Absolutely magnificently triffic. Great work Mr W. I am late to the party but would love to buy the download if poss. Cheers

Les oubliés Fujiya&Miyagi alors que les plus raffinés : merci de les avoir mixé

I had this mash-up on a mixtape but can't remember which one, anyone help?

Very Interesting ! I thought the riff was a bit Cure @ 1st ? xx

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COMING TO YA (Rework) *** Free DL ***

Gonna Be Sick!

So this happened. Was working on Street Life, then got distracted by this belter. Hope you dig. Now updated - added a hat, tweaked the percussion and boosted the bass a smidge :)

Black Ivory - Mainline (Pete Le Freq Refreq)

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[SPA251] WALTERINO & DANNY LOSITO -  Magic (The Dukes Vocal Mix)

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The Funk District - Disco Dynamite [ED49]

Empty temple
The wind turns the pages of the wordless book.

Silent bell
The echo is lost in the clouds.
I count my steps.

Broken stained glass window
The light falls into pieces.
Who will pick them up?

Starless sky
I search for my reflection in the black water.

Temple vide
Le vent tourne les pages du livre sans mots.

Cloche sans son
L’écho s’est perdu dans les nuages
Je compte mes pas.

Vitrail brisé 
La lumière tombe en morceaux
Qui les ramassera ?

Ciel sans étoiles
Je cherche mon reflet dans l’eau noire.

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Fujiya &amp; Miyagi &amp; Madonna ‘Fujiya &amp; Madge’ (greg wilson mash-up)

137 bpm

Never previously shared

In 2007 I made my Big Chill debut on the fondly remembered Fat Tuesday stage, which was then a mainstay of the festival. At the time, it was probably the most people I’d played to since my DJ return, the crowd stretching right back in a large field. It was a top gig, and would be the first in a four year run of bookings at the festival, broken only this year when I didn’t appear.

I’d put together a couple of exclusives for the occasion, including this, a mash-up of Fujiya &amp; Miyagi’s ‘Ankle Injuries’, bookended with Madonna’s acappella from ‘Ray Of Light’, which I called ‘Fujiya &amp; Madge’.

Fujiya &amp; Miyagi are a Brighton based band who had been signed by Sav Remzi for his Tirk label. It was Tirk who released my Credit To The Edit compilations in 2005 and 2009, so I was obviously aware of Fujiya &amp; Miyagi via my dealings there, and had picked up a copy of their album ‘Transparent Things’,  issued a few months on from Credit To The Edit Vol 1. The infectiously quirky lead track, which had also been pressed on 10” vinyl, was ‘Ankle Injuries’, and I loved the lyric – with its seemingly random road references it weaved word imagery, and I suppose that the final line, ‘like pixelated scraps of jazz mags in your head lights’, made a tentative connection in my mind to ‘Ray Of Light’. So, having Madonna’s  acappella to hand, I thought I’d see how the two would work together, extending the intro to incorporate the opening verse of ‘Ray Of Light’, which I reprised after the main body of ‘Ankle Injuries’, this time using the second verse, before concluding with the closing ‘quicker than a ray of light’ vocal lines.

Greg Wilson – September 2011

Check out my label's music at: https://superweirdsubstance.bandcamp.com

Fujiya & Miyagi & Madonna 'Fujiya & Madge' (greg wilson mash-up)

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Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Fujiya & Miyagi & Madonna 'Fujiya & Madge' (greg wilson mash-up)

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