Name: GLASTONBURY STONEBRIDGE 23.06.22 (greg wilson live mix) by gregwilson in GREG WILSON
Duration: 1 h 29 min 28 s
Description: Live recording from the Stonebridge tent at Glastonbury Festival 2022.

Whose edit of Let No Man Put Asunder? It's fantastic!

Bro from here up until like 22:15 is banging

fucking tuunnnne!!! rise and shine 2am club

GREG WILSON

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048 - Ministry of Sound 'The Sessions' vol. 1 mixed by Tony Humphries (1993)

Live recording from the Stonebridge tent at Glastonbury Festival 2022.

GLASTONBURY STONEBRIDGE 23.06.22 (greg wilson live mix)

ESSENTIAL MIX - JAN 2009
Uploaded on 17.01.10 and exclusive to SoundCloud. Available for the first time without voiceovers and jingles,12 months on from original Radio 1broadcast on 17.01.09.


EMAILSHOT A FEW DAYS AHEAD OF MIX BEING AIRED:
2009 kicks in for me this weekend with my first gig of the year for Udio (1st birthday) at The Gramaphone Club in Shoreditch, London on Friday night, which coincides with the airing of my only just completed in the nick of time Essential Mix on Radio 1, made up of 43 tracks in just under 2 hours.

Given that the 5th anniversary of my DJ comeback has only just passed, I decided to take the opportunity to make the mix totally representative of this period, with all the selections being amongst the biggest tracks I’ve played since I made my second debut at Music Is Better in Manchester.

Five years represents a significant package of time, a fixed point from where I can reflect on what’s been a continually snowballing sequence of events, set in motion when Danny Webb asked me to appear in Manchester on that December night back in 2003.

There were less than 100 people there that night, but they were the right people, and I was taken aback by the response to my return, both on the night itself and during subsequent days, when people who were there began to post on the forums. I’d never expected all the feedback be so totally positive!

I’d figured that I’d play that night, using the combination of laptop and reel-to-reel for the first time, then go away and think about what worked and what didn’t before I made my next move. I would never have believed that things could come together so immediately, it was as if I’d hit a completely unexpected hole in one, especially when two of the people who were there, Ralph Lawson, DJ from Back To Basics in Leeds, and one of my fellow DJ’s that night, Richard Hardcastle (Solid State) from Society in Sheffield, both asked me to play at their nights no sooner had I finished my spot.

One thing kept leading to another and, in Sheffield, I was approached by Tony Daly to play at the now legendary Tyneside Cinema party in Newcastle, a bespoke event where he took on the substantial risk of presenting me in a city I’d never DJ’d in previously (unless you count the 1983 TV appearance on The Tube, which was filmed in the Tyne Tees studio). Then, of course, there was London, where Steve Kotey and Bill Brewster booked me for their parties, bringing me to the capital within the first few months of my return for Ouch and Low Life.

The bookings kept coming, and I found myself driving up and down the country on an increasingly regular basis. Later in 2004 I was approached by Sav Remzi, from Tirk / Nuphonic, with the idea of putting together an edits album, which would be issued the following year as ‘Credit To The Edit’. This would help bring my name to the attention of people outside the UK. There was soon a need to step things up further, now that I was receiving enquiries from Europe, and so began a fruitful relationship with my agent, Matt Johnson (Matty J), who’s done a wonderful job of representing me during recent years.

The last few months have been, to say the least, manic for me, with 25 flights, including 6 long haul, taking me to gigs in the US, Japan, Australia, Brazil and Europe. From a personal perspective I still find it remarkable the way everything has developed, pretty much organically, since I made the decision that I was going to be a DJ once again – had I concocted some sort of comeback masterplan, it could never have worked out anything like as well as it has. It’s definitely been a case of ‘from small acorns’.

It still never ceases to amaze me that people from another continent are interested in my DJ past. Back in the early 80’s, before I went into retirement for 20 years, the furthest I travelled (with the exception of the appearances I made in the South of England as part of The Hacienda Review in late ’83) was to places like Birmingham and Nottingham, when I played at All-Dayers, so to find myself in clubs on the other side of the world is pretty nuts!

