These are songs made with various music soundfonts from games, toys and TV shows.

Songs with Soundfonts

Here's a classic Kerry Mills song in the style of Super Mario Advance 1.

Soundfonts:
Super Mario Advance series 
LeapFrog's Leap-font (Drums) (exception)

Georgia Camp Meeting (SMA Soundfont)

Here's a Jack Smith song played with Kirby series instruments. For some reason, I went crazy on this one, so why not!

Song: I Was Kaiser Bill's Batman
Originally by: Jack Smith
Soundfonts: 
1. The Kirby Series Soundfont (thanks to Youmu Konpaku and Erika Furudo)
2. Roland SC55 (Drums) (exception)

Jack Smith - I Was Kaiser Bill's Batman (Kirby Series Soundfont)

Here's a classic waltz song by Leroy Anderson, played with instruments from the first 2 KuruKuru Princess DS games (Imagine: Figure Skater and Imagine: Ice Champions in the USA). 

"Belle of the Ball" is a waltz song, composed by Leroy Anderson, It's frequently played to the delight of dedicated ballroom audiences, being so evocative the era of superb light classical and great American music that is so uplifting to the spirits.

Lyrics:
Dancing so lightly and smiling so brightly
Tonight you're the Belle of the Ball
Is it a wonder, the whole world is under
The spell of the Belle of the Ball
You are the girl of their dreams
Everyone seems to adore you
And you can tell at a glance
There is romance waiting somewhere for you

So have a gay time, the music of May time 
Will end with the break of the dawn
You and your laughter will linger long after
the sound of the music is gone
We will remember the night
You were the fairest of all
In our hearts you'll be dancing
Forever and ever the Belle of the Ball

(Orchestral Interlude)

Tonight there is music and dancing
The dancers are happy and gay
Tonight is a night for romancing
All the magical hours away
And here in the crowd there is someone
With beauty as fresh as the dew
And you are that beautiful someone
For the moment you entered 
All glances were centred on you

Dancing so lightly and smiling so brightly
Tonight you're the Belle of the Ball
Is it a wonder, the whole world is under
The spell of the Belle of the Ball
You are the girl of their dreams
Everyone seems to adore you
And you can tell at a glance
There is romance waiting somewhere for you

So have a gay time, the music of May time 
Will end with the break of the dawn
You and your laughter will linger long after
the sound of the music is gone
We will remember the night
You were the fairest of all
In our hearts you'll be dancing
Forever and ever the Belle of the Ball

Song: Belle of the Ball
Composer: Leroy Anderson and Mitchell Parrish
Soundfont: KuruKuru Princess 1 and 2/Imagine: Figure Skater and Imagine: Ice Champions

Leroy Anderson - Belle Of The Ball  (KuruKuru Princess 1 and 2 Soundfont)

Here's a Piefke march with the Super Mario Advance 4 soundfont, made once again by my friend my friend 音源IC (OC2608 on Reddit, Dekyo Ongen on Musical Artifacts). When Princess Peach sets off for Paris, a marching band of Toads play this tune when she arrives.

Song: Remembrance of Paris
Composer: Rudolf Piefke
Soundfont: Super Mario Advance 4

Rudolf Piefke - Remembrance Of Paris (SMA4 Soundfont)

Here's a classic movie theme using the Super Mario 3D World Soundfont (made by Mr.Sanic). Or maybe, should we say... "Around the 3D World in 8 Locations"?! How's that? 

For crazy reasons, there are some obvious instrumentation changes. Well, no f***s for me on the Fridge DJ... time to do this in SM3DW style. (But overall... for this one, I think the Learning Screen Karaoke sounds better. I will do this song with the LeapFrog soundfont when my friend 音源IC (u/OC2608 on Reddit) finished making it.) With that being said, enjoy the jazzy rendition of this classic Victor Young tune.

