Ooooooffff absolute shift on to this tonight.... YES Gregory...

Ну что заело пластинку

точно псай такой. я уже психую

@gregwilson: i’m looking for one of your mix “Second Life”. Do you know where i can listen to it? Love your work

A side

Cat No.: UNTZUNTZ003
Artist: RAYKO / THE GLUE
Title: DIE FOR YOU / A BROKEN HEART
Label: UNTZ UNTZ RECORDS
Format(s): LIMITED 12″ RED VINYL
Release Date: 20/05/2011

TRACK LISTING
A1. Rayko – Die For You
B1. The Glue – A Broken Heart

DESCRIPTION
This much hyped Rayko track gets a super cool 12″ split-release with the romantic newcomers The Glue on the flip. Believe the hype, this is a monster!
Untz Untz unleash their third release, and this time its a shiny red love disc.
First up is the spanish edit don Rayko, known from releases on labels such as Eskimo, Kojak Giant Sounds, Lumberjacks In Hell… and of course his own Rare Wiri label. He is known for crunching out 2-3 great edits every week. This edit must really have struck a chord with the Untz Untz guys leading to them begging on their knees for it the same day it appeared on his Soundcloud. On his ‘Die For You’ edit he slaps on a old school disco bassline on top of the purple smurf that we all love. Resulting in taking him straight to the club peak-time, saturday night style. This is made for a dancefloor!

On the flip we see the slow-mo-house-disco duo The Glue. Little is known about these mystic newcomers other than that they are based in Bergen, Norway and that they are very much into r’n'b and soul music. This edit came about after finding it in a box of 600 7″s from the 80s/90s that they bought for almost nothing at a flea market. On the ‘A Broken Heart’ edit they are carefully building up a cosy mood before dropping in the vocals half-way through this 9 minute heartbreaking song. And then finishing it of with a man softly cooing ‘I Love You, Don’t Ever Break My Heart’. Lets hope its not true that: A Broken Heart Can’t Mend.

The 12" has gotten thumbs up from among others:

Greg Wilson (UK) - "Nice release. Wouldn't mind a wav of the Rayko track"

Dr Dunks aka Eric Duncan (Rub N Tug/Still Going/DFA/NYC) - "Sound great!"

Sleazy Beats Recordings - "Slice of pure loveliness. Have a listen, and tell me - how can you just not love this?"

Duff Disco (UK) - "I like 'A Broken Heart'  nice edit there!"

Touchsoul (UK) - "Where to start. Rayko is on fire with this release. A mix Prince should be proud of and Alexander O'Neal's early 80's soul groover sublimely done to great slow mo disco effect by The Glue. Will be getting play from me and well worth the purchase..."

Dirk (Mindless Boogie/Smile) - "Aaahh, Killer edits!"

Juno Records (UK) - "Complementing the growling arpeggios of Rayko is The Glue, whose B Side bomb is strictly for the lovers!"

Piccadilly Records (UK) - "Untz Untz come up with two monster reworks back to back, and on red vinyl too! It's a big hurrah that these peeps still believe in vinyl, so make sure you grab a copy quick."

Justin Strauss (Whatever Whatever/NYC)
Drop Out Orchestra (Need Want/SWE)
Leftside Wobble (Trax/UK)
Balearic Mike (UK)
Skatebård (Kompakt/NOR)


Rayko - Die For You

DOWNLOAD IN HERE: https://mega.nz/folder/64ACEL6D#mTmOOH7dQPmpox4jYrvzGw
This is my recreation of the 2manydjs mashup between Cerrone's 'Supernature', Daft Punk's 'Giorgio by Moroder' and Giorgio Moroder's 'Chase'.

A special thanks to https://soundcloud.com/rikin8r for helping me big time with the synths and to everyone else who assisted me with this!

Enjoy!

