Complete collection of Greg Wilson Remixes 2005-2013.

Accompanying blog post: http://www.gregwilson.co.uk/2014/03/greg-wilson-versions-2005-2013/

40 tracks in total.

Check out my label's music at: https://superweirdsubstance.bandcamp.com

Greg Wilson Versions 2005-2013

Accompanying blog post: http://www.gregwilson.co.uk/2014/03/greg-wilson-versions-2005-2013/

Discogs: http://www.discogs.com/xx-Shelter-Night-Time/release/2821374

Check out my label's music at: https://superweirdsubstance.bandcamp.com

The XX 'Night Time' (greg wilson version 2010)

Accompanying blog post: http://www.gregwilson.co.uk/2014/03/greg-wilson-versions-2005-2013/

Discogs: http://www.discogs.com/Grace-Jones-Williams-Blood/release/1558656

Check out my label's music at: https://superweirdsubstance.bandcamp.com

Grace Jones 'Williams Blood' (greg wilson version 2008)

Accompanying blog post: http://www.gregwilson.co.uk/2014/03/greg-wilson-versions-2005-2013/

Discogs: http://www.discogs.com/Escort-Cocaine-Blues/release/2511209

Check out my label's music at: https://superweirdsubstance.bandcamp.com

Escort 'Cocaine Blues' (greg wilson version 2010)

Accompanying blog post: http://www.gregwilson.co.uk/2014/03/greg-wilson-versions-2005-2013/

Discogs: http://www.discogs.com/Greg-Wilson-Credit-To-The-Edit-Volume-2-Vinyl-2/release/2238238

Check out my label's music at: https://superweirdsubstance.bandcamp.com

40 Thieves Feat Qzen 'Don't Turn It Off' (greg wilson version 2009)

Accompanying blog post: http://www.gregwilson.co.uk/2014/03/greg-wilson-versions-2005-2013/

Discogs: http://www.discogs.com/1Gnition-Secret-Sunday-Lover/release/1014257

Check out my label's music at: https://superweirdsubstance.bandcamp.com

1gnition 'Secret Sunday Lover' (greg wilson version 2007)

Released on Shoes Records in 2006. 
Will be on the Shoes - Early Years Vol 1 12" OUT NOW!

Big chunky drums turn this soulful call for peace and understanding in the world into a dance floor anthem. Enjoy.

Shoes - Why Can't We Live Together

SWS001 - Greg Wilson Featuring The Reynolds 'Summer Came My Way', the first release on the new Super Weird Substance label - release date June 22nd 2015. 

Vinyl & Digital available here: http://bit.ly/SWS-001
Compilation CD available here: http://bit.ly/SWS-CD001

This is the full length Luxxury club mix, you can hear the radio version on YouTube: https://www.youtube.com/watch?v=MynCxEQ4DyI

Having been one of his biggest festival tunes in the summer of 2014, the Luxxury mix of Greg Wilson’s 'Summer Came My Way' - which originally surfaced on last year’s 'Schooled In The Classics' 12” - was put on the back burner throughout the winter in readiness for a full 2015 release. Juxtaposed by Walter Ego’s equally sublime take on the track, the release marks the first of eight records to be issued over the summer months.

Sometimes composition is a long and arduous process, other times a song arrives fully formed. The latter was the case for Greg when he imagined 'Summer Came My Way' as a vehicle for hitherto unknown vocal forces of nature, The Reynolds - twins Katherine and the song’s lead singer Carmel - who, by beautiful serendipity happened to live within a mile of Greg’s Merseyside home.

Bursting out of LA with a lavish twelve-part re-edit series last year, Luxxury’s brand of hazy, slo-mo reworks - a West Coast Balaeric fusion - has catapulted him onto the world stage. Opening his mammoth eight- hour Berghain set in 2013 with Luxxury’s 'Hotel California' rework, Greg helped bring his Los Angeles vibes to wider attention, bolstered by his subsequent support of other reworks; 'Night Fever' and 'Riders On The Storm'.

A victim of his own success, 'Hotel California' gained Luxxury a little too much notoriety and, after a Wall Street Journal interview began circulating, Warner came down on him like a ton of bricks on finding out he’d used The Eagles’ multitracks. All was resolved however and he’s currently recording his forthcoming album, with great things expected for 2015 and beyond. The Luxxury approach perfectly fitted Greg’s vision of the song and the result is a glorious nine-minute epic, just in time for the summer.

With releases on the legendary Ninja Tune, San Francisco’s murky Symbols and Kerri Chandler’s jackin’ MadTech, Walter Ego’s appeal stretches across the board; from forward thinking house to rough and ready grime. Having got to know the Sheffield musician during recent years, Greg was impressed by what he heard, especially an as yet unreleased project he was working on in collaboration with London singer, Obenewa. Inviting him to remix the track, Walter returned an ethereal yet mechanical take on 'Summer Came My Way', his delicately decaying synths and cold hydraulic rhythm giving the track a brooding quality and placing The Reynolds in an entirely new context.

Check out our Super Weird sounds at: https://superweirdsubstance.bandcamp.com
Stay up to date with the latest at: http://www.superweirdsubstance.com

Greg Wilson Featuring The Reynolds 'Summer Came My Way' - Luxxury Club Mix

The Rolling Stones Miss You (Em Vee Edit)

Miss You (Em Vee Edit)

Reborn | Her - The American Dawn(Instrumental)

Feelin' Love Psychemagik Reem Mix

Early support from Greg Wilson and Fingerman - out now on vinyl and digital...
https://smashedatoms.bandcamp.com/album/cut-this-way

Cut This Way EP

Cut This Way

Buy vinyl and digital

SMASHED ATOMS - Cut This Way

Now available from my Bandcamp Subscription service!

https://peza70.bandcamp.com/album/peza-edits-vol-7

96kbps for preview.

SUBSCRIBE!

S.T.U.P.I.D

Bloondy - Appelle Moi (V's Press G Version)

Edit of Millie Jackson - Put Something Down On It - Out now on Glenview Records  

Put Something Down On It (78Edits Version) Out Now On Glenview Records Inc

twisted reworking of a couple of versions of the classic with a low PH level twist

Available here.....

http://jamiefatneck.bandcamp.com/track/billies-had-her-jeans-acid-washed


Buy from Juno

Billies had her jeans acid washed (Fatneck rework) 96kps demo

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Grace Jones 'Williams Blood' (greg wilson version 2008)

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