12 years in and I still love listening to this set - Timeless*

Dave Lee plays an exclusive set from his famous Record Room. 

Featuring lots of upcoming and unreleased music fresh off the mixing desk!

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Dave Lee socials:
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Z Records Website: https://www.zrecords.ltd.uk/
Z Records Insta: https://www.instagram.com/thezrecords/
Z Records Facebook: https://www.facebook.com/thezrecords

The Music played -

GWEN MCCRAE “DOIN IT” JN SOULFUL REPRISE
APX “PUT YOURSELF TO THE GROOVE” JN FUTURE BOOGIE EDT
LEROY BURGESS “ONE + ONE” DAVE LEE EXTENDED MIX
MARCEL KING “REACH FOR LOVE”
SYBIL “FALLING IN LOVE”
KON & THE GANG / RICK JAMES “WE LIKE IT”
DAVE & OMAR “STARLITE”
STAPLE SINGERS “SLIPPERY PEOPLE” PACKER EDIT
METROPOLIS “I LOVE NY” REFLEX REVISION 
ROLAND WRIGHTANGLE “IN YOUR BLOOD”
COLONEL ABRAMS “BAD TIMING”
SHARON REDD “BEAT THE STREET”
PHLASH AND SHEA SOUL “RUNNIN”
KYM MAZELLE “I’M A LOVER”
CHERRELLE “I DIDNT MEAN TO TURN YOU ON”  DAVE LEE EDIT
STANLEY CLARKE “NEW YORK” DAVE LEE BOOGIEFIED MIX
PARIS FORD “IF WE GOT TO FAR” PAL JOEY MIX
RHYZE “DO YOUR DANCE” MOODENA MIX
DOUG WILLIS “DOUGDASTARDLY BEATS”
FOREAL PEOPLE “IN THE MOOD TO GROOVE”
DOUG WILLIS “THE MIGHTY DOUGLAS”
THE DELLS “ALL ABOUT THE PAPER” JN EDIT
THE VISION “MOUNTAINS” DAVE LEE LIVE & DIRECT MIX
KERRI CHANDLER “ESC” WITH JN LINDA CLIFFORD “WON’T LET GO” ACCAPELLA
GUY “GROOVE ME” KAI ALCE REMIX
TEN CITY “BE FREE”
ARKANOID. “THEME FROM ARKANOID”
PATRICK COWLEY “CAN YOU FEEL IT”
FAZE ACTION “I WANNA DANCER”
HERBIE MANN “STOMP YOUR FEET” DAVE LEE TRIBUTE TO PATRICK ADAMS MIX
FRANCINE MCGEE “DELIRIUM”
KABBALA “ASHEWO ARA”
WE ARE KING “MISTA CHAMELEON” DJ SPINNA MIX
DAVE LEE “POWER OF THE MIND” MOODY MIX
CRAKAZAT “TIGERS EYES”
LONI CLARKE “SEARCHIN”
UNDERGROUND RESISTANCE “HI TECH JAZZ” 
SUNBURST BAND “HE IS”
KENNY LATTIMORE “DAYS LIKE THIS” MAW MIX 
LONNIE LISTON SMITH “SPACE PRINCESS” JN SPACE GODDESS
VOYAGE “FROM EAST TO WEST”
MACHO “I’M A MAN” DL EDIT
LINDA CLIFFORD “SHOOT YOUR BEST SHOT”
NORTH AND CLYBOURN “O BAN 1”

Dave Lee ZR in the mix, The Record Room Sessions #2

ESSENTIAL MIX - JAN 2009
Uploaded on 17.01.10 and exclusive to SoundCloud. Available for the first time without voiceovers and jingles,12 months on from original Radio 1broadcast on 17.01.09.


EMAILSHOT A FEW DAYS AHEAD OF MIX BEING AIRED:
2009 kicks in for me this weekend with my first gig of the year for Udio (1st birthday) at The Gramaphone Club in Shoreditch, London on Friday night, which coincides with the airing of my only just completed in the nick of time Essential Mix on Radio 1, made up of 43 tracks in just under 2 hours.