Song: Around the World in 80 Days - Main Theme 
From: Around the World in 80 Days 
Composer: Victor Young
Soundfont: Super Mario 3D World [2013]

Around The World In 80 Days - Main Theme (SM3DW Soundfont)

Here's a Leybourne-Lee song with the Super Mario Advance soundfont. 

Sounds similar to LeapFrog's Learning Screen Karaoke version of "Take Me Out to the Ball Game", LOL! I decided to do this just so for the sake of fun! Please enjoy.

"The Man on the Flying Trapeze" was first published in 1867, with words written by the British lyricist and singer George Leybourne, music by Gaston Lyle, and arrangement by Alfred Lee. The lyrics were based on the phenomenal success of trapeze artist Jules Léotard, for whom the one-piece dancer's garment was named.

The following century, the song inspired the 1934 short story The Daring Young Man on the Flying Trapeze by William Saroyan. The film Man on the Flying Trapeze came out in 1935, starring W. C. Fields and Mary Brian.

This song is sometimes associated with Emmett Kelly, who performed as a trapeze artist before becoming famous as a clown.

Lyrics:
He'd fly through the air
With the greatest of ease,
The daring young man
On the flying trapeze.
His actions are graceful;
All the girls he does please,
And my love he has taken away!
(Repeat x1)

Song: The Man on the Flying Trapeze
Composer: George Leybourne, Alfred Lee, Gaston Lyle
Soundfont: Super Mario Advance

The Man On The Flying Trapeze (Super Mario Advance Soundfont)

Here's a Sebastian Yraider song with the Super Mario Sunshine soundfont made by CodyChief117. The only exception: I used the Roland SC-55 for the flute on the song.

"La Paloma", "The Dove" in English, is a popular Spanish song that has been produced and reinterpreted in diverse cultures, settings, arrangements, and recordings over the last 140 years. The song was written by the Spanish Basque composer Sebastián Yraider (formerly Iraider) around 1860 after a visit to Cuba. In 1879, it was registered at the copyright office in Madrid as a "Canción Americana con acompañamiento de Piano". Yraider was to die in obscurity within few years, never to learn how popular his song would become.

Very quickly, "La Paloma" became popular outside of Spain, particularly in Mexico, and soon spread around the world. In many places, including Afghanistan, Cuba, Colombia, Hawaii, the Philippines, Germany, Romania, Venezuela, Zanzibar, and Goa it gained the status of a quasi-folk song. Over the years, the popularity of "La Paloma" has surged and receded periodically, but never subsided. It may be considered one of the first universal popular hits and has appealed to artists of diverse musical backgrounds.There are more than one thousand versions of this song, and together with "Yesterday" by The Beatles, is one of the most-recorded songs in the history of music; it is certainly the most-recorded Spanish song.

Lyrics:
SPANISH:
Cuando salí de la Habana
¡Válgame Dios!
Nadie me ha visto salir
Si no fui yo.
Y una linda Guachinanga
Allá voy yo.
Que se vino tras de mí,
que sí, señor.

Si a tu ventana llega una paloma,
Trátala con cariño que es mi persona.
Cuéntale tus amores, bien de mi vida,
Corónala de flores que es cosa mía.
Ay, chinita que sí!
Ay, que dame tu amor!
Ay, que vente conmigo, chinita,
A donde vivo yo!

ENGLISH:
The sun peeking softly
Over the mountains high.
The sun smiles so brightly
Up in the morning sky.

All of the gentle creatures
Arise completely;
All of the flowers' petals
They smell so sweetly.

(x2:)
Let your sorrow take wings,
Let your heart ever sing love,
As you cherish the memory of our love,
That a dove may bring.

Song: La Paloma (The Dove)
Composer: Sebastian Yraider
Soundfont: Super Mario Sunshine (all instruments), Roland SC-55 (flute)

La Paloma (Super Mario Sunshine Soundfont)

Here's a John Philip Sousa march with the New Super Mario Bros. soundfont.

"Stars and Stripes Forever" is a patriotic American march written and composed by John Philip Sousa. By a 1987 act of the U.S. Congress, it is the official National March of the United States of America.

