Chaka Khan - Clouds (Blackjoy Edit)

Can You Handle It [Remix HQ Disco] - Sharon Redd (1980)

The West End Records classic by Raw Silk gets a modern fix from Ghosts Of Venice. Out now on Beatport through Ultra

http://www.beatport.com/release/do-it-to-the-music-ghosts-of-venice-remix/1351902

Raw Silk - Do It to the Music (Ghosts Of Venice Remix) [West End Records]

Get Down * Gene Chandler - 12' Version

PulseMeld's Cosmic Comedy Extravaganza

Prepare for liftoff into a galaxy of laughter with Finding Uranus, the latest comedic album from PulseMeld that blends intergalactic adventure with cheeky humor and funky rhythms. This isn’t your typical space odyssey — it’s a hilarious and unconventional trip through the cosmos, where the final destination is, well… Uranus.

From the funky basslines of Rings of Uranus to the spacey synths of Orbiting Your Love Hole, PulseMeld takes listeners on a wild ride, pushing the boundaries of comedic storytelling in space. Whether it’s blasting off to distant galaxies in Blast Off (To Your Anus) or navigating the personal complexities of zero gravity intimacy in Zero-G Lovin', this album has it all: catchy tunes, clever lyrics, and enough planetary puns to make you laugh your space boots off.

Inspired by the 1970s sci-fi aesthetic, Finding Uranus is a blend of retro-futuristic soundscapes and satirical lyrics, filled with funk, rock, and synth-heavy jams. With playful tracks like Moon Me One More Time and Houston, We Have a Hard-On, PulseMeld proves that no subject — not even the vast expanse of space — is too big for a good laugh.

Whether you’re an aspiring astronaut or just someone who enjoys a good cosmic laugh, Finding Uranus will have you blasting through the stars with a smile on your face and a beat in your heart. So strap in, adjust your helmet, and prepare for a journey that’s truly out of this world! 

Bandcamp

Orbiting Your Love Hole

Raw Silk 'Do It To The Music' (greg wilson edit)

114bpm

Never previously shared

I know there are quite a few edits of ‘Do It To The Music’ knocking about, a couple of which I’ve played out myself (Frico & Kid Color), but here’s the one I put together back in 2006 that’s popped up in a couple of my mixes, just a ruff from the vinyl incorporating both the main vocal mix and the dub, with no added elements. I only ever intended it to be for my own personal use, rather than something I considered pressing up (otherwise I’d have tried to get hold of a slightly cleaner copy to work from). The reason I’d discounted it for inclusion on a limited run 12” was because I’d thought about the track as a potential candidate for the first Credit To The Edit album the previous year, but I’d already used the acappella from the beginning of the dub over DMX Krew’s ‘Who Got The Funk’, the combination becoming Raw DMX ‘Do It To The Funk’ – the first track I played on my DJ comeback at Music Is Better (see: http://www.gregwilson.co.uk/2011/09/music-is-better-re-edited-highlights), and subsequently a key C2theE track. I figured an additional Raw Silk edit would be overkill, so the idea was shelved. But now we’re at a different point in time and I’m sharing edits here on SoundCloud, so here it is.

Mixed by Nick Martinelli & David Todd and released in the US on Mel Cheren’s West End label, ‘Do It To The Music’ was picked up on import by specialist DJ's in the UK, but following its release here on KR it’d crossover to the more mainstream clubs, and eventually enter the Top 20 of the charts here. West End was the source for so many classic underground cuts during my time at Legend and Wigan Pier (Peech Boys, Brenda Taylor, Stone, Shirley Lites, Barbara Mason, Forrrce, DJ Divine etc), and it was right up there with the likes of Prelude and Tommy Boy and as one of the most essential labels of the era as far as the black scene here in the UK was concerned.

So, without further adieu; no time for criticising, music's hypnotising, everybody's temperature's rising, so get down.

Greg Wilson – October 2011

Check out my label's music at: https://superweirdsubstance.bandcamp.com

Raw Silk 'Do It To The Music' (greg wilson edit)

Origonally did this in 2011  in hopes of getting it cleared for a M+M Project but appears that wont happen, so updated a few things and sharing it with all my friends who may want a different take on this classic track hope you enjoy it .

Full wav file here if you download it please leave a comment thanks

Unlimited Touch - I Hear Music In The Streets M+M Mix 2017 Update

Another one coming up to XMAS from our personal stash.
The intro is about 3 mins long and heavily dubbed out, pretty much a track in it's own right. Created after a 3am stint hearing Danny Krivit at the Ministry of Sound.....use wisely and wait till the dancefloor is tripping out :)

Free DL

D Train - Keep On (SBR's Seriously Twisted Intro)

dl link - http://bit.ly/16ZcKYC

small freebie to do my part in welcoming the summer :)

Black Ivory - Main Line (andrei "summertime" edit) - free download

I Love Music (Shit Hot Soundsystem Rework)

Little re-edit I did with the homie Serge Gamesborg! DL available! ENJOY!!!

LAX - ALL My Love (Caserta - Gamesborg Edit)

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Raw Silk 'Do It To The Music' (greg wilson edit)

gregwilson

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