What a funny world we live in, bought a sped up version of this from Eastern Bloc Records roughly ten years after this mix; mad as eggs

Shine a light, similarities to hoodoo voodoo like you don't dare doo Voodoo Ray!

Special stuff ere; after Jungle Fever this track hit a massive sweet spot for me, gonna keep diggin on these rhythms......it began in Africa ;)

Previous comment should be somewhere roundabout ere!

2-3 Break..  Ahead of it's time.  So many producers copied  that style & sound.  right up to 2000.

only one problem.  i wish i was 12 again.

Paul

Stu Allen - Live @ Amnesia Musicology (1994)

Watch the set and get the full tracklist at: https://boilerroom.tv/recording/nightmares-on-wax-90-min-mix?utm_source=soundcloud&utm_medium=description&utm_campaign=tracklist

Nightmares On Wax Boiler Room London DJ Set

► Download audio on our app: http://blrrm.tv/BR_APP ► Watch here: http://blrrm.tv/frankiedaytime
► Documenting a legacy. The late godfather of house music, Frankie Knuckles.

Frankie Knuckles Boiler Room London DJ Set

Edition #21 of Early 80’s Floorfillers takes a look back to September 83. 
You can see the Top 10, complete with label or record sleeve scans and individual track credits, here: 
http://www.electrofunkroots.co.uk/greg-wilsons-top-10-floorfillers-september-83/
Greg Wilson – September 2013

GREG WILSON’S EARLY 80’S FLOORFILLERS: 
A fascinating insight on how the fading Jazz-Funk scene gave way to the emerging Electro-Funk movement in the early 80’s, ‘Greg Wilson’s Early 80’s Floorfillers’, marks the 30th anniversary of when these tracks first appeared. Compiled from his record lists of the time, and unfolding month by month, Greg Wilson counts down the Top 10 Floorfillers played at his venues during the key years of ’82 and ’83. Featured, most notably, on his Tuesday sessions at Wigan Pier and Wednesday gatherings at Legend in Manchester, the most cutting-edge weekly black music nights of the era, these were the clubs most associated with the evolving Electro-Funk sound.

The majority of music played on the black scene in the UK was initially only available on import, mainly out of New York during this period, with the club nights described as ‘upfront’, meaning that the DJ’s were way ahead of the curve – what they played now, others played later, or not at all. Without these DJ’s, many now classic dance tracks would never have become UK hits (many without enjoying similar crossover success in the US) – the reason they were released here in the first place was because these specialist DJ’s were breaking them via the underground.

Things would change in a big way during those 2 years; we were entering the hybrid age for dance music, and the oncoming House and Techno and Hip Hop directions would all owe a huge debt to this era of dance alchemy and groove experimentation.

This podcast is also available on iPhone, iPod touch and iPad via the Radio ditto app, which is downloadable for free from iTunes: http://itunes.apple.com/app/id464200632?mt=8

Check out my label's music at: https://superweirdsubstance.bandcamp.com

GREG WILSON'S EARLY 80's FLOORFILLERS - SEPTEMBER 1983

Recorded at the Stonebridge Tent at 2pm. First of 3 appearances at Glastonbury on 27.06.14.

PT 2 BEAT HOTEL – available here: https://soundcloud.com/gregwilson/glastonbury-trilogy-2014-pt-2-beat-hotel-270614-greg-wilson-live-mix

PT 3 GENOSYS – available here:  https://soundcloud.com/gregwilson/glastonbury-trilogy-2014-pt-3-genosys-270614-greg-wilson-live-mix

Check out my label's music at: https://superweirdsubstance.bandcamp.com

GLASTONBURY TRILOGY 2014 PT 1 STONEBRIDGE 27.06.14 (greg wilson live mix)

Recording from Freddie's @ Pikes in Ibiza 07.10.24.

PIKES IBIZA 07.10.24 (greg wilson live mix)

Live recording from a special daytime event at The Social in London. 

I never normally record the audience in my mixes, but, for some strange reason, there seems to have been a mic active on my device picking up the crowd. My aversion to this is that, apart from the general ambience of the room, it also picks up people chatting in or around the booth, especially in a small compact space like we were in. I hope this isn’t distracting, but, weighing things up, it was such a good day, and its so long since I’ve uploaded a mix to SoundCloud, that I think it’s only right to share regardless.


AN AFTERNOON AT THE SOCIAL LONDON 01.03.25 (greg wilson live mix)

Freshly uploaded to SoundCloud, the recording from my recent appearance at Pikes, Ibiza on May 19th, when I was one of the secret DJs, along with Graeme Park, for their Monday night session at Freddie’s.

PIKES IBIZA 19.05.25 (greg wilson live mix)

Viva Recordings welcomed back the amazing Fred Everything for another incredible night at THIS! @ Monkey Loft, Seattle 

Fred Everything Live DJ set @ THIS! for Viva Recordings - May 17th 2025

Welcome to Future Disco Radio – your ultimate soundtrack, anytime, anywhere!

This week, we’re thrilled to welcome the incredible Natasha Kitty Katt to the show!

Catch us live every Friday at 3 PM GMT / 10 AM EST for the freshest house and disco, handpicked by the world’s top DJs and producers. Whether you're kicking off your weekend or need a midday energy boost, we’ve got the perfect vibe for you.

Expect next-level guests, cutting-edge sounds, and nonstop musical bliss.

Future Disco Radio, where the future of music meets the timeless rhythms of house and disco.

For more info - http://futuredisco.net/

Future Disco Radio - 296 - Natasha Kitty Katt Guest Mix

Recorded live poolside at Pikes Hotel Ibiza on June 24th 2025. I played 3 hours from late afternoon into early evening on a very very hot day !  
First 45 minutes was all styles before settling at 100 bpm (ish) for the rest of the session.
The whole 13 hour day was amazing with superb sessions from DJ Gripper, Legendary Italian producer Don Carlos, Ibiza overlord Andy Wilson, and ace DJ and producer Willie Graff.

Andy Kidd - Live poolside session @ Pikes Hotel Ibiza,  June 24th 2025

Moulton Radio 07-30-25
Episode 63 with Hotmood

MR 63 w/Hotmood

Get Down Edits - Live at Glastonbury (The Glade Stage) - 24-Jun-2016

Live Recording from our first ever Glastonbury gig,
Definitely one of our highlights of 2016

Glastonbury - Glade Stage

Get Down Edits - Live at Glastonbury (The Glade Stage) - 24-Jun-2016

Full 3 hour mix from a superb New Year’s Eve gathering at Manchester’s 2022NQ . 

Check out my label's music at: https://superweirdsubstance.bandcamp.com

2022NQ MANCHESTER NYE 31.12.12 (greg wilson live mix)

First part of live mix from the Credit To The Edit Vol 2 launch party at the Horse & Groom, Shoreditch 22.11.09.

Check out my label's music at: https://superweirdsubstance.bandcamp.com

CREDIT TO THE EDIT 2 LAUNCH @ HORSE & GROOM LONDON PT1 22.11.09 (greg wilson live mix)

Live recording from the Stonebridge tent at Glastonbury Festival 2013.

Read the accompanying blog post, 'Glastonbury - The Greatest Show On Earth' here:
http://www.gregwilson.co.uk/2013/07/glastonbury-the-greatest-show-on-earth/

Check out my label's music at: https://superweirdsubstance.bandcamp.com

GLASTONBURY STONEBRIDGE 27.06.13 (greg wilson live mix)

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

GREG WILSON'S EARLY 80's FLOORFILLERS - SEPTEMBER 1983

gregwilson

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