In his 1928 autobiography, Marching Along, Sousa wrote that he composed the march on Christmas Day, 1896. He was on board an ocean liner on his way home from a vacation with his wife in Europe and had just learned of the recent death of David Blakely, the manager of the Sousa Band. He composed the march in his head and committed the notes to paper on arrival in the United States. It was first performed at Willow Grove Park, just outside Philadelphia, on May 14, 1897, and was immediately greeted with enthusiasm. Following an Act of Congress in 1987, it was officially adopted as the national march of the United States of America.

Historically, in show business and particularly in theater and the circus, this piece is called "the Disaster March." In the early 20th century, when it was common for theaters and circuses to have house bands, this march was a traditional code signaling a life-threatening emergency. It subtly notified personnel of emergency situations and ideally allowed them to organize the audience's exit without causing the chaos and panic that an overt declaration might. Except for impending disaster, circus bands never played the tune under any circumstances. One memorable example of its use was during the Hartford circus fire of July 6, 1944. At least 168 people were killed, though some estimates are much higher.

Lyrics (if you want to sing along, they start at 0:24):
Hurrah for the flag of the free.
May it wave as our standard forever
The gem of the land and the sea,
The banner of the right.
Let tyrants remember the day
When our fathers with mighty endeavor
Proclaimed as they marched to the fray,
That by their might and by their right
It waves forever.

Song: Stars and Stripes Forever
Composer: John Philip Sousa
Soundfont: New Super Mario Bros.

Stars And Stripes Forever (NSMB Soundfont)

Here's a patriotic USA song with the Super Mario Sunshine soundfont [made by CodyChief117].

"America the Beautiful" is a patriotic American song. Its lyrics were written by Katharine Lee Bates and its music was composed by church organist and choirmaster Samuel A. Ward at Grace Episcopal Church in Newark, New Jersey.

Bates wrote the words as a poem originally entitled "Pikes Peak". It was first published in the Fourth of July 1895 edition of the church periodical, The Congregationalist. It was at that time that the poem was first entitled "America".

Ward had initially composed the song's melody in 1882 to accompany lyrics to "Materna", basis of the hymn, "O Mother dear, Jerusalem", though the hymn was not first published until 1892. The combination of Ward's melody and Bates's poem was first entitled "America the Beautiful" in 1910. The song is one of the most popular of the many U.S. patriotic songs.

Lyrics:
O beautiful for spacious skies,
For amber waves of grain,
For purple mountain majesties
Above the fruited plain!

America! America!
God shed His grace on thee,
And crown thy good with brotherhood
From sea to shining sea.

Song: America the Beautiful
Composer: Katharine Lee Bates, Samuel Ward, William Arms Fisher
Soundfont: Super Mario Sunshine

America The Beautiful (Super Mario Sunshine Soundfont)

Here is the baseball anthem song everyone knows played with the Mario Party DS soundfont. You know the words -- sing along!

"Take Me Out to the Ball Game" is a 1908 Tin Pan Alley song by Jack Norworth and Albert Von Tilzer which has become the unofficial anthem of North American baseball, although neither of its authors had attended a game prior to writing the song. The song's chorus is traditionally sung during the middle of the seventh inning (or in doubleheaders, fifth) of a baseball game. Fans are generally encouraged to sing along to this baseball anthem.

Lyrics:
Take me out to the ballgame,
Take me out with the crowd.
Buy me some peanuts and Cracker Jacks, 
I don’t care if I'd ever get back.

Let me root, root, root for the home team, 
If they don't win, it's a shame.
For it’s one... two... three strikes, you're out
At the old ballgame!

(Repeat x1)

Song: Take Me Out to the Ball Game
Composer: Jack Norworth, Albert Von Tilzer
Soundfont: Mario Party DS

Other versions if you want to listen: 
LeapPad Learning System (recorded with pickup coil) - https://soundcloud.com/groovystephaniekim/leappad-leap-into-learning-take-me-out-to-the-ball-game-our-town-band

Take Me Out To The Ball Game (Mario Party DS Soundfont)

Here is a famous American folk hymn melody played with the New Super Mario Bros. soundfont. 

