do you play live bro i needa hear some shit like this on some sort of speaker asap

Bandcamp

So Sick

HTRK Fa5in8tor chopped x slowed 2021

Joshua Chuquimia Crampton - Lucky Stars x Jane’s monologue
Locust - Ancient Hometown
Rabit- No Ceiling
The Breeders - Mad Lucas
Astrud Gilberto - The Shadow Of Your Smile 
Tricky - Wait For Signal
Internazionale - Pupils Spread Wide Like A Lover's Legs
*lava* 
Radiohead - Reckoner (Salem Remix)
Rat from Streetwise 
LA Timpa - Wicked 
WOO - Acting Like a Lover
*a shadow of you*
Lisa Germano - …A Psychopath
Swans - You Need Me
Jarboe - Dance Demented 
Muslimgauze - Uzi Mahmood 1
*slither like a city slicker* 
Tm - City
Throbbing Gristle - Industrial Introduction
Andre Gregory “New York City is a prison”
Knifehandchop - My Hood Sweater
Cmdc - 360 Surround Bound 
Sade’s contradictions 
Townes Van Zandt - Kathleen
Tears For Fears - Memories Fade
Albanian Mourning Song 
Mercury Records- Pick Up If You’re There 
Beth Orton - Stars All Seem to Weep 
Intravenosa  - Flashbacks Linger Like A Thorn In The Flesh
Astor Piazzolla - Finale (Tango Apasionado)

OB0468 — Jeton Bakalli

The newest release from 29 Speedway, UltraBody, is a compilation record featuring the music of Jake Muir, Pent & Dylan Kerr, Nexcyia & mu tate, James K, Flora Yin-Wong, Ex Wiish & Dorothy Carlos, Kamran Sadeghi, Tati au Miel, James Hoff, Eric Frye, qwqwqwqwa & sop.io, Muein, & Maxwell Sterling. The record is emblematic of the artists who have performed at 29 Speedway shows in New York and Europe during the past two years, and is the third in a series released by the label.

The record investigates how the self, spirituality, and language are intertwined with the intervention of subjectivity by new technologies. With increasingly sophisticated tech, and the supposed ability to remake the world and ourselves, what differentiates our individual discretion from the will imposed upon us by software? Quoting Walter Chaw, “Decades of rampant, unregulated and ill-considered technological leaps have begun to evolve, to mutate, humans at a biological level”. This haphazard acceleration towards a techno-utopic transformation of humanity has faulted, and as William Gibson put it, is leading us to live in a “half assed singularity”. In this reality, artistic processes are influenced by excessive access to computational tools and assistance, but not utterly controlled.

This in-between state of dominion is explored on UltraBody. “Incoherences” samples the utterances of Dylan Kerr’s voice processed between Pent’s percolated glazes, muddying the gulf between vaporous ambient and reflexive sound design. The voice on James Hoff’s “A... ...Cha.... A... I feel l” was created by trying to get voice cloning technology to sing a gps data stream, the music an extrapolation from an earworm he got stuck in his head while shopping in Kyoto. On “Plogue Chain”, Eric Frye’s most speculative sci-fi observations spiral into a glazed pool of digital cacophony, while Kamran Sadeghi’s “Formula Fiction” is an experiment in (un)controlled generativity. Incorporating minimal pings from a 3D simulation scene based on gravitational interaction, cello bits evolve on “Assimilation”, a collaboration between Ex Wiish & Dorothy Carlos.

On UltraBody, sound has no separate existence from space.

Tati au Miel - House Of Gold

bimestrial show with sounds selected by Julek ploski and Limited guests they invite ! GIVE—UP is a promise of M.M. (Meaningful Music) and promises always come with anxiety . 


GIVE UP RADIO w/ Julek ploski, Ludwig Wandinger (24/09/24)

NO WAY !!!

Xafya - godspeed

nice to meet you

Cafe Neuron

everything

“My heart is crying, crying”
 - Jackie Wilson, “Lonely Teardrops”

“She cries on every tune, every tune, every tune/ Footsteps on the dance floor remind me baby of you”
 - Womack & Womack, “Teardrops”

The tracks on TEARDROPS express our sentiments surrounding Black life, death, hypervisibility and refusal as we confront the reality that the club—like the rest of this world—can be a vulnerable space. TEARDROPS comes out of years experimenting with our hybrid DJ/live PA style of performing. Some of the songs are straight-to-tape recordings, others are edits we use in those same sets and one is an original track inspired directly by our experiences in the club. 

Cover Photography: Elliott Jerome Brown, Jr.
Cover Art: E. Jane

Contact/booking: 
booking@onthesly.co
onthesly.co/scraaatch/

A3 ARTICLES

fka regret
NEW YORK
Gueta

  > looking for sound design or music prod. work  <

NO WAY !!!

g lawrence

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~v_Magica

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