Love it <3  Lots of discoveries... Bowie's instrumental, Deutsche Wertabeit, Wally's funny franco-english accent... Did Blue Gas borrow a BeeGee for vocals?

i literally have next to no recollection of making this but i definitely did ??

recorded 8/26/16 in durham nc <3
five days before i moved to detroit lol


u want this nigga i'll be that - peggy

miny aka U WANT THIS NIGA I[LL] BE THAT

This month’s edition welcomes HiTech, an emerging trio recently featured in issue 08 of WIP magazine, who are composed of King Milo (@scarcettii), Milf Melly (@ramel-cashman) and 47 Chops (@sensaichops47). Since dropping their self-titled debut album in 2022, HiTech have garnered a reputation for being one of the most exciting and innovative acts to have emerged from Detroit in recent years.
 
For this month’s show, the group have created a time-bending mix featuring tracks from their self-titled debut project, as well as songs from their newest release DÉTWAT. The mix is an evolution of ghettotech, booty house, juke and footwork – in other words, their own unique ‘D-Warp’ sound. Accompanying the mix is an article taken from WIP magazine's latest issue, which includes a series of images shot by photographer Samuel Trotter and an interview by the writer DeForrest Brown Jr.. Read the article at www.carhartt-wip.com/journal/music.

tracklist:

1. Omar S - "You Want The Best"
2. Fullbodydurag Ft. Milf Melly - "NAUGHTY GAL" 
3. Fullbodydurag Ft. King Milo  - "SHE'S GOTTA ATTITUDE"
4. HiTech Ft. DJKillaSquid - "ZOOTED"
5. HiTech - Unreleased
6. HiTech - "Big Prism"
7. HiTech - Unreleased
8. Fullbodydurag Ft. Cert - "ASS SHOT"
9. HiTech - "Cashapp"
10. HiTech - "All a Vibe"
11. HiTech - "Poppin' at the Suite"
12. HiTech - "Shrimp n Grits"
13. TMT - "SHOW ME LUV"
14. HiTech - "TEE TEES DISPO" Ft. Sprng4evr
15. HiTech - "I'm Pullin Up" 
16. HiTech - "In the Field"
17. Fullbodydurag - "IN LOVE"
18. Omar S, Alister Fawnwoda Ft. John FM - "I Love Your Girlfriend" (Long Mix)
19. HiTech - Unreleased
20. Omar S Ft. Tayloe - "SOME GOOD LOVING"
21. HiTech - Unreleased
22. HiTech - Unreleased
23. HiTech - "Funny Fuckits"
24. HiTech - "Fitness"
25. HiTech - "Henny Runtz"
26. HiTech - "I Swear It's a Bop"
27. HiTech - "Milf Milo 6"

https://www.carhartt-wip.com/journals/en/music/radio/2023/06/artist-feature-hitech-vibes-of-futures-past

Carhartt WIP Radio June 2023: HiTech / FXHE

Talk To Me Nice

Alessi - Seabird
Blue Gas - Shadows From Nowhere
Deutsche Wertarbeit - Auf Engelsflügeln
Harmonia - Walky-Talky
Pink Floyd - Dramatic Theme
Felt - Fortune
Boco - Running The Mardi Gras
Dr. John, The Night Tripper - Gris-Gris Gumbo Ya Ya
Captain Beefheart & The Magic Band - Ice Cream For Crow
David Bowie - Weeping Wall
Wally Badarou - Back To Scales To-Night
Vito Ricci - I'm At That Party Right Now
Grace Jones - Feel Up
Joe Cruz & The Cruzettes - Love Song
Steely Dan - Deacon Blues
The Alan Parsons Project - Eye In The Sky
Archie Whitewater - Lament For The Walking Dead
Scott Walker - The Old Man's Back Again (Dedicated To The Neo-Stalinist Regime)
Kevin Ayers - Song For Insane Times
Richard & Linda Thompson - The Calvary Cross
Black Sabbath - Planet Caravan
Neil Young - On The Beach
Maya - Synthezoid Heartbreak
Archie Whitewater - Home Again
Merle Haggard - Silver Wings
Pete Drake And His Talking Steel Guitar - Forever
Los Indios Tabajaras - Maria Elena
Palace Music - Gulf Shores
Smog - Driving
Jack Rose - Mountaintop Lamento