"Amazing Grace" is a Christian hymn published in 1779, with words written in 1772 by the English poet and Anglican clergyman John Newton (1725–1807). It is an immensely popular hymn, particularly in the United States, where it is used for both religious and secular purposes.

Newton wrote the words from personal experience. He grew up without any particular religious conviction, but his life's path was formed by a variety of twists and coincidences that were often put into motion by others' reactions to what they took as his recalcitrant insubordination. He was pressed (conscripted) into service in the Royal Navy. After leaving the service, he became involved in the Atlantic slave trade. In 1748, a violent storm battered his vessel off the coast of County Donegal, Ireland, so severely that he called out to God for mercy. This moment marked his spiritual conversion but he continued slave trading until 1754 or 1755, when he ended his seafaring altogether. Newton began studying Christian theology and later became an abolitionist.

Ordained in the Church of England in 1764, Newton became curate of Olney, Buckinghamshire, where he began to write hymns with poet William Cowper. "Amazing Grace" was written to illustrate a sermon on New Year's Day of 1773. It is unknown if there was any music accompanying the verses; it may have been chanted by the congregation. It debuted in print in 1779 in Newton and Cowper's Olney Hymns but settled into relative obscurity in England. In the United States, "Amazing Grace" became a popular song used by Baptist and Methodist preachers as part of their evangelizing, especially in the South, during the Second Great Awakening of the early 19th century. It has been associated with more than 20 melodies. In 1835, American composer William Walker set it to the tune known as "New Britain" in a shape note format; this is the version most frequently sung today.

With the message that forgiveness and redemption are possible regardless of sins committed and that the soul can be delivered from despair through the mercy of God, "Amazing Grace" is one of the most recognisable songs in the English-speaking world. Author Gilbert Chase writes that it is "without a doubt the most famous of all the folk hymns". Jonathan Aitken, a Newton biographer, estimates that the song is performed about 10 million times annually.

It has had particular influence in folk music, and has become an emblematic black spiritual. Its universal message has been a significant factor in its crossover into secular music. "Amazing Grace" became newly popular during a revival of folk music in the US during the 1960s, and it has been recorded thousands of times during and since the 20th century.

Lyrics:
Amazing grace,
How sweet the sound
That saved a wretch like me!
I once was lost, but now I'm found;
Was blind, but now I see.

'Twas grace that taught my heart to fear
And grace my fears relieved.
How precious did that grace appear
The hour I first believed!

Song: Amazing Grace
Composer: John Newton, William Walker
Soundfont: New Super Mario Bros.

Amazing Grace (NSMB Soundfont)

SOMEONE SEND THE CLOWNS! Here is a famous Circus March played with the Super Mario All Stars/Super Mario World soundfont.

"Entrance of the Gladiators (Thunder and Blazes)" is a song, in which it was used as one of the most popular theme tunes for circus clowns. It is composed by the Czech composer Julius Fučík. He originally titled it "Grande Marche Chromatique", reflecting the use of chromatic scales throughout the piece, but changed the title based on his personal interest in the Roman Empire.

Generally, the march is divided into three parts. The first part contains the melody that the trumpet keeps and the several supporting parts. The second part is the section where the low brass (mainly the tubas) take over with the chromatic scale-like role. Finally there is a trio, or a softer melodic section, where there is a strong balance between woodwinds and low brass. The trio has a part similar to the second part with a chromatic scale-like sound. The piece is written in cut time and is originally written to be played at standard march tempo, but when played as a screamer it is usually played much faster.

Song: Entrance of the Gladiators (Thunder and Blazes)
Composer: Julius Fucik
Soundfont: Super Mario All Stars/Super Mario World

Entrance Of The Gladiators (SMAS/SMW Soundfont)

Here's the US Coast Guard song played with the Super Mario Sunshine soundfont.