Anyhow, I’d like to wish everyone all the best for 09. Big thanks to all the promoters who booked me and everyone who danced to the tunes I played during ’08 in Adelaide, Barcelona, Belfast, Berlin, Birmingham, Blackburn, Brighton, Bristol, Dublin, Dundee, Edinburgh, Fukuoka, Glasgow, Hamburg, Leeds, Lisbon, Liverpool, London, Los Angeles, Manchester, Melbourne, Milan, New York, Newcastle, Nottingham, Paris, Porto Alegre, San Francisco, Sao Paulo, Sheffield, Sydney, Tokyo and Warsaw. Also the festivals and special events that I appeared at - Bestival (Isle Of Wight), Big Chill (England), Camp Bestival (England), Garden Festival (Croatia), Ibiza, Lovebox (England), Notting Hill Carnival (England), Rockness Festival (Scotland), Sonar (Spain) and the Southport Weekender (England).

Hope to see you soon.

Greg


FORUM POST DURING FOLLOWING DAYS:                                                        
Thanks for all the positive words. The feedback has been pretty phenomenal, far exceeding what I’d hoped for, especially on the BBC page, where I’d expected that some people would criticize the amount of older music included - the Radio 1 audience is used to current stuff ('in new music we trust'), so I’d anticipated a more mixed reaction. What’s particularly pleasing is that they were all made without the people seeing what each other wrote (they all came online at once, having been checked first by whoever moderates the BBC pages, I presume for swearing etc following the Ross / Brand controversy).

You always hope something you've done will be well received, but the response to this has blown me away.

Greg


ANSWER TO POST RE MIXING PROCESS:                                                      
It was quite a laborious process. Before I could start the actual mixing part I had to edit every track to a coherent length of around two and a half minutes average, inclusive of in and out points. I had a pool of about 90 tracks that fitted the criteria I'd set (a representative selection of the biggest tunes I've been playing during the past 5 years). It wasn't as straightforward as just editing the 43 tracks I ended up featuring - in order to have the necessary options once I started to piece the mix together I needed to have all the tracks at my disposal, just as I would have if I was out deejaying in a club, so the only thing to do was edit all 90 to the required length, even though I knew that only half would make the cut .

Once that was finally done they were all taken across into my laptop, enabling me to vari-speed them via PCDJ whilst I recorded across to my home computer into Cool Edit Pro, where I put the mix together track by track, before adding overdubs (fx, samples, textures) in a similar way to what I do live using the Revox (reel to reel).

I could quite easily have spent another day, tweaking bits here and there and adding more overdubs (the older I get the more finicky I become), but I had a deadline to work to, so, as it moved ever nearer, it became a race against time, with me doing as much as I could before the cut off point arrived.

Greg
                       

Greg Wilson - 2009


ESSENTIAL MIX (by greg wilson for bbc radio 1 2009)

Freshly uploaded to SoundCloud, the recording from my recent appearance at Pikes, Ibiza on May 19th, when I was one of the secret DJs, along with Graeme Park, for their Monday night session at Freddie’s.

FREDDIE'S @ PIKES IBIZA 19.05.25 (greg wilson live mix)

Oscar Kingsley rocking a sold out Pikes in the Bathtub Club for Disco Disco. Peak time sweaty business. 

Oscar kingsley at Pikes Ibiza (Disco Disco) 11.06.2025

Sunset Sessions 17 recorded live at The Lake House on Friday 27th June 2025. A Glastonbury special with artists who have played the festival across the years! 