For Jolene
12-02-24




_

Disappear From Sight

When Tresor founder Dimitri Hegemann stumbled into a former bank vault in East Berlin on March 13th 1991, he had little idea that the
space he had unlocked would fast become one of Berlin's most influential and enduring techno clubs. "We didn't know what would
happen 10 months later," he says. "We signed a lease for a year. Which eventually got renewed for another three months, and another
three months…”

As Tresor celebrates its 25th anniversary with this work of artists from the US, Germany, China, France, Austria, Italy and the UK, it is
worth dwelling on how the cultural conditions that birthed Detroit techno – economic neglect and broken industry – were mirrored by
the disused bunkers and impromptu parties of post-unification East Berlin, where techno found new, vigorous expression.

Today, though the boom and bust of globalised capitalism has filled the void that followed the Berlin Wall, and techno has become a
worldwide industry, we face a new political chapter, one defined by populism, nationalism and mistrust. Contemporary creatives should
take inspiration from Tresor's story, an extraordinary experiment born from improvisation, resourcefulness and social neglect that
uplifted the spirits of inner city communities for a quarter-century.

This record marks the spirit of those 25 years of creativity, a paean to the psychedelic music of Dimitri’s youth. From the signature
magnetic soundscapes of Vainqueur to the dark textures of upcoming Being producer Shao; from Jon Hassell’s slow epicurean volutes,
to the ritual auras of Marcelus and Claudia Anderson’s contributions; from the dub-infused pioneering programming of Juan Atkins and
Moritz von Oswald, to Mønic’s enthralling cadences, it represents some of the old and new names that continually epitomise Tresor's
perennial spirit of ingenuity. “We were space pioneers," says Dimitri.

The East Berlin of 1991 may have disappeared to gentrification, with Tresor's lonely vanguard joined by an army of venues catering to an
international array of clubbers benefiting from low cost travel, many of whom settle in the city for good. Berlin is Europe's economic
engine, headquarters to global industry and sole traders alike, where Polish, Kurdish and English are as likely to be spoken as German.
That range of influences is felt in all areas of life, not least in the city's music.

"Without Tresor, Berlin would not be what it is today," concludes Dimitri. "Even though it sounds a bit pretentious, it is true. Tresor was
the prototype for an extraordinary club. It was only possible as a combination of the right time, the right place, the right content and
determined people."

Excerpt of liner notes, by Rob Sharp - November 2016.

Dreamy Harbor

Daughter Produkt - Direction Asymmetry

London born and based DJ, Producer, PAN and PTP affiliate Flora Yin-Wong jumps in for episode 8 with "Flower over the Stone" a 30 minute sound collage loosely based around the idea of dreams and Akira Kurosawa’s '夢 Yume'.

Flora draws together samples, field recordings, re-pitched vocals and various electro-acoustic sounds to move through several vignettes and themes that the film addresses: Universal disasters, death, spirituality, childhood, art, and man's mistakes regarding the world. 

"Flower over the Stone" combines beat driven experimental, liturgic ambient and fourth world, scratchy samples and auto-tuned R&B style vox highlights to make for a diverse, filmic soundscape.

https://soundcloud.com/floraytw

# 8 Flora Yin-Wong - Flower over the Stone

Rascal (Superstar)

As LN-CC’s tenth anniversary celebrations continue into a New Year still dominated by lockdowns and social distancing, we invite fellow Dalston-born, global-reaching neighbour NTS to takeover our Store Mix series. Launching the 10-mix series, its founder presents a laid back selection of tracks that he plays at home.

10.10 NTS 01 STORE MIX: FEMI ADEYEMI

I'm Every Woman

I'm Every Woman (From “Black History Always / Music For the Movement Vol. 2") [feat. TOKiMONSTA]

another long ass cruise recorded in 2019

image by Hajime Sorayama

Disappear From Sight

griff505

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