"Semper Paratus" (Latin for "Always Ready") is a 1928 song and the official march of the United States Coast Guard, having been composed in 1927 by U.S. Coast Guard Captain Francis Saltus Van Boskerck.

The original lyrics were written by Captain Francis Saltus Van Boskerck in 1922, at the cabin of USCGC Yamacraw in Savannah, Georgia; he wrote the music in 1927, on a "beat-up old piano" in Unalaska, Alaska.

The current verse, as well as a second chorus, were written by Homer Smith, 3rd Naval District Coast Guard quartet; Chief Cole; and Lieutenant Walton Butterfield in 1943. In 1969, the first line of the chorus was changed from “So here's the Coast Guard marching song, We sing on land and sea.” to “We're always ready for the call, We place our trust in Thee.”

Lyrics:
We're always ready for the call,
We place our trust in Thee.
Through surf and storm and howling gale,
High shall our purpose be,
"Semper Paratus" is our guide,
Our fame, our glory, too.
To fight to save or fight and die!
Aye! Coast Guard, we are for you.

Song: The US Coast Guard Song (Semper Paratus)
Composer: Francis Saltus Van Boskerck
Soundfont: Super Mario Sunshine (all instruments) [with a bit of Roland SC55's flute]

The US Coast Guard Song (Semper Paratus) (SMS Soundfont)

Here is an Italian-themed pop song played with the Super Mario 64 soundfont. We all came here for this song because of Mario singing it in Mario Teaches Typing 2!

"That's Amore!" is a 1953 song by composer Harry Warren and lyricist Jack Brooks, and became a major hit and signature song for Dean Martin, who first recorded and released it that year.  The song first appeared in the soundtrack of the Martin and Lewis comedy film The Caddy, released by Paramount Pictures on August 10, 1953. Lewis commissioned Warren and Brooks to write songs for Martin to sing in the movie. According to Lewis, he personally paid them $30,000 secretly in the hope that one would be a hit for Martin. In the film the song is performed mainly by Martin, with Lewis joining in and then the other characters in the scene follow. It received a nomination for the Academy Award for Best Original Song of that year, but it lost to "Secret Love" from Calamity Jane starring Doris Day.

The song remains closely identified with Dean Martin. That's Amore was used as the title for a 2001 video retrospective of Martin's career; and his son, Ricci Martin, titled his 2002 biography That's Amore: A Son Remembers Dean Martin. As an iconic song, "That's Amore" remains a secondary signature song.

Music critic Joe Queenan has described the song as "A charming, if goofy, parody of popular Neapolitan organ-grinder music," and observed "That's Amore was one of many songs from the early Fifties that helped rehabilitate Italy's image as a land of magic and romance that had somehow been lured from its festive moorings by the glum fascist Benito Mussolini."

Lyrics:
When the moon hits your eye like a big pizza pie
That's amore!
When the world seems to shine 
like you've had too much wine
That's amore!
Bells will ring ting-a-ling-a-ling, ting-a-ling-a-ling
And you'll sing "Vita bella"
Hearts will play tippy-tippy-tay, tippy-tippy-tay
Like a gay tarantella

When the stars make you drool just like a pasta e fasule
That's amore!
When you dance down the street 
with a cloud at your feet
You're in love
When you walk in a dream 
but you know you're not dreaming, signore
Scusa mi, but you see, back in old Napoli
That's amore!

(Repeat x1)

Song: That's Amore!
Composer: Harry Warren, Jack Brooks
Soundfont: Super Mario 64

That's Amore! (Super Mario 64 Soundfont)

Here is a Neapolotian-themed song played with the Mario Party 2 soundfont (thanks to tahutoa). Imagine if Mario sang this Neapolitian song to Princess Peach in a serenade...!