Tracklist:
1		Bootsy Collins - I'd Rather Be With You
2		Massive Attack - Weather Storm
3		Parliament - P-Funk (Wants to Get Funked Up)
4		Fun Lovin' Criminals - Scooby Snacks
5		Röyksopp - Sparks
6		Massive Attack - Protection
7		Groove Armada - Little by Little
8		A Tribe Called Quest - Bonita Applebum
9		Funkadelic - Freak of the Week
10		The J.B.'s - Use Me (SLY Edit)			     	
11		The Cure - Lullaby
12		Ben E. King - Supernatural Thing, Pt. 1
13		Eric B. & Rakim - Paid In Full [Mini Madness - The Coldcut Remix]
14		DNA & Suzanne Vega - Tom's Diner
15		A Tribe Called Quest - Can I Kick It?
16		Soul II Soul - Back To Life
17		Chuggin Edits - I Love You So (Original Mix)
18		Late Nite Tuff Guy - Too Young To Die (Lntg Capricorn High Remix)
19		Neneh Cherry - Buffalo Stance
20		George Clinton - Atomic Dog
21		Primal Scream - Loaded
22		Leftfield - Melt
23		Air - All I Need
24		Blank & Jones - Love Comes Quickly (With Pet Shop Boys)
25		Massive Attack - Be Thankful for What You've Got
26		The Orb - Little Fluffy Clouds
27		Blondie - Rapture [The Reflex Revision]
28		Chuggin Edits - Get Closer (Fingerman Re-Work)
29		Massive Attack - Unfinished Sympathy (Nellee Hooper 12" Mix)
30		Level 42 - Living It Up (Pete Le Freq Housin' It Up Rework)
31		James - Come Home (Andrew Weatherall Remix)
32		Daft Punk - Around the World
33		Dr Packer - Good Times [Dr Packer Rework]
34		Richie Havens - Going Back to My Roots
35		Orbital - Belfast (Original 12' Mix)

Sunset Sessions 17 - Glastonbury Special

FREDDIE'S @ PIKES IBIZA 26.07.25 (greg wilson live mix)

HiGHER

Jonasclean feat. Ian Matthew Keller - We are Squeaky (Original Mix)

Full recording from the Freeze promoted party at The Garage in Liverpool on 05.12.15 to mark the 40th anniversary of my first club appearance on December 6th 1975. For further info: http://www.gregwilson.co.uk/2015/12/40th-anniversary-weekend-recorded/

Check out my label's music at: https://superweirdsubstance.bandcamp.com

5 HOUR 40TH ANNIVERSARY @ THE GARAGE LIVERPOOL 05.12.15 (greg wilson live mix)

Nearly 2 hours of big hitters from my New Years eve set in the main bar at the Horse Meat Disco NYE party in Manchester.

Neil Diablo live mix @ Horse Meat Disco NYE 17 at The Deaf Institute, Mcr

Talking Heads ‘Psycho Killer’ (greg wilson edit)

118 bpm

Previously limited DJ only vinyl / CD 2007.

Pressed in 2007 as ‘Gotta Tape I Wanna Play', I originally put this together for my US debut in October 2005, at APT in NYC – recording here:
http://soundcloud.com/gregwilson/first-time-in-nyc-apt-21-10-05 

I was a big fan of ‘Stop Making Sense’, the Talking Heads concert from 1984, which was released as both a film and an album. It starts with David Byrne on an empty stage with just a ghetto blaster and acoustic guitar, performing one of the band’s best-known tracks, ‘Psycho Killer, which was originally released in 1977. The beats, courtesy of a Roland TR-808 drum machine, re-appear in extended form over the closing credits. The idea of an edit was there from the moment I bought ‘Stop Making Sense’ on VHS back in the 80’s, but the sound quality from the video wouldn’t have been up to scratch. However, when it was released on DVD later down the line, this was no longer a problem, and I was able to let the beats run on their own for a couple of minutes before the guitar enters and the track really kicks in.

The edit took off in a big way for me, and later with DJ’s including Andrew Weatherall and Optimo. It subsequently became a major festival tune for me and featured in my Essential Mix in 2009 (http://soundcloud.com/gregwilson/essential-mix-greg-wilson-mix-for-bbc-radio-1). More recently it appeared on my Festival Anthems mix (http://soundcloud.com/gregwilson/greg-wilson-festival-anthems), and given this, I thought it was a good time to share here.

There’s more info about ‘Stop Making Sense’ on the blog, as this was last month’s featured album:
http://www.gregwilson.co.uk/2012/05/living-to-music-talking-heads-stop-making-sense/ 

Greg Wilson – July 2012

Check out my label's music at: https://superweirdsubstance.bandcamp.com

Talking Heads 'Psycho Killer' (greg wilson edit)

Greg will join us and a merry gang of friends at Glastonbury this weekend!

