If I could not love you more…..Social deserves this ❤️❤️❤️😎😎😎🕺🕺🕺

One of my favourite house mixes, ever, and that's it...bliss GW

Monster mix work it I remember no matter where I went to any club everybody had fun until dawn

I was just thinking that all this mix needs is some more cowbells, and then Greg drops them in.. Outstanding mix and I can't believe it's taken me this long to find it.

Lock in Sessions

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About this CD:
I first discovered what Lazy Dog was all about when tuning into one of Danny Rampling's many Love Groove Dance Party saturday night shows on Radio 1. The deep sounding, sexier and feel good vibes got me interested and I always remember having it taped to cassette on my train trip down to live in London in 2001. When I arrived, I picked up the double disc from a Virgin Megastore on Kings Road and it's soundtrack went onto be the anthem of my year.

Buy on Discogs

007 - Lazy Dog mixed by Jay Hannah - Disc 2 (2000)

Solid Steel (1st November) Having announced that Four Tet will be joining the line up for the Solid Steel 25th Anniversary night at Fire in London on 6th Dec, we now hand over the decks to him for a 2 Hour exclusive mix. 
Four Tet's history with the show extends back to his first mix in 2001 and part of the Solid Steel US Tour that year with DJ Food, DK and Bonobo. He was also the first guest at the monthly Solid Steel club night in 2004, with more mixes to follow and his music has been consistently played on the show. 

As with all our 25th Anniversary guests, we asked for something different and here's what he said about his mix;

"This mix is made from unofficial edits and mixes.  I guess these edits were mainly made to be played in clubs and I've always like the tradition of DJs extending and rearranging to make things work in their sets.  Most of the edits here are unreleased because they are just tools for DJs really.  The Black Unity one was done for the Solid Steel US tour that I did in 2001.  Thanks to Daphni, Floating Points and Happa for the edits I got from them."

Tickets for Fire on Dec 6th are available here: http://www.residentadvisor.net/event.aspx?491503

Check out the brand new Solid Steel website here http://www.solidsteel.net/
and you can follow Solid Steel on Facebook and Twitter 
www.facebook.com/pages/Solid-Steel/175027509192663 
twitter.com/DK_SolidSteel

Four Tet - Solid Steel Mix November 2013 https://twitter.com/FourTet
 
The unofficial mix
 
1. Playboy Mommy edit
2. Musiq - Photomachine H.E.R raw edit
3. HR Groove (J Rocc edit)
4. Marcos Valle Floating Points edit
5. K54 - Aight Aight Aight!
6. Sweet Love (volca edit)
7. Ain't no need (Zernell and Goodking edit)
8. Give it up and turn it loose (Black Cock edit)
9. Girl you need a change of mind (Bobby Busnach edit)
10. Marvin time to get it together (Daphni edit)
11. Everyday Extended Edit
12. Joni Mitchell Dreamland edit
13. Arthur Russell Flagrant Foul edit
14. Jerry Green Daphni edit
15. Weather Report - Non stop edit
16. Peaches and Prunes edit Ron Hardy
17. Funky Nassau (KH edit)
18. Teddy Pendergrass - Sunshine Sound edit
19. Happy song or dance (FK edit)
20. Ugly Edit 6
21. Kikrokus Ron Hardy edit
22. Edie and the Eggs edit
23. Jack Your Big Booty (Happa edit)
24. Canned Heat Daphni Edit
25. Pharoah Black Unity club mix
26. What's going on extended loud drums
27. silence
28. Peter Finger loop
 

Solid Steel Radio Show 1/11/2013 - Four Tet

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---

About the CD:
So this came out of the blue in 2000 and was a new mix compilation that gained a lot of fans not just from its unique theme (what's not to like!) and retro artwork which stood out on the shelves. Not only that but the music was damn good too. Dimitri from Paris delivers a driving soulful collection which had its own unique flavour and was perfect for nights out, driving, after parties and whatever else. Shout out to Just Lance in Dubai for reminding us about this one!

Play it loud, share the mix and enjoy!