"O sole mio" is a well-known Neapolitan song written in 1898. Its lyrics were written by Giovanni Capurro and the music was composed by Eduardo di Capua (1865–1917) and Alfredo Mazzucchi (1878–1972). There are other versions of "'O sole mio" but it is usually sung in the original Neapolitan language. 'O sole mio is the Neapolitan equivalent of standard Italian Il mio sole and translates literally as "my sunshine".

Lyrics:
Che bella cosa na jurnata 'e sole,
n'aria serena doppo na tempesta!
Pe' ll'aria fresca pare già na festa...
Che bella cosa na jurnata 'e sole.

Refrain:
Ma n'atu sole cchiù bello, oi ne',
'O sole mio sta nfronte a te!
'O sole, 'o sole mio
Sta nfronte a te, sta nfronte a te!

(Refrain x1)

Song: O Sole Mio
Composer: Giovanni Capurro, Eduardo di Capua, Alfredo Mazzucchi
Soundfont: Mario Party 2

O Sole Mio (Mario Party 2 Soundfont)

Here's a song made famous by Frank Sinatra, but it's with the instruments/soundfont you hear in the Franklin TV series. Franklin "Sinatra" be singing this when the end is near... Imagine Franklin can sing this by himself, with courage, bravery -- and some gentleness.

"My Way" is a song popularized in 1969 by Frank Sinatra set to the music of the French song "Comme d'habitude" composed by Jacques Revaux with lyrics by Gilles Thibaut and Claude François, and first performed in 1967 by Claude François. Its English lyrics were written by Paul Anka and are unrelated to the original French song.

The song was a success for a variety of performers including Sinatra, Elvis Presley, and Sid Vicious. Sinatra's version of "My Way" spent 75 weeks in the UK Top 40, which is 2nd place all-time.

Lyrics:
FRENCH:
Je me lève
Et je te bouscule
Tu ne te réveilles pas
Comme d'habitude
Sur toi je remonte le drap
J'ai peur que tu aies froid
Comme d'habitude

Ma main caresse tes cheveux
Presque malgré moi
Comme d'habitude
Mais toi tu me tournes le dos
Comme d'habitude

Et puis je m'habille très vite
Je sors de la chambre
Comme d'habitude
Tout seul je bois mon café
Je suis en retard
Comme d'habitude

Sans bruit je quitte la maison
Tout est gris dehors
Comme d'habitude
J'ai froid, je relève mon col
Comme d'habitude

Comme d'habitude
Toute la journée
Je vais jouer à faire semblant
Comme d'habitude
Je vais sourire
Comme d'habitude
Je vais même rire
Comme d'habitude
Enfin je vais vivre
Comme d'habitude

Et puis le jour s'en ira
Moi je reviendrai
Comme d'habitude
Toi tu seras sortie
Et pas encore rentrée
Comme d'habitude

Tout seul j'irai me coucher
Dans ce grand lit froid
Comme d'habitude
Mes larmes je les cacherai
Comme d'habitude

Mais comme d'habitude
Même la nuit
Je vais jouer à faire semblant
Comme d'habitude
Tu rentreras
Oui, comme d'habitude
Je t'attendrai
Comme d'habitude
Tu me souriras
Oui, comme d'habitude

Comme d'habitude
Tu te déshabilleras
Comme d'habitude
Tu te coucheras
Comme d'habitude
On s'embrassera
Comme d'habitude

Comme d'habitude
On fera semblant
Oui, comme d'habitude
On fera l'amour
Oui, comme d'habitude
On fera semblant
Comme d'habitude
Comme d'habitude
On fera semblant
Oui, comme d'habitude...

ENGLISH:
And now the end is near
And so I face that final curtain
My friend I'll make it clear
I'll state my case, of which I'm certain
I've lived a life that's full
I traveled each and every highway
And more, much more
I did it, I did it my way

Regrets, I've had a few
But then again too few to mention
I did what I had to do
I saw it through without exemption
I planned each charted course
Each careful step along the byway
And more, much, much more
I did it, I did it my way

Yes, there were times I'm sure you knew
When I bit off more than I could chew
But through it all, when there was doubt
I ate it up and spit it out
I faced it all and I stood tall and did it my way

For what is a man, what has he got?
If not himself then he has naught
Not to say the things that he truly feels
And not the words of someone who kneels
Let the record show
I took all the bows and did it my way...