"Recorded in May 2019 at the FAC 51 The Haçienda party, held at the stunning Albert Hall in Manchester. I've played a number of Haçienda events in recent years, but this was undoubtedly the best environment, with the venue full by the time I went on at 10pm. I really enjoy this type of scenario where I can build things up from scratch, starting off around 100bpm and gradually increasing the tempo so the next DJ, in this case Chez Damier, is teed up to transition into the House vibe more associated with The Haçienda. This gave me the opportunity to illustrate some of the other tracks that were played and loved at the club down the years. "

GW



1. St Etienne only love will break your heart (andy weatherall mix)
2. Happy Mondays hallelujah (monkey boots rework)
3. Bass-O-Matic fascinating rhythm (henry greenwood rework)
4. SOS Band just be good to me (late nite tuff guy rework)
5. Neneh Cherry buffalo stance (henry greenwood rework)
6. Deee-Lite what is love (facets edit)
7. Herbie Hancock rockit
8. Nitro Deluxe this brutal house (tabro t edit)
9. FPI Project I’ll bass you / rich in paradise (gw ruff edit)

GREG WILSON - Live From FAC 51 The Haçienda @ Manchester Albert Hall 2019

"Back To Life' would have to be one of my very favourite tracks from the late 80's. The original Soul II Soul 12" mix is an absolute classic.
This is my alternate version. Hope you like... LNTG

Reality [LNTG Forbidden Interpretation]

My mix from The Haçienda's 24 hour live stream on New Years Eve 2020.

All of the tracks I featured were from the opening two years of the ‘90s. I hadn’t set out to do this, but it was very much guided by the opening track I’d chosen, in memory of two irreplaceables we lost that year, DJ icon Andrew Weatherall and Manchester’s own Denise Johnson, both crucial to Primal Scream’s ‘Come Together’, which is followed by Weatherall’s mix of ‘Only Love Can Break Your Heart’ by Saint Etienne, whilst Denise’s vocals feature on the lesser-known gem ‘Dream Beam’ by Hypnotone.

The event, hosted by United We Stream GM, had begun at 10am with Hewan Clarke, the club’s original resident, and concluded at 10am on NYD morning with Peter Hook. I followed on from Norman Jay MBE and DJ Paulette, and seeing all the comments on social media, it was soon clear that a lot of people felt a strong emotional response watching the DJs, some among their all-time favourites, playing much-loved tunes in empty spaces, devoid of the dancers who made that music make sense in the first place – a sad, but poignant parody. Also appearing were Haçienda Classical, Inner City, Phuture, Carl Craig, Danny Tenaglia DJ, Dj David Morales, DJ Woody, Graeme Park, Jon Dasilva, Justin Robertson, K-Klass, Moby, Soul Central, Sub Sub, Todd Terry, Tom Wainwright and Tony Humphries. It was line-up, even including a tribute to Frankie Knuckles by way of a recording of the house legend’s 2013 NYE appearance for The Haçienda at Albert Hall, Manchester.

HAÇIENDA NYE 2020 (greg wilson live mix - streamed during lockdown)

Live recording of Late Nite Tuff Guy @ Midnight City 21/06/2013

The after movie: http://www.youtube.com/watch?v=dAB2inDBMiY

Stay tuned with Midnight City at: 
www.facebook.com/midnightcityamsterdam
http://www.youtube.com/midnightcitynl

For Late Nite Tuff Guy DJ Bookings. Please contact: paul@theunityagency.co.uk

Tracklist
01: I'm Going Outta My Head - LNTG
02: Too Much - Fingerman Edit
03: Pull Up To The Bumper - Discomofo Edit
04: One Nite In A Disco - LNTG
05: I Think Of You [Parts 1 &2] - LNTG Edit
06: That's A Groove - LNTG
07: Holiday - LNTG Edit
08: Do I Believe In God - LNTG Edit
09: Down Fever - Only Children
10: Love Thang - Lazare Hoche Edit
11: Tribute - Get Down Edits


DOWNLOAD LINK

LATE NITE TUFF GUY @ MIDNIGHT CITY (21/06/2013)

Graphic/digital designer whose formative years were dancing across the North of England! www.jjwdesign.co.uk

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

GLASTONBURY STONEBRIDGE 23.06.22 (greg wilson live mix)

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