032 - A Night at the Playboy Mansion mixed by Dimitri from Paris (2000)

Here you have the full mix, no voicovers


Tracklist:

1-Pet Shop Boys - Left To My Own Devices (Frankie Knuckles Orchetsrated Devices & Royal Piano remixes) (EMI)
2-Hercules & Love Affair - My House (Tensnake remix) (Moshi Moshi)
3-Deuce & Satin - Hyper (Music Village Records)
4-Doug Lazy - Let It Roll (Atlantic)
5-KC Flightt - Let's Get Jazzy (Dope Dub Mix)  (TMT records)
6-MFSB Vs Grand Master Flash - The Message (S-Man Relative Funk Re-Edit) (CDR)
7-Ashford & Simpson - Don't Cost You Nothing (Leftside Wobble Re-Edit) (CDR)
8-Drop Out Orchestra - Polish Our Act (Drop Out Records)
9-TPO - Hiroshi's Dub (Milos Garage Dub's Dub) (File Records)
10-Professor Funk & The House Brothers - Work Your Body Rap (Underground)
11-First Choice - Let No man Put Asunder (Walter Gibbons Remix-edit) (Salsoul)
12-Ajello Ft Hard Ton - Chocolate Black Leather (Original) (DWADK)
13-Tyson - Die On The Dancefloor (Extended) (Backyard)
14-Purple Flash - We Can Make It (Vocal) (JDC records)
15-Electronic - Getting Away With It (Factory)
16-Inner City - Watcha Gonna Do With My Lovin' (Knuckles/Morales DEF mix)
17-Lovebird Lovethang (Jamie Bull Mash-up Re-edit) (CDR)
18-Robert Owens-Hearts And Soul (Compost)
19-Sinnamon - I Need You Now (Moplen Re-Edit) (CDR)
20-Dimitri From Paris & DJ Rocca Present Erodiscotique - Reason For Living (Ft Fred Ventura) (Gomma)
21-Human League - Never Let Me Go (Aeroplane Remix-edit) (Wall Of Sound)
22-Sare Havlicek Ft Hannah Mancini – Dreams In Light (Ray Mang Attakshak Mix) (Nang Records)
23-Tribute - We Love Dreams (Rocco Raimundo Edit GW Re-Touch) (Tribute)
24-CHIC - I Want Your Love (Dimitri From Paris Remix) (Atlantic)
25-Norma Jean Wright - Saturday (Dimitri From Paris Remix) (Atlantic)

Dimitri From Paris Essential Mix for BBC Radio One, March 19 2011

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About the CD:
A little more info on Touchsoul Edits & Mixes Music Page. He's got almost 8000 followers on Soundcloud and his edits have been picked up by the likes of BICEP, 6th Borough Project, One20 and I'm sure many house and re-edit fans have at least one of his pieces. Here's what Adrian had to say about his favourite CD...

"The reason I selected this for the series was, for myself, it being personal time piece, the quality of the tracks and the mix being consistently good. Building through some great soulful house vocals and dubs into some deep cuts that haven't dated since it's release in 2002. Having quite a few of these on vinyl picked up around the time, including Mindflight's "Release", Derrick White's "Soul 2 Let Go" and Kerri Chandler's "Atmospheric Beats" the mix by silky deep house man Miguel Migs was never far from the earlobes at the time. And being released on the ever consistently good Naked Music label, its great from start to finish. A true reflection of the kinds of tracks I played out in sets when I started out DJing. Enjoy!!" Cheers Aidi!

065 - Miguel Migs 'Nude Tempo One' recommended by TouchSoul (2002)

Dj Heathers BDay w/ Mark Farina, Derrick Carter, & Dj Heather SmartBar Chicago 04-18-2009

ESSENTIAL MIX - JAN 2009
Uploaded on 17.01.10 and exclusive to SoundCloud. Available for the first time without voiceovers and jingles,12 months on from original Radio 1broadcast on 17.01.09.


EMAILSHOT A FEW DAYS AHEAD OF MIX BEING AIRED:
2009 kicks in for me this weekend with my first gig of the year for Udio (1st birthday) at The Gramaphone Club in Shoreditch, London on Friday night, which coincides with the airing of my only just completed in the nick of time Essential Mix on Radio 1, made up of 43 tracks in just under 2 hours.

Given that the 5th anniversary of my DJ comeback has only just passed, I decided to take the opportunity to make the mix totally representative of this period, with all the selections being amongst the biggest tracks I’ve played since I made my second debut at Music Is Better in Manchester.

Five years represents a significant package of time, a fixed point from where I can reflect on what’s been a continually snowballing sequence of events, set in motion when Danny Webb asked me to appear in Manchester on that December night back in 2003.

There were less than 100 people there that night, but they were the right people, and I was taken aback by the response to my return, both on the night itself and during subsequent days, when people who were there began to post on the forums. I’d never expected all the feedback be so totally positive!

I’d figured that I’d play that night, using the combination of laptop and reel-to-reel for the first time, then go away and think about what worked and what didn’t before I made my next move. I would never have believed that things could come together so immediately, it was as if I’d hit a completely unexpected hole in one, especially when two of the people who were there, Ralph Lawson, DJ from Back To Basics in Leeds, and one of my fellow DJ’s that night, Richard Hardcastle (Solid State) from Society in Sheffield, both asked me to play at their nights no sooner had I finished my spot.