Given that the 5th anniversary of my DJ comeback has only just passed, I decided to take the opportunity to make the mix totally representative of this period, with all the selections being amongst the biggest tracks I’ve played since I made my second debut at Music Is Better in Manchester.

Five years represents a significant package of time, a fixed point from where I can reflect on what’s been a continually snowballing sequence of events, set in motion when Danny Webb asked me to appear in Manchester on that December night back in 2003.

There were less than 100 people there that night, but they were the right people, and I was taken aback by the response to my return, both on the night itself and during subsequent days, when people who were there began to post on the forums. I’d never expected all the feedback be so totally positive!

I’d figured that I’d play that night, using the combination of laptop and reel-to-reel for the first time, then go away and think about what worked and what didn’t before I made my next move. I would never have believed that things could come together so immediately, it was as if I’d hit a completely unexpected hole in one, especially when two of the people who were there, Ralph Lawson, DJ from Back To Basics in Leeds, and one of my fellow DJ’s that night, Richard Hardcastle (Solid State) from Society in Sheffield, both asked me to play at their nights no sooner had I finished my spot.

One thing kept leading to another and, in Sheffield, I was approached by Tony Daly to play at the now legendary Tyneside Cinema party in Newcastle, a bespoke event where he took on the substantial risk of presenting me in a city I’d never DJ’d in previously (unless you count the 1983 TV appearance on The Tube, which was filmed in the Tyne Tees studio). Then, of course, there was London, where Steve Kotey and Bill Brewster booked me for their parties, bringing me to the capital within the first few months of my return for Ouch and Low Life.

The bookings kept coming, and I found myself driving up and down the country on an increasingly regular basis. Later in 2004 I was approached by Sav Remzi, from Tirk / Nuphonic, with the idea of putting together an edits album, which would be issued the following year as ‘Credit To The Edit’. This would help bring my name to the attention of people outside the UK. There was soon a need to step things up further, now that I was receiving enquiries from Europe, and so began a fruitful relationship with my agent, Matt Johnson (Matty J), who’s done a wonderful job of representing me during recent years.

The last few months have been, to say the least, manic for me, with 25 flights, including 6 long haul, taking me to gigs in the US, Japan, Australia, Brazil and Europe. From a personal perspective I still find it remarkable the way everything has developed, pretty much organically, since I made the decision that I was going to be a DJ once again – had I concocted some sort of comeback masterplan, it could never have worked out anything like as well as it has. It’s definitely been a case of ‘from small acorns’.

It still never ceases to amaze me that people from another continent are interested in my DJ past. Back in the early 80’s, before I went into retirement for 20 years, the furthest I travelled (with the exception of the appearances I made in the South of England as part of The Hacienda Review in late ’83) was to places like Birmingham and Nottingham, when I played at All-Dayers, so to find myself in clubs on the other side of the world is pretty nuts!

Anyhow, I’d like to wish everyone all the best for 09. Big thanks to all the promoters who booked me and everyone who danced to the tunes I played during ’08 in Adelaide, Barcelona, Belfast, Berlin, Birmingham, Blackburn, Brighton, Bristol, Dublin, Dundee, Edinburgh, Fukuoka, Glasgow, Hamburg, Leeds, Lisbon, Liverpool, London, Los Angeles, Manchester, Melbourne, Milan, New York, Newcastle, Nottingham, Paris, Porto Alegre, San Francisco, Sao Paulo, Sheffield, Sydney, Tokyo and Warsaw. Also the festivals and special events that I appeared at - Bestival (Isle Of Wight), Big Chill (England), Camp Bestival (England), Garden Festival (Croatia), Ibiza, Lovebox (England), Notting Hill Carnival (England), Rockness Festival (Scotland), Sonar (Spain) and the Southport Weekender (England).

Hope to see you soon.

Greg


FORUM POST DURING FOLLOWING DAYS:                                                        
Thanks for all the positive words. The feedback has been pretty phenomenal, far exceeding what I’d hoped for, especially on the BBC page, where I’d expected that some people would criticize the amount of older music included - the Radio 1 audience is used to current stuff ('in new music we trust'), so I’d anticipated a more mixed reaction. What’s particularly pleasing is that they were all made without the people seeing what each other wrote (they all came online at once, having been checked first by whoever moderates the BBC pages, I presume for swearing etc following the Ross / Brand controversy).

