R- &sMooth

CHAZ JANKEL - Glad To Know You (Todd Terje edit)

This is an updated version of an edit i did 2 years ago. I recently got an acapella of 'Shake Your Body', so i decided to have another go at it.
This is what happened... Enjoy ;-)

Dance Shout [LNTG Muscle Mix]

We welcome a collaboration that embodies the cosmic balance between earthly grounding and nocturnal transformation. Kora (@kora-musique) and Oiseau de nuit (@odnmusique) unite as Hiboux (owls).

This marks a significant moment where Phases Musique and Saisons Musique intersect. But beyond the convergence of two collectives lies a deeper story — one of mentorship, friendship, and shared musical evolution. When Oiseau de nuit took his first steps in music making back in 2015, it was Kora who guided his way. Their collaboration within Saisons Musique has been a long-standing journey, and Hiboux represents not just a meeting of two artists, but the culmination of years of creative dialogue and mutual inspiration.

Together, they channel the supermoon’s energy — that delicate tension between holding on and letting go, between stability and metamorphosis.

Like the owls that navigate at darkness with precision and grace, this release moves through shadow and light with intention. Hiboux carries this medicine forward. Downtempo rhythms that root you to the earth while organic textures invite transformation.

Kora brings it’s traveler’s compass, guiding us through diverse sounds and stimulating flutes textures where acoustic and electronic worlds collide. Oiseau de nuit contributes the deep, contemplative groove essence. The result is a sonic ceremony — patient, purposeful, and filled with the possibility.

It’s a music for the hours when the world sleeps but the spirit awakens.

We hope you enjoy it as much as we do ⏾.

Hiboux

More Info 🌚

Where rhythm meets feeling — deep, warm basslines and melodies that speak to the soul. Float through waves of emotion, late-night reflections, and love that lingers in every note.
For the nights you can’t sleep — emotional deep house that feels like memory and moonlight. Every drop, every synth, every breath tells a story you once lived.

You’re My Warmest Light

Bangles - Dub Like An Egyptian (Todd Terje Edit)

total re arrangement of the original ..thats all i can say about this one 
takes me back to the rulin days of the ministry in the 90s 

original here >>>>>>>>
https://www.youtube.com/watch?v=WPddr0RjTdQ

The Police - Voices Inside My Head  (Chuggin Edits)

Ann Margret was a film and music star of the 60s, 70s and 80s, dubbed the 'female Elvis'. She had a short-lived and relatively unsuccessful stab at Disco from 79-81, most famously recording the minor hit Love Rush in 79. I picked this up a few years back and always had a soft spot for it... hope I did it justice

Dayglow Edits Vol. 1

Ann Margret - Everybody (Don Dayglow Edit)

Here’s the second of the reworks I’ve recently put together with Henry Greenwood. This time it’s a brooding Balearic treasure from the late-‘70s, recorded by a group who experienced a fleeting moment of fame with this pop/rock treat and its addictive downtempo dance beat. It’s these qualities we’ve tried to enhance, making the track more contemporary for DJs to play out now, whilst retaining the distinctive essence of the original.

Before we set about the rework, I played it last year as my final track when I appeared at Glitterbox in Hi! Ibiza (I’m back this year for the closing party on Sept 28th). It was after hearing how well this worked as my Glitterbox finale (mix here: https://soundcloud.com/glitterboxibiza/greg-wilson-glitterbox-hi-ibiza-150917) that I approached Henry, who has a wonderful feel for downtempo grooves, to work on an update with me. Anyhow, I think it’s definitely mission accomplished, feedback since I’ve been playing it extremely positive.

Released on EMI’s progressive label, Harvest, in 1978, Marshall Hain’s ‘Dancing In The City’ was a huge UK hit, reaching #3 on the singles chart, as well as scoring big in Europe, Australia and South Africa, and just missing out on the US top 40. 

The duo behind the track, keyboardist Julian Marshall and vocalist/bassist Kit Hain had met as pupils at Dartington Hall School in Totnes, Devon, just a few years beforehand, but their success would be short-lived. A follow-up, ‘Coming Home’, was less memorable, just about scraping into the top 40 before, as with the band itself, completely vanishing from the pop realm, indifference to their album, ‘Free Ride’, the final nail in the coffin.

Marshall would become a member of The Flying Lizards, whose oddball post-punk/avant-garde cover of the R&B classic, ‘Money (That’s What I Want)’, released on Virgin, went top 5 in 1979, before forming Eye To Eye, who released 2 albums for Warner Bros. in the early-‘80s. Hain pursued a solo career, recording the albums ‘Spirits Walking Out’ for Deram (1981) and ‘School For Spies’ for Mercury (1983), before subsequently moving to the US and turning her attention to songwriting.

Available to pre-order on 12" here: https://www.juno.co.uk/products/gw-henry-disco-mondo/739367-01/

Pre-Order

Marshall Hain 'Dancing In The City' (greg wilson & henry greenwood rework)

Prince - Controversey (Mighty Mouse's Revised Edit)

14th Nov 2018 4k follows freebie
or if you dont want to use hype edit you can grab it here
thanks for the support 

https://chugginedits1.bandcamp.com/track/evry-1-chuggin-edits

Evry 1s A Winner  (Chuggin Edits)  4k Free Download

I know things have been a little quiet of late but I had to share this remix I did of one of my favourite tracks. Love Dennis Edwards vocals but I think Siedah Garrett really kills it. She's amazing!

Don't Look Any Further [LNTG Remix]

He's Not Into You

2 hours of some of my favourite samples used in Hip Hop and RnB...  Part 1! 
Tracklist available:
https://www.nts.live/shows/alexander-nut/episodes/alexander-nut-21st-april-2020

Sample Special - NTS Radio Show 19/04/20

Overture

Stranger (feat. Saba & Jarreau Vandal)

Back with another episode of my monthly @sohoradio show and this month i'm joined by the incredible @rubyfrancis. I remember first hearing her track 'Paranoid' back in 2017 and it instantly made me think of early Neptune's productions. I then saw her playing at the Great Escape festival later on that year and it's safe to say she's just as great as a live performer.

I was excited to get her on the show to discuss her career to date, her influences and how she manages to juggle being a producer, singer and songwriter all at the same time!

If you're here for the music, don't worry there's loads of new music on the show as well!

Tracklist - https://www.instagram.com/p/CD8eHWwAy33/

Follow El Train :
Soundcloud - @eltrainmusic
Facebook - www.facebook.com/eltrainmusic
Instagram - www.instagram.com/eltrainmusic
Twitter - twitter.com/eltrainmusic

Follow Ruby Francis
Soundcloud - @rubyfrancis
Facebook - facebook.com/RubyFrancisMusic/
Twitter - twitter.com/rubyfrantweets
Instagram - instagram.com/ruby_francis

El Train Radio Episode 016 W/ Ruby Francis

Bad History

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Marshall Hain 'Dancing In The City' (greg wilson & henry greenwood rework)

gregwilson

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