Accompanying blog post: http://www.gregwilson.co.uk/2014/03/greg-wilson-versions-2005-2013/

Discogs: http://www.discogs.com/Grace-Jones-Williams-Blood/release/1558656

Check out my label's music at: https://superweirdsubstance.bandcamp.com

Grace Jones 'Williams Blood' (greg wilson version 2008)

Accompanying blog post: http://www.gregwilson.co.uk/2014/03/greg-wilson-versions-2005-2013/

Discogs: http://www.discogs.com/Escort-Cocaine-Blues/release/2511209

Check out my label's music at: https://superweirdsubstance.bandcamp.com

Escort 'Cocaine Blues' (greg wilson version 2010)

Accompanying blog post: http://www.gregwilson.co.uk/2014/03/greg-wilson-versions-2005-2013/

Discogs: http://www.discogs.com/Greg-Wilson-Credit-To-The-Edit-Volume-2-Vinyl-2/release/2238238

Check out my label's music at: https://superweirdsubstance.bandcamp.com

40 Thieves Feat Qzen 'Don't Turn It Off' (greg wilson version 2009)

Accompanying blog post: http://www.gregwilson.co.uk/2014/03/greg-wilson-versions-2005-2013/

Discogs: http://www.discogs.com/1Gnition-Secret-Sunday-Lover/release/1014257

Check out my label's music at: https://superweirdsubstance.bandcamp.com

1gnition 'Secret Sunday Lover' (greg wilson version 2007)

Support & buy it here: 
https://alanmooney.bandcamp.com/track/alan-mooney-every-time

For DJ Bookings, contact: bookings@queenanddisco.com

Get It here 

Every Time

112 kbps files for preview - don't be a dunce!

RNT and Lovebirds, together at last, with a 12 Inch EP that oozes summer (it's summer somewhere right?) from every groove! On the A side, the familiar erotic boogie grooves of 'Funk So Pretty' tickle you in the purple place. On the flip, 'Free' sculpts an overlooked 80s jazz pop tune into a shimmering shuffling world beat masterpiece, and then we get down n dirty once again with Donwanchooback. Cop it and rock it. As ever it's pressed on 180 G vinyl and hand stamped label.



Lovebirds - Funk So Pretty

112 kbps files for preview - don't be a dunce!

Early support from Mark Farina, Rahaan, Opolopo, Bonar Bradberry, Jacques Renault, Cosmo Baker, Mousse T, Ron Basejam, Yam Who?, Inkswel, POOLS, Dicky Trisco, Harri (Sub Club), Dirtytwo, Michael Serafini (Gramaphone), Marcel Vogel, Futureboogie, Magnier (House of Disco), David Harness, Kolour, Sleazy Beats, Daz-i-Kue, DJ Rocca, Nathan G, Kiko Navarro aka KOKO, The Glue, Zoo Look, Cole Medina, Ionik (Kojak), Chrissy (Nite Owl Diner)...

RNT is turning 10 releases old with this special and varied EP from Michael the Lion aka  @djaptone. Known recently for his work on Soul Clap records, Michael flexes his edit skills on this one, flipping some funk on the A-side with “Any Time,” and serving up classic italo cheek with “The Don.” The B-side erupts with the disco-house-bringer-downer “Get More” and finishes smooth with a fresh take on a well-worn sample with “909s and Herb,” a co-production with Sammy Bananas, of Fool’s Gold Record fame. This milestone record is a choice celebration of the quality that the RNT label has come to personify.

Michael The Lion - 909s And Herb (feat. Sammy Bananas) - DIGI OUT NOW

SWS002 - Sweet Tooth T 'She Can't Love You / Feel The Same', the second release on the new Super Weird Substance label - release date July 6th 2015. 

Vinyl & Digital available here: http://bit.ly/SWS-002
Compilation CD available here: http://bit.ly/SWS-CD001

This is the full length Greg Wilson club mix, you can hear the radio version on YouTube: https://www.youtube.com/watch?v=MvNt2fcqMhM

When disco was declared dead in 1979, dance music was forced back underground, leading to one of its most creative periods. Moving into the eighties, post-disco producers were allowed to explore the new technologies emerging at the time with little corrupting influence from the mainstream and New York became a hub for the new electro-funk and boogie sounds.