Cerrone X Daft Punk X Giorgio Moroder (J.B's 2manydjs Remake)

I Dont Like Acid [Late Nite Tuff Guy Rework]

Talk Is Cheap

www.gourangamusic.com
www.facebook.com/ilovegouranga
www.instagram.com/gouranga_music

Download

Fleetwood Mac - You Make Lovin' Fun (Trailmix)

Not much done here - just adjusted the tempo and looped the intro. Just the tempo adjustment changes the track's vibe by leaps n' bounds. Enjoy!

Donna  Summer - Sunset People (MEQ Slow Mo Edit)

If you like this track support the artist and buy it: http://www.junodownload.com/products/living-ecstasy/1821151-02/

Sister S - Living Ecstasy (Norinton Remix)

Talking Heads ‘Psycho Killer’ (greg wilson edit)

118 bpm

Previously limited DJ only vinyl / CD 2007.

Pressed in 2007 as ‘Gotta Tape I Wanna Play', I originally put this together for my US debut in October 2005, at APT in NYC – recording here:
http://soundcloud.com/gregwilson/first-time-in-nyc-apt-21-10-05 

I was a big fan of ‘Stop Making Sense’, the Talking Heads concert from 1984, which was released as both a film and an album. It starts with David Byrne on an empty stage with just a ghetto blaster and acoustic guitar, performing one of the band’s best-known tracks, ‘Psycho Killer, which was originally released in 1977. The beats, courtesy of a Roland TR-808 drum machine, re-appear in extended form over the closing credits. The idea of an edit was there from the moment I bought ‘Stop Making Sense’ on VHS back in the 80’s, but the sound quality from the video wouldn’t have been up to scratch. However, when it was released on DVD later down the line, this was no longer a problem, and I was able to let the beats run on their own for a couple of minutes before the guitar enters and the track really kicks in.

The edit took off in a big way for me, and later with DJ’s including Andrew Weatherall and Optimo. It subsequently became a major festival tune for me and featured in my Essential Mix in 2009 (http://soundcloud.com/gregwilson/essential-mix-greg-wilson-mix-for-bbc-radio-1). More recently it appeared on my Festival Anthems mix (http://soundcloud.com/gregwilson/greg-wilson-festival-anthems), and given this, I thought it was a good time to share here.

There’s more info about ‘Stop Making Sense’ on the blog, as this was last month’s featured album:
http://www.gregwilson.co.uk/2012/05/living-to-music-talking-heads-stop-making-sense/ 

Greg Wilson – July 2012

Check out my label's music at: https://superweirdsubstance.bandcamp.com

Talking Heads 'Psycho Killer' (greg wilson edit)

We first heard this Dub when Greg Wilson delivered his fantastic Chic Organization Mixtape earlier this year. https://soundcloud.com/gouranga/gouranga-mixtape-greg-wilsons-chic-selection-reworks-1977-79

Little is known about this mix or it's creator, but we thought it should be shared with our clan! Thanks again @gregwilson !

LOST IN MUSIC (DSD Balearic Mix)

Southerly brothers and sisters unite — the Flying Mojito Bros have used their summer tour travel time well, creating three four-by-four four-to-the-floor humdingers that get straight to the point... Festival-road-tested, they take a trio of punchy country funk bruisers to new dancefloor heights, refrying the sick slick licks of players emanating outta the deepest south — Texas, Arkansas and... Newcastle-upon-Tyne.

Spaghetti Western? Houston's finest Kenneth Ray Rogers alias The Gambler meets an archetypal Italo disco banger.

Early DJ and radio support from: Nemone (BBC 6Music), The Black Madonna, Digitalism, Jacques Renault, Groove Armada, Sean Johnston (A Love From Outer Space), Rob da Bank, Horse Meat Disco, Bill Brewster, Solid State, Jaye Ward, Gouranga and dozens more.

B u y

Hood'oin (Flying Mojito Bros Refrito)

Burning Down The Acid House [LNTG Take A Trip Mix]

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Talking Heads 'Psycho Killer' (greg wilson edit)

gregwilson

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