One thing kept leading to another and, in Sheffield, I was approached by Tony Daly to play at the now legendary Tyneside Cinema party in Newcastle, a bespoke event where he took on the substantial risk of presenting me in a city I’d never DJ’d in previously (unless you count the 1983 TV appearance on The Tube, which was filmed in the Tyne Tees studio). Then, of course, there was London, where Steve Kotey and Bill Brewster booked me for their parties, bringing me to the capital within the first few months of my return for Ouch and Low Life.

The bookings kept coming, and I found myself driving up and down the country on an increasingly regular basis. Later in 2004 I was approached by Sav Remzi, from Tirk / Nuphonic, with the idea of putting together an edits album, which would be issued the following year as ‘Credit To The Edit’. This would help bring my name to the attention of people outside the UK. There was soon a need to step things up further, now that I was receiving enquiries from Europe, and so began a fruitful relationship with my agent, Matt Johnson (Matty J), who’s done a wonderful job of representing me during recent years.

The last few months have been, to say the least, manic for me, with 25 flights, including 6 long haul, taking me to gigs in the US, Japan, Australia, Brazil and Europe. From a personal perspective I still find it remarkable the way everything has developed, pretty much organically, since I made the decision that I was going to be a DJ once again – had I concocted some sort of comeback masterplan, it could never have worked out anything like as well as it has. It’s definitely been a case of ‘from small acorns’.

It still never ceases to amaze me that people from another continent are interested in my DJ past. Back in the early 80’s, before I went into retirement for 20 years, the furthest I travelled (with the exception of the appearances I made in the South of England as part of The Hacienda Review in late ’83) was to places like Birmingham and Nottingham, when I played at All-Dayers, so to find myself in clubs on the other side of the world is pretty nuts!

Anyhow, I’d like to wish everyone all the best for 09. Big thanks to all the promoters who booked me and everyone who danced to the tunes I played during ’08 in Adelaide, Barcelona, Belfast, Berlin, Birmingham, Blackburn, Brighton, Bristol, Dublin, Dundee, Edinburgh, Fukuoka, Glasgow, Hamburg, Leeds, Lisbon, Liverpool, London, Los Angeles, Manchester, Melbourne, Milan, New York, Newcastle, Nottingham, Paris, Porto Alegre, San Francisco, Sao Paulo, Sheffield, Sydney, Tokyo and Warsaw. Also the festivals and special events that I appeared at - Bestival (Isle Of Wight), Big Chill (England), Camp Bestival (England), Garden Festival (Croatia), Ibiza, Lovebox (England), Notting Hill Carnival (England), Rockness Festival (Scotland), Sonar (Spain) and the Southport Weekender (England).

Hope to see you soon.

Greg


FORUM POST DURING FOLLOWING DAYS:                                                        
Thanks for all the positive words. The feedback has been pretty phenomenal, far exceeding what I’d hoped for, especially on the BBC page, where I’d expected that some people would criticize the amount of older music included - the Radio 1 audience is used to current stuff ('in new music we trust'), so I’d anticipated a more mixed reaction. What’s particularly pleasing is that they were all made without the people seeing what each other wrote (they all came online at once, having been checked first by whoever moderates the BBC pages, I presume for swearing etc following the Ross / Brand controversy).

You always hope something you've done will be well received, but the response to this has blown me away.

Greg


ANSWER TO POST RE MIXING PROCESS:                                                      
It was quite a laborious process. Before I could start the actual mixing part I had to edit every track to a coherent length of around two and a half minutes average, inclusive of in and out points. I had a pool of about 90 tracks that fitted the criteria I'd set (a representative selection of the biggest tunes I've been playing during the past 5 years). It wasn't as straightforward as just editing the 43 tracks I ended up featuring - in order to have the necessary options once I started to piece the mix together I needed to have all the tracks at my disposal, just as I would have if I was out deejaying in a club, so the only thing to do was edit all 90 to the required length, even though I knew that only half would make the cut .

Once that was finally done they were all taken across into my laptop, enabling me to vari-speed them via PCDJ whilst I recorded across to my home computer into Cool Edit Pro, where I put the mix together track by track, before adding overdubs (fx, samples, textures) in a similar way to what I do live using the Revox (reel to reel).

I could quite easily have spent another day, tweaking bits here and there and adding more overdubs (the older I get the more finicky I become), but I had a deadline to work to, so, as it moved ever nearer, it became a race against time, with me doing as much as I could before the cut off point arrived.

