its first time iv Heard this tuneeee  and I PROPER LOVE it x🌹❤️🌹

First bit for a while, i've been super busy opening new businesses, but i'm back in the studio from now so expect some more from me and get in touch for bookings - lauren@elasticartists.net


All the tracks that are up for download are here as well as the donate link - duffdisco.bigcartel.com/donate

I have been thinking about it a lot and I have decided that DUFFDISCO007 is the last bootleg I am going to press to wax. It's been fun and I hope you all enjoyed them but I think it's the right time to stop. (you can order the last in the series here - www.juno.co.uk/ppps/products/450211-01.htm)

I do however want to continue re-imagining songs and giving my interpretation of them for you to play and listen to and so i'll be giving the reworks away for free. I have set up a donations page if anyone wanted to help with covering the costs of mastering future tracks as i'd still want the best sound possible as I can't afford to be paying for it all myself.

So keep an eye out for new tracks! donate whatever you feel appropriate, of course you can still download if you can't afford to donate.

For updates and news - www.facebook.com/duffdisco 
for bookings please contact lauren@elasticartists.net

Cheers 
DD.

facebook.com/duffdisco 
twitter.com/amancalledduff

All other downloads are available on the donate page as well as in my sets.

cheers 
Duff Disco x

P.S - more to come!

DUFF DISCO - AFRICA [Download Here] Please read description.

Accompanying blog post: http://www.gregwilson.co.uk/2014/03/greg-wilson-versions-2005-2013/

Discogs: http://www.discogs.com/Grace-Jones-Williams-Blood/release/1558656

Check out my label's music at: https://superweirdsubstance.bandcamp.com

Grace Jones 'Williams Blood' (greg wilson version 2008)

Took gentle care oon one of my favorite songs on the planet, Njoy.
Promo only.

bandcamp

Les Dance - Low Q promo

William A Ferguson: guitars, bass, electronic percussion

La Razón

Year two of the Hot Digits label showcasing exclusive disco goodness from some of the scene's leading lights.

HOTDIGITMAXI002 Get Down Edits - Anytime (She Goes Away) (Preview)

This is my re-edit of Indeep's "Last Night a DJ Saved My Life".

Dave Gerrard-In The Mix ***FREE WAV***

Just used the middle bit of 'Band On The Run' by Wings, chopped it up, looped it, streched it out threw in a few beats and sfx and then just did a few passes messing with a filter and delays. It's a bit rough and ready, but I think thats half it's charm,... or maybe I'm just been lazy;-),..... might give it a few tweeks in the future, just need to hear it on a few different systems. Feedback is always appreciated. ......also did a little video mash up for this - http://www.youtube.com/watch?v=kXT2D5UZRFo&feature=share

Band On The Run (Keep Schtums Rough Dub Edit) - Wings [Low Rez/Unmastered]

Buy it here!

"Marvin"

I Feel Summerlove (Beatfanatic retouch)

Linda Clifford - Blind - Tony Johns Edit - Free Mp3 Download

twisted reworking of a couple of versions of the classic with a low PH level twist

Available here.....

http://jamiefatneck.bandcamp.com/track/billies-had-her-jeans-acid-washed


Buy from Juno

Billies had her jeans acid washed (Fatneck rework) 96kps demo

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Grace Jones 'Williams Blood' (greg wilson version 2008)

gregwilson

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