Song: My Way/Comme D'Habitude
Composer: Jacques Revaux, Paul Anka, Gilles Thibaut and Claude François
Soundfont: Franklin TV series instruments (as used by Parker Szczmith) [Really. The instruments are Merlin Vienna -- they have similar sounding samples to that one.]

My Way/Comme D'Habitude (Franklin TV Series Instruments)

Here's another Sousa march, but played with the Super Mario Advance Soundfont. We know this tune in the trio section! I might do this song with the LeapFrog Leap-font (LeapFrog soundfont) also once my friend @integratedsg-ic has finished making the LeapFrog soundfont. 

During Sousa’s brief wartime service in the Navy, he was invited to a luncheon meeting in New York with Secretary of the Navy Josephus Daniels and Army Lieutenant George Friedlander. Friedlander, of the 306th Field Artillery, asked Sousa to compose a march for that regiment, suggesting that the march be built around an artillery song then known by such names as “The Caisson Song,” “The Caissons Go Rolling Along,” and “The Field Artillery Song.” The song was believed to be quite old, perhaps of Civil War origin, and had not been published; the composer was believed dead.

Sousa liked the song and agreed to use it. He set it in a different key, changed the harmonic structure, refined the melody, gave it a more snappy rhythm, and added this to his own original material. The complete composition was then published as the “U.S. Field Artillery” march.

It came as quite a surprise to Sousa and Lieutenant Friedlander to learn that the composer of “The Caisson Song” was still very much alive and that the song was less than ten years old. It had been written in March, 1908, by Lieutenant Edmund L. Gruber of the U.S. Army Field Artillery at Camp Stotsenburg, Philippine Islands. The piece was composed in the presence of at least two fellow officers who assisted in writing the lyrics. No doubt Lieutenant Gruber was even more surprised to find that his song, much revised, had skyrocketed to fame. He raised no objections to Sousa’s use of the song, which was serving the army’s purpose so admirably.

Lyrics: 
(Instrumental first section)

(Verse I)
Over hill, over dale
We will hit the dusty trail,
And the Caissons go rolling along.
In and out, hear them shout,
Counter march and right about,
And the Caissons go rolling along.

Chorus:
Then it's hi! hi! hee!
In the field artillery,/Everybody, follow me!
Shout out your numbers loud and strong! (2-3-4!)
For where'er we go,
We will always know
That the Caissons go rolling along. 

(Instrumental interlude)

(Verse II)
In the storm, in the night,
Action left or action right
See those Caissons go rolling along
Limber front, limber rear,
Prepare to mount your cannoneer
And those Caissons go rolling along.

(Repeat Chorus)

Song: US Field Artillery March (The Caissons Go Rolling Along)
Composer: John Philip Sousa
Soundfont: Super Mario Advance

US Field Artillery March [The Caissons Go Rolling Along] (SMA Soundfont)

Here's a well-known Scott Joplin ragtime song, but it's with the instruments/soundfont you hear in the Franklin TV series. Franklin has finally learned a real-world song from Ms. Panda now. Also, I had to cut the song short due to time-saving issues.

"The Entertainer" is a 1902 classic piano rag written by Scott Joplin. It was sold first as sheet music, and in the 1910s as piano rolls that would play on player pianos. The first recording was by blues and ragtime musicians the Blue Boys in 1928, played on mandolin and guitar.

As one of the classics of ragtime, it returned to international prominence as part of the ragtime revival in the 1970s, when it was used as the theme music for the 1973 Oscar-winning film The Sting. Composer and pianist Marvin Hamlisch's adaptation reached No. 3 on the Billboard pop chart and spent a week at No. 1 on the easy listening chart in 1974. The Sting was set in the 1930s, a full generation after the end of ragtime's mainstream popularity, thus giving the inaccurate impression that ragtime music was popular at that time.

