we published Gil Askey for years..his fam would love to hear this.. ping a link!

What a great song and a wodnerfull edit ! Thank you ! 

Woooooooo...this is my muthaf^€kin cut!!!

Had this on the go for a while. Bit of a re-drum and re-arrange, lost a few weird noises too. Hope you like!

TH - Girlfriend Is Better (Pete Le Freq Refreq)

https://soundcloud.com/fruityflavor
https://www.facebook.com/fruityflavor/
https://www.traxsource.com/label/24709/fruity-flavor
https://www.beatport.com/label/fruity-flavor/50061
https://www.junodownload.com/labels/Fruity+Flavor/

Buy on Traxsource

Hotmood - You Are A Star [Fruity Flavor] [FF086]

BPlan / Hey Boy
Label / Daje Funk Records
Released / 03 November 2021
Format / Vinyl
Buy from :
https://www.juno.co.uk/products/jisco-dazz-b-slam-dunk-vol-2/851755-01/
https://www.decks.de/track/various_artists-slam_dunk_vol_2/ciw-v9
https://www.deejay.de/Various_Slam_Dunk_EP_Vol_2_DFR010_Vinyl__984675

On the A-side is ‘Hey Boy’ by Italian producer/DJ Giuseppe Fimiani aka BPlan, a dirty lowdown that perfectly completes the vibe of the A-side. BPlan’s skills in bringing a unique take to a familiar riff is nothing short of genius. The perfectly pitched bass, filtered chord progression and mid-tempo beat lead us on a journey drenched in summer juices which, when combined with the vocal samples force you to stay in the moment and stop runnin’ with those Joneses. A sublime slice of a summer long past served up by one of the brains behind Caffè Corretto Edits, this is Daje Funk at its very best.

Support :
https://soundcloud.com/dajefunk
https://soundcloud.com/bplan_music
https://www.facebook.com/dajefunk
https://www.facebook.com/bplan.italy
https://dajefunk.bandcamp.com/

Buy from Juno

PREMIERE: BPlan - Hey Boy [Daje Funk Records]

Extremely limited edition 12" Single for DJs only. 100 copies with no repress.

https://milliondollardisco1.bandcamp.com/merch/m-d-d-gold-fantasy-dj-version

Fantasy DJ Version

Bandcamp

Whitney Houston - Queen Of The Night (Jack Tennis Edit)

I’m going to get some more edits/reworks uploaded in the coming months, starting off with one I did in conjunction with Henry Greenwood, a rework that was getting a major response until the pandemic went and spoilt the party. 

Recorded by Brooklyn’s Linda Clifford for Curtis Mayfield's Curtom label and mixed by Jim Burgess, ‘Runaway Love’ was somewhat overshadowed by her Disco take on ‘If My Friends Could See Me Now’, from the ‘60s Broadway musical/film, ‘Sweet Charity’. Although ‘Runaway Love’ and ‘Gypsy Lady’ were also listed when the album of the same name topped the US Disco chart, ‘If My Friends Could See Me Now’ was very much the lead track. ‘Runaway Love’ however was the choice cut in the R&B realm where, having been issued as a single, it reached #3.

As big as it was in the Stateside clubs I can’t ever remember ever hearing a DJ in this country playing ‘If My Friends Could See Me Now’ – it was all about ‘Runaway Love’ here, which, from the moment the LP came in on import in ’78 the specialist DJs seized upon. It could have been a UK hit, but was only issued on the flip side of ‘If My Friends Could See Me Now’. Besides, it was all about the full-length 12” version, the truncated 7” compromising its wonderful flow and build. The single stalled at #50 – the fact it got as high as that was all to do with the B Side.

To my ears it’s a track that should be as familiar as Rufus & Chaka Khan’s ‘Ain’t Nobody’, but ‘Runaway Love’ is a hidden classic far too rarely heard. This prompted me to team up with Henry Greenwood to put together a DJ friendly rework that retained the song in all its glory, whilst providing a mix in and out and adding contemporary weight to its already infectious groove. I couldn’t have wished for a better outcome, the audience response the proof in the pudding.

The third in a trio of late-‘70s reworks I’ve collaborated on with Henry, following on from Marshall Hain ‘Dancing In The City’ & El Coco ‘Mondo Disco’, which were pressed back to back on limited vinyl as part of the A&R Edits series.

Linda Clifford 'Runaway Love' (greg wilson & henry greenwood rework)

A modern Disco-fied version of a true 70's r&B classic.

Buy/HD Stream

Free (Jays Doin The Dhu Mix)

4/6/23
an edit of mine over 5 years old get s a total revamp for 2023

Dub Let It Go To Your Head 2023 (Chuggin Edits)

I know things have been a little quiet of late but I had to share this remix I did of one of my favourite tracks. Love Dennis Edwards vocals but I think Siedah Garrett really kills it. She's amazing!

Don't Look Any Further [LNTG Remix]

Previously available on vinyl through Greg Wilsons A&R Edits imprint

A&R Edits - It's Your Favourite Foreign Movie (Fingerman Re - Edit)

SanFranDisko DJ friendly edit of the Frankie Knuckles mix.
Ignore the intro piece I had to put at the beginning of the track.

Buy Here

Never felt like this before -  Mica Paris - SanFranDisko Edit

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Linda Clifford 'Runaway Love' (greg wilson & henry greenwood rework)

gregwilson

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user895575401

MAF!

Soulmannen66 - Juha Airén

Dan

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