Hush now fun time with the men that you have to do 😭

shame it's an edit, the mix I had recorded back in 83 was 59mins long..can only think copyright issues :-(

I don't think this sounds 'rough around the edges' at all (at nearly 10 minutes in anyway). The mixing is pretty crisp, great stuff!

We went to all 3 of the SAS dayers. The Angels and Tiffs ones were great. There was alot of us northern Soul peeps who were into all types of Soul. We were doing Wigan but we also did the Mecca/ritz/Gold Mine/Purley etc so all we wanted was red hot soul music. Everyone else was trying to create this North vs South crap but we danced to everything from Sam n Dave to Chic.Gotta stay open minded but still love your roots.

Bringing back those good memories, well mixed, thanx Greg!

To tie-in with the re-launch of my Electrofunkroots resource I'm going to be uploading some audio content that was either recorded in the early 80's, or looks back on the era.

I hope you check out the To tie-in with the re-launch of my Electrofunkroots resource I'm going to be uploading some audio content that was either recorded in the early 80's, or looks back on the era.

I hope you check out the redesigned revitalized website, we've added loads of new stuff, and will continue to do so on a regular basis - your feedback would be very much appreciated: 
http://www.electrofunkroots.co.uk/mixes/the_best_of_83.html 

There's also a blog post, which gives you the full lowdown - Redesigned Revitalized: 
http://www.gregwilson.co.uk/2012/01/redesigned-revitalized/

Greg Wilson - January 2012

THE BEST OF 83: THE YEAR'S BIGGEST UNDERGROUND CLUB TUNES
Although it may sound pretty rough around the edges by today’s standards, Greg Wilson’s “Best of 83” mix was viewed as groundbreaking back in the day (as was the previous year’s “Best of 82”), and revered as inspirational by a new generation of DJs who’d take up where he left off. These end of year mixes would become something of a tradition on Piccadilly Radio (later Key 103), which broadcast throughout the North-West of England, with the series continuing on into the next decade. Courtesy of Chad Jackson (84/85) and Stu Allan (86-92), including DJKA’s mix in '87.

The mixes focused on the biggest tracks played on the black music scene during the previous year, “Best of 83” cramming in as many floorfillers as possible (even if it only be a brief snippet) from the main clubs of the time, Wigan Pier and Legend in Manchester.

Also see The Best Of 82: http://soundcloud.com/gregwilson/the-best-of-82-by-greg-wilson

Check out my label's music at: https://superweirdsubstance.bandcamp.com

THE BEST OF 83 (by greg wilson for piccadilly radio manchester 1983)

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

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