The Recording Industry Association of America ranked it No. 10 on its "Songs of the Century" list. "The Entertainer" is sub-titled "A Rag Time Two Step", which was a form of dance popular until about 1911, and a style which was common among rags written at the time.

Song: The Entertainer
Composer: Scott Joplin
Soundfont: Franklin TV series instruments (as used by Parker Szczmith) [It's the piano sounds from "Franklin's Music Lessons"!]

The Entertainer (Franklin TV Series instruments)

Here's another Sousa march, but played with the Panel de Pon + Tetris Attack Soundfont. I might do this song with the LeapFrog Leap-font (LeapFrog soundfont) also once my friend @integratedsg-ic has finished making the LeapFrog soundfont.

“Power and Glory” incorporates an extraordinary treatment of “Onward Christian Soldiers” as the finale. This 1923 march classic was dedicated to Sousa’s friend Thomas Mitten, whose trolley company transported many Philadelphia music lovers to Sousa’s incredibly popular summer concerts at Willow Grove, Penn.

Lyrics for "Onward Christian Soldiers":
Onward, Christian soldiers, 
marching as to war,
With the cross of Jesus
going on before!

Christ, the royal Master,
leads against the foe;
Forward into battle,
see his banner go!

Onward, Christian soldiers,
marching as to war,
With the cross of Jesus
going on before!

Song: Power and Glory (Onward Christian Soldiers)
Composer: John Philip Sousa
Soundfont: Super Mario Advance

Note: Art by nasu (roda de estrela).

Power And Glory (Onward Christian Soldiers) (Panel De Pon Soundfont)

Here's a French folk lullaby played with Super Mario All Stars/Super Mario World soundfont. I added Pauline's vocals singing (since it's Kate Higgins) to make it sound much more sense of Pauline singing a lullaby, even though you see Princess Peach in the image from Mario's Early Years. At least this one is MUCH better than the Mario's Early Years version!

"Twinkle, Twinkle, Little Star" is a popular English lullaby. The lyrics are from an early-19th-century English poem written by Jane Taylor, "The Star". The poem, which is in couplet form, was first published in 1806 in Rhymes for the Nursery, a collection of poems by Taylor and her sister Ann. It is sung to the tune of the French melody "Ah! vous dirai-je, maman", which was published in 1761 and later arranged by several composers, including Mozart with Twelve Variations on "Ah vous dirai-je, Maman". 

The English lyrics have five stanzas, although only the first to third verses are widely known. It has a Roud Folk Song Index number of 7666. The song is in the public domain, and has many adaptations around the world.

Lyrics:
Twinkle, twinkle, little star. 
How I wonder what you are! 
Up above the world so high, 
Like a diamond in the sky. 
Twinkle, twinkle, little star. 
How I wonder what you are!

Song: Twinkle, Twinkle Little Star
Composer: Jane Taylor, Wolfgang Amadeus Mozart
Soundfont: Super Mario All Stars/Super Mario World

Twinkle, Twinkle Little Star (SMA/SMW Soundfont)

Stephanie is my name, music is my game -- welcome to my Merry Musical Museum of Sounds, Songs and Soundfonts! I'm an exciting 30-year-old Korean-American female who is a huge fan of Nostalgic stuff and I am also a musician (with a good musical ear or musical skills) who makes tunes with soundfonts from games and toys, as well as musical mashups and song covers too. I also upload game music (includes LeapFrog LeapPad and My First LeapPad music too) and other songs, with credit to others. I will upload my music, mashups, song covers, rare songs and video game tunes on here when I feel like it. 

My other interests are anime, art, cute things, animated movies and series, and drawing.

Note: Please wait. Sometimes posting things here takes a while. Plus patience is a virtue.

Songs with Soundfonts

Cure Heart's Sound Bank