Having built his reputation playing the latest US dance imports at Wigan Pier and Manchester’s Legend and Haçienda in the early eighties, DJ Greg Wilson is indebted to that sound and has paid homage to many of the cult hits of the era through his reworks and edits.

Greg had originally intended to edit Chemise’s 1982 underground cut 'She Can’t Love You', cherry picking the best parts from the original and dub mix. However this proved unsatisfactory, so instead he decided to take on a full cover, approaching Tyrrell; the guy who did such a brilliant job of recreating Massive Attack and the Rolling Stones - mashed up with Amerie - on his 2005 P.T.A release, which Greg then reconstructed into 'Two Sides of Sympathy', one of his most enduring edits.

Having recorded the backing track back in 2011, he needed to find the right vocalist. His first thoughts were to approach Adeline Michele, the singer from Brooklyn disco outfit, Escort. This never materialised and, apart from a fleeting fancy for recording it with NYC based Lady Miss Kier, formerly of Deee-Lite, the track was put in mothballs for a couple of years, until he dug it out just a few months ago to play it to The Reynolds, who’d sang so superbly on his track 'Summer Came My Way'. Katherine Reynolds took on the lead and Greg instantly knew the song had found its voice. Not only that, Katherine also expertly weaved lyrics from Triple X’s 1999 'Feel The Same' into the track to give it a new twist.

Greg road-tested the recording in a club for the first time in London last December and it’s since become a crowd favourite - the release is greatly anticipated by DJs and dancers alike. Kermit Leveridge, who has worked with The Reynolds on his Blind Arcade project chipped in with the rap section the girls add and also features on a further mix of 'She Can’t Love You', this time coupled with his own 'C’mon Sway' lyrics. Sweet Tooth T is a project channeling the hallowed sounds of New York in the early eighties but - like with Greg’s DJ sets - the sounds from this groovacious past have been reimagined in a contemporary manner.

Check out our Super Weird sounds at: https://superweirdsubstance.bandcamp.com
Stay up to date with the latest at: http://www.superweirdsubstance.com

Sweet Tooth T 'She Can't Love You / Feel The Same' - Greg Wilson Club Mix

Music Cool Mix 409

with https://soundcloud.com/bluebirdisnearby

Stream / Download

Be You (feat. Park Sang A)

"GIVE IT TO YOU" Out April 11th exclusiv to JunoDownload on Midnight Riot Records alongside 3 other disco jams! 

LISTEN TO AND ADD TO YOUR SPOTIFY PLAYLIST: 
https://open.spotify.com/track/25pzB8OzTFEfS4Eab1tunm

TRAXSOURCE: http://www.traxsource.com/title/606150/give-it-to-you

Review:
"You can always rely on the Midnight Riot label to pick up a party. Seriously they'd get people dancing in a morgue. Here label favourite Ziggy Phunk turns in four sweet and tasty reworks of obscure 80s dance cuts. "Give It To You" is a soft focus helium-voiced disco cut that puts The Bee Gees to shame, "Some Kinda Lover" is nearly seven minutes of tight and sharp 80s electro-soul, "Sneak Preview" is a shiny filtered pop gem that bears more than a passing resemblance to early Madonna, and "Stand Up" is a sped up celebration of guitars and trumpets".

// AMORE

Ziggy Phunk - Give It To You [MIDNIGHT RIOT RECORDS]

Part of Fingerman's Hot Digits: Year Three compilation album (see Buy link)

Acid Baby

Originally released in 1983 'Stop Bajon (Primavera)' became a favourite in Rimini Discotheques, Balearic Islands and even Chicago during the early house days.  It was an anthem on what went on to become the Italo Disco movement. The original mix is still revered and played to this day by DJ's such as DJ Harvey at his Mercury Rising night at Pikes, Ibiza. Blenda Jackson is a partnership between Nude Disco & Paul Harris, 'Stop Bajon' is their first work under the new moniker which will focus on re-edits of their favourite classic tracks.

Tullio De Piscopo - Stop Bajon (Blenda Jackson Re-Edit)

The Soup Dragons - I'm Free (Hifi Sean Sunset Dub) SC Teaser

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Escort 'Cocaine Blues' (greg wilson version 2010)

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