Pale Sakura (Naviarhaiku 378)

A collaboration with a new music friend Didier de la Rose. Didier sent me some stems from one of his tracks and here is the result!
The track was mixed in AUM apps such as Eventide Crystal, Bleass Delay, Kosmonaut, Bleass Chorus, Rymdigarre, Eventide Blackhole and Barricade.

You can find Didier's excellent work at:

Journey Through The Event Horizon (with Didier de la Rose )

The whole theme of Magician's music. Without music we are lost, without music there can be no peace, without music there can be no contented soul. Enjoy, share, and enhance your lives and those around you with peace and love always....... IR

Making Music Matter

GUITAR VERSION: https://soundcloud.com/mylofymusic/shifting-station-ii
My submission for KVR's One Synth Challenge #162, using V-Station as only sound source.
 
 32 instances of V-Station via Carla bridge, all patches made from init. 
 DAW: Ardour 6.9 on ArchLinux
 
 Audio Plugins:
 LSP Parametric Equalizer
 Dragonfly Hall Reverb
 Calf Vintage Delay
 airwindows ToTape5
 ZaMultiCompX2
 ACE Compressor
 airwindows Texturize
 airwindows Cabs
 
 MIDI Plugins:
 x42 MIDI Strum
 B.Schaffl
 
 Master Bus:
 Noise Repellent
 ToTape5
 Luftikus
 LSP Parametric Equalizer
 LSP Multiband Stereo Compressor
 ZaMaximX2
 x42-dpl

Shifting Station

STBB#811  - MTD MzFk RmX

The one instruction for this week's Disquiet Junto assignment was to use an octave leap, which is something I quite often do anyway. 

So, I just set about writing a new track without thinking too hard about the brief. I actually started with the percussion that shows up later in the track.

The root on the opening part steps down an octave before introducing the next chord in the progression.

A two-note synth part is just the minor 7 on two octaves (with a major 6 once for colour - still fits the Dorian mode but is pretty HELLO when it shows up imo).

A second synth part doubles the guitar harmonic sounds, coming in via an opening low-pass filter. That synth part has its pitch modulated by a little step sequence, so it steps up one or two octaves, and the rate at which that's happening in shifting about. That part then runs into a delay (Valhalla Delay) which as a descending octave shift in the feedback patch.

A synth bass part arrives later that is just sustained notes following the root of each chord, but an arpeggiator steps up and down an octave. Kind of like with the pitch modulation on the other synth, the tempo of the arpeggiator is being modulated by an LFO, then quantised, to make it less synth disco / Girls & Boys.

More on this 564th weekly Disquiet Junto project — Octave Lept (The Assignment: Work an octave leap — or more than one — into a piece of music) — at: https://disquiet.com/0564/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0564-octave-lept/

The cover image for this project is from DALL·E 2. The prompt: “octave leap.”

[disquiet0565] Octave Leapt

Jet Jaguar - Sound 1 [disquiet0564] (Free download)

a hydrophone recording of a pond in Solacz park with added harmonic filters  & slight manipulations. a study for an aquatic symphony where the players are random unknown biological entities.

Hydro Harmonics 756

The debut of our new mini series on the filmography of Steven Spielberg begins with 1997’s Lost World: Jurassic Park. Post-Oscar wins for Best Director and Best Picture, Steven took four years off before directing this sequel. In that time he founded his own studio DreamWorks. Griffin and David would argue this level of creative control is the biggest blank check that any filmmaker has ever had. Presenting Pod Me If You Cast.

But seriously what IS chaos math? Why does this film unfold similarly to a video game? What does Isla Nublar roughly translate to?

Together #thetwofriends discuss the careers of Laura Dern, Vince Vaughn, Jeff Goldblum, convenient islands, life finding a way and a epic Pete Postlethwaite monologue.

Blank Check with Griffin & David

The Lost World: Jurassic Park

Griffin and David complete Nolan’s Batman Trilogy with a discussion of 2012’s The Dark Knight Rises. But is it true the director’s brother and frequent collaborator, Jonathan Nolan, presented Christopher with a 400 page script? Were there any other rumors not about Killer Croc? Have we started the fire? Together they examine the different Catwoman performances, Nolan’s Howard Hughes script getting Scor-cheesed, the squints of Joseph Gordon-Levitt, the Mooch and agree that crime should stay illegal.

The Dark Knight Rises

Griffin and David discuss dystopian action satire, 1987’s RoboCop. But is old Detroit a cancer and the cancer is crime? Was this film a deconstruction of the American hero mythology? Is it true that Verhoeven initially read half a page of the script and threw in the trash only to have his wife retrieve it and encourage him to give it a second chance? Together they examine the construction and evolution of the RoboCop costume, breaking squib records, 1987’s Academy award winners and many other tangents. Plus, special segment ‘Lewis View is’ with comedian and improvisor Molly Gaebe. This episode is sponsored by ZipRecruiter and Sci-Fi.com’s Cerberus Rex.

RoboCop

Jamelle Bouie (NY Times) returns to Blank Check to discuss Forrest Gump!

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Forrest Gump with Jamelle Bouie

Not just another bad movie podcast, Blank Check reviews directors' complete filmographies episode to episode. Specifically, the auteurs whose early successes afforded them the rare ‘blank check’ from Hollywood to produce passion projects. Each new miniseries, hosts Griffin Newman and David Sims delve into the works of film’s most outsized personalities in painstakingly hilarious detail. Produced by Ben Hosley.

The Dark Knight Rises

Blank Check Podcast

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