You always hope something you've done will be well received, but the response to this has blown me away.

Greg


ANSWER TO POST RE MIXING PROCESS:                                                      
It was quite a laborious process. Before I could start the actual mixing part I had to edit every track to a coherent length of around two and a half minutes average, inclusive of in and out points. I had a pool of about 90 tracks that fitted the criteria I'd set (a representative selection of the biggest tunes I've been playing during the past 5 years). It wasn't as straightforward as just editing the 43 tracks I ended up featuring - in order to have the necessary options once I started to piece the mix together I needed to have all the tracks at my disposal, just as I would have if I was out deejaying in a club, so the only thing to do was edit all 90 to the required length, even though I knew that only half would make the cut .

Once that was finally done they were all taken across into my laptop, enabling me to vari-speed them via PCDJ whilst I recorded across to my home computer into Cool Edit Pro, where I put the mix together track by track, before adding overdubs (fx, samples, textures) in a similar way to what I do live using the Revox (reel to reel).

I could quite easily have spent another day, tweaking bits here and there and adding more overdubs (the older I get the more finicky I become), but I had a deadline to work to, so, as it moved ever nearer, it became a race against time, with me doing as much as I could before the cut off point arrived.

Greg
                       

Greg Wilson - 2009


ESSENTIAL MIX (by greg wilson for bbc radio 1 2009)

The 11th mix in our series comes from Crazy P!

This time its a live mix!

Recorded at 'The Big Weekender' with Cirque Du Soul, this set was one of the highlights from the weekend!

Follow us on Facebook: www.facebook.com/goodlifeltd

Enjoy...

Good Life Mix: 011 : Crazy P

Kick off your weekend early with our exclusive mix from one of the best live dance acts on the planet, Crazy P!

With the band approaching two decades since conception, Crazy P are still as beloved as ever, with their unique blend of disco and deep electronic vibes. Next weekend sees Crazy P bring their soulful stylings to SSW4 in Preston, where they'll play the Pressure Point stage alongside the likes of Danny Krivit, Fish Go Deep, Inland Knights, Groove Assassin and Mad Mats.

For the full SSW4 line-up and tickets head here: http://datatransmission.co.uk/blog/ssw-returns-4th-edition/

Until the festival kicks off on Friday 26th September, get yourself in the mood with our Mix of the Day from Crazy P.

Mix of the Day - Crazy P

Late Nite Tuff Guy - The scandalous alter-ego of genuine techno legend HMC (known to his momma as Cam Bianchetti) returned to the Subbie for Viciöus Créatures back in July this year! L.N.T.G puts the acrimony in acronym, the oh in disco, the amp in camp and the dang in dangerous. There is magic in his fingertips, and we were there to witness the fitness! For Day 2 of our 12 days of Sub Club Xmas you lucky shiny shakers can listen back or download this exclusive recording of two inferno hours from his Summer Disco Set [RECORDED LIVE AT THE SUB CLUB ON 30/7/15]

Ahead of this return Late Nite Tuff Guy chatted about his love of #‎Glasgow and the Subbie…“ I Played at the Sub Club in 1999 as DJ HMC and that gig is still today, my favourite gig in 33 years of DJn' Glasgow is an incredible place…”

Late Nite Tuff Guy @ Viciöus Créatures [RECORDED LIVE AT SUB CLUB 30.7.15]

Greg in full festival mode taking in crafty soft rock reworks, UK street soul and Garage (Paradise that is!)classics.

GREG WILSON @ BESTIVAL JÄGERHAUS 10.09.16

Recorded live at the famous Pikes (where Whams "Club Tropicana" was filmed) alongside the blossoming Melon Bomb crew. Get to know these guys!

