Annie Nardolilli and Louisa Hall, the masterminds behind Griefcat, are a duo that you can’t easily categorize or file into a neat little genre. They are mutually perpetuating forces in matching outfits who together create beautifully blended harmonies and brilliant lyrics, with an unpredictable twist. On their brilliant album Late Stage Capitalism, the nine tracks range from flat out hilarious to unexpectedly thought provoking, each with a unique sound and lyrics to tickle the soul. An amalgamation of musical talent, these troubadours of the modern age display immense songwriting skills and infinite humor, with topical songs that not only dazzle but also make you smile and laugh while making fun of the world in which we live. The musicianship stands out on its own too; traditional instruments abound but you will also hear slide guitar, ukulele, trumpet, trombone, violin, and cello peppered throughout the album. The album explores how unbridled capitalism has invaded every facet of modern life, from workplace politics to interpersonal relationships, and even our most private moments.

Griefcat

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