Greg
                       

Greg Wilson - 2009


ESSENTIAL MIX (by greg wilson for bbc radio 1 2009)

With only a few days left until we ourselves become deserted on an island, we thought we'd share with you our Bestival Desert Island Mix.

Made with the lovely Pedestrian, we hope this selection of sunshine music will be the perfect accompaniment for when you're next stranded on a beach.

www.ownsteam2014.co.uk

Maribou State & Pedestrian - Desert Island Mixtape Pt.I

Live recording from a special daytime event at The Social in London. 

I never normally record the audience in my mixes, but, for some strange reason, there seems to have been a mic active on my device picking up the crowd. My aversion to this is that, apart from the general ambience of the room, it also picks up people chatting in or around the booth, especially in a small compact space like we were in. I hope this isn’t distracting, but, weighing things up, it was such a good day, and its so long since I’ve uploaded a mix to SoundCloud, that I think it’s only right to share regardless.


AN AFTERNOON AT THE SOCIAL LONDON 01.03.25 (greg wilson live mix)

Freshly uploaded to SoundCloud, the recording from my recent appearance at Pikes, Ibiza on May 19th, when I was one of the secret DJs, along with Graeme Park, for their Monday night session at Freddie’s.

FREDDIE'S @ PIKES IBIZA 19.05.25 (greg wilson live mix)

FREDDIE'S @ PIKES IBIZA 26.07.25 (greg wilson live mix)

Sex Goddess

Late Night Tales: Trentemøller

Late Night Tales: Trentemøller (Continuous Mix)

Recorded at Live House in Hollywood, CA on November 21st, 2019

Charlie Sputnik: 00:00 - 1:52:40
Phil Weeks: 1:52:40 -3:12:40
DJ Sneak: 3:12:40 -3:59:00
DJ Sneak vs Phil Weeks B2B: 3:59:40 - 5:54:29

DJ Sneak / Phil Weeks / Charlie Sputnik in Hollywood, CA 21NOV2019 - Full Show

Kenny “DOPE” Gonzalez is one of the most prolific artists of the modern music age. The four time Gram- my nominated musical genius has been entertaining and astounding the masses alike with his fusions of house, hip-hop, Latin, jazz, funk & soul, reggae, alternative pop and broken beats for 20 years. Known as a living encyclopedia of beats and tagged with the nickname “DEBO” by his closest friends, Kenny is a purveyor of sonic masterpieces.

“Im really happy to collaborate with a brand that is just as passionate about music as I am. It’s dope to be able to share a mix with you that showcases all the sounds that I work with and love. I appreciate 101 Apparel including me in their line, its great to bring you an exclusive mix and the Limited Edition Tee. Go get it 101 Apparel. Peace” - KENNY DOPE

Anything Goes

101 Apparel presents "Kenny Dope" Anything Goes

Our 25th Anniversary slot this week features Richard Dorfmeister who appeared on the show in 2003 and featured many times as one half of Kruder and Dorfmeister, as well as his project Tosca with Rupert Huber, amongst others. Opening with ECM artist Steve Tibbetts, his mix floats between Gui Boratto, his own lush edit for Selah Sue, acoustic guitar of Jeb Loy Nichols and the dubbed out Rhythm & Sound featuring Cornell Campbell on vocals. He then weaves through Pat Metheney, the dub version of Sunset from Grace Jones' last album, blues from Ry Cooder and ending with a couple of tracks from his recent Tosca album 'Odeon'.

PART 3 + 4	-	Richard Dorfmeister		https://twitter.com/drrichard5
				
Steve Tibbetts	_	climbing	_	ECM
Gui Boratto	_	trap	_	Kompakt
NORAH JONES	_	after the fall  /  sitekdub rmx	_	Parlophone
selah sue	_	this world / dorfmeister edit	_	Unknown
BRENDON MOELLER	_	tswana dub/ brendon Moellers Beat pharmacy dub	_	Stereo Deluxe
JEB LOY NICHOLS	_	hard times	_	CITY COUNTRY CITY 
RHYTHM +SOUND	_	king in my empire	_	Burial Mix
KAZUMI WATANABE	_	walk don`t run	_	Gramavision
OLIVIER MAESSIEN	_	les corps	_	Schwann
PAT METHENEY	_	icefire	_	ECM
GRACE JONES	_	sunset dub	_	Wall of Sound
LORD ECHO	_	Wang east	_	Economy
RY COODER	_	Hold On	_	Warner
TOSCA	_	meixner	_	K7
TOSCA	_	bonjour	_	K7

Solid Steel Radio Show 29/3/2013 Part 3 + 4 - Richard Dorfmeister

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

ESSENTIAL MIX (by greg wilson for bbc radio 1 2009)

gregwilson

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