ORIGINAL Y EL DESARROLLO DE LA MÚSICA ELECTRÓNICA Y TODAS LAS DEMÁS, ES LA CLASE DE LOS ESTILOS ELEGANTES LO QUE HACE QUE SE TRATE DE UN SEÑOR RESPETABLE,  INVISIBLE QUE SUENA , ASÍ ES JUSTO EL VERDADERO SENTIDO DE PODER CONOCERLO.

Additional Production and Remix by Justin Strauss and Bryan Mette for Whatever/Whatever productions. Luaka Bop Records. 2013.

William Onyeabor - "Body and Soul" - Whatever/Whatever remix

Accompanying blog post: http://www.gregwilson.co.uk/2014/03/greg-wilson-versions-2005-2013/

Discogs: http://www.discogs.com/Gary-Davis-A-New-Jersey-Story-The-Timeless-Works-Of-Gary-Davis/release/1393495

Check out my label's music at: https://superweirdsubstance.bandcamp.com

Gary Davis 'The Professor Here' (greg wilson version 2008)

112 KBPS FILES - DON'T BE A DUNCE!

Stream & Buy - https://razor-n-tape.lnk.to/TimesAreChanging

Tom Noble, digger extraordinaire, owner of Superior Elevation Records, and general Brooklyn/LA legend, dons his House Of Sprits moniker for the first single from a forthcoming LP on Razor-N-Tape.

“Times Are Changing” sets the tone for this album project that collects the work of nearly 15 years, a gritty vision of modern-retro soul that throws a reverent nod to its Mizell Brothers and Patrick Adams influences as it brings the sound into the future. Recorded with all live instrumentation and mixed tough for the dance floor, this limited 12” boasts an extended original and instrumental on the A side, and a huge remix from Aussie synth wizard Harvey Sutherland on the flip that highlights the rich instrumentation and extremely catchy vocal hook. A surefire summer jam, this is timeless music that is only the tip of the iceberg from a future classic album. 

--

www.razor-n-tape.com​
www.razor-n-tape.bandcamp.com

Times Are Changing

Stream & Buy

Tom Noble - Times Are Changing (Vocal)

Happy music for summer days. 

Follow me:
Soundcloud: https://soundcloud.com/tuomasdata
Spotify: https://open.spotify.com/artist/12NjG2NhuKYBq6qfN5jE0S

Summer Energy

Lapse [Minimal Groove Concept]

🎛️ “Feel the vibe? Spread it! ‘Music gives a soul to the universe, wings to the mind, flight to the imagination.”


🎵 If you enjoy my music, you can support me by making a donation here: https://www.paypal.me/elkebirnourinedanil 🙏💙

THE SUN IS OURS

MEGA hard to find 12" from SA. 
Synths,  tight guitars, sleazy E-piano solo, great singing and arrangements.  
All you ever wanted!

NM record. VG+ cover. 
contact@magicteapotrecordings.com

Burnin Beat feat. Olive Masinga "Searchin" - 12" South Africa 1979 - SOLD

After reissuing the late Congolese soukous pioneer in 2014, Soundway give this Tabu Ley Rochereau classic another lease of light with Nick The Record & Dan Tyler's extended dub mix. It's joined on the flip by Frankie Francis taking on Nigerian disco hit of the year 'Only You' by Steve Monite.

Read more & buy: http://www.stampthewax.com/2017/08/11/premiere-hafi-deo-dub/
Listen on Youtube: http://bit.ly/hafi-deo-dub

Listen on Youtube

Tabuley Rochereau - Hafi Deo (Nick The Record & Dan Tyler Re​-​Edit Dub) (STW Premiere)

Modern Latin Jazz

Premiere: Gerardo Frisina - Mulata

Unmastered version. Released on vinyl only.

Cottam2-Side B

Jan Hammer Group - Don't You Know (Jimi Bazzouka Edit)

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Gary Davis 'The Professor Here' (greg wilson version 2008)

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