www.facebook.com/Melon-Bomb-413662...470309/?fref=ts

TRACKLIST

EW&F - In The Stone (The Reflex Revision)
Dave Gerrard - What You Gonna Do
DP - Da Funk (Fingerman's Classic Edit)
Fingerman - Button Pusher (Dr Packer Remix)
Massimo Vanoni - I See You (Fingerman's Disco Odyssey Re-Edit)
Chris Shennan - Without Luv
DB - Golden Years (The Reflex Revision)
Stone Roses - Fools Gold (Copycat & Secret Cinema Rework)
A&R Edits - It's Your Favourite Foreign Movie (Fingerman Edit)
Late Nite Tuff Guy - Thats A Groove
Grace Jones - Pull Up To The Bumper (Joey Negro Remix)
Melon Bomb - Breakin' It Down
Chewy Rubs - Future Freak
Fingerman - Mainliner (Bonus Tool)
Fingerman - Nine Oh Nine
Appo - Sunshine
Jo Bisso - The Mystery With Me (Ooft! Beautiful Love Edit)
Late Nite Tuff Guy - Do I Believe In God?
Fouk - Gruff (Snacks Remix)
Goldboy - We Are Serious
J-Kriv & The Disco Machine - Can't Give It Up (Dicky Trisco Mix)

Fingerman @ Melon Bomb At Pikes, Ibiza 6/5/16

Nearly 2 hours of big hitters from my New Years eve set in the main bar at the Horse Meat Disco NYE party in Manchester.

Neil Diablo live mix @ Horse Meat Disco NYE 17 at The Deaf Institute, Mcr

Greg will join us and a merry gang of friends at Glastonbury this weekend!

"Recorded in May 2019 at the FAC 51 The Haçienda party, held at the stunning Albert Hall in Manchester. I've played a number of Haçienda events in recent years, but this was undoubtedly the best environment, with the venue full by the time I went on at 10pm. I really enjoy this type of scenario where I can build things up from scratch, starting off around 100bpm and gradually increasing the tempo so the next DJ, in this case Chez Damier, is teed up to transition into the House vibe more associated with The Haçienda. This gave me the opportunity to illustrate some of the other tracks that were played and loved at the club down the years. "

GW



1. St Etienne only love will break your heart (andy weatherall mix)
2. Happy Mondays hallelujah (monkey boots rework)
3. Bass-O-Matic fascinating rhythm (henry greenwood rework)
4. SOS Band just be good to me (late nite tuff guy rework)
5. Neneh Cherry buffalo stance (henry greenwood rework)
6. Deee-Lite what is love (facets edit)
7. Herbie Hancock rockit
8. Nitro Deluxe this brutal house (tabro t edit)
9. FPI Project I’ll bass you / rich in paradise (gw ruff edit)

GREG WILSON - Live From FAC 51 The Haçienda @ Manchester Albert Hall 2019

Dicky Trisco is a DJ who lives and breathes what he does. His passion for music and desire for good times is well known, and is based on years chasing that sound and that feeling around the globe. For him music is all about people and one thing Dicky loves is people. He is particularly addicted to the way music connects people and makes for better days. We're proud to call him a friend and happy to have him as our 47th guest in our mix series here. Enjoy the vibes from one of Scotland's best...

Follow: https://soundcloud.com/dicky-trisco

Razor-N-Tape Podcast - Episode 47: Dicky Trisco

Like us on Facebook: www.facebook.com/theclassicmixcdseries
Follow us Instagram: www.instagram.com/theclassicmixcdseries
Buy it here: www.discogs.com/sell/list?master_id=68773&ev=mb

About the CD:
005 of the 'Classic Mix CD' collection brings a much slower affair. From the superb 'Back To Mine' CD series. The first I purchased was actually Danny Tenaglia's disc, which I bought out of curiosity being a fan of his house DJ sets. That disc almost made it here, but it was the Groove Armada release which really got hammered on my old Sony stereo. No other disc reminds me of lazy summer sundays more than this. And it was really the first musical selection that steered me towards collecting and playing a mix of music all together. Going from A Tribe Called Quest, into Barry White's incredible "Playing Your Game Baby" then house and other genre's coming in.... really resonated with me and elevated the way I put music together. Both listening to and playing out. A truly seminal release.

Buy on Discogs

005 - Back To Mine - Groove Armada (2000)

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 

Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

2019 has seen the return of the A&R Edits series with Vol.10 as well as some forthcoming digital releases on Super Weird Substance.

ESSENTIAL MIX (by greg wilson for bbc radio 1 2009)

gregwilson

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