Produced by Grouce. Also features the voice of Manly Palmer Hall. Drastik = 1st verse / Grouce = 2nd verse

Grouce ft Drastik - Vent

Grouce ft Mute & Spirited Sage - Nothing Comes From Nothing

From debut album by Grouce - free on Bandcamp website or Spotify, iTunes & etc. Music produced by Beatzophrenic.

06. ZODIAC

From debut album by Grouce - free on Bandcamp website or Spotify, iTunes & etc. Music produced by Grouce.

05. PREDILUVIAN TIMES

03. SOUND OF THE SUN ft DJ Platterpush

17. CRYPTIC

15 minute rap from 2014 with new 2016 beats produced by Grouce. Original track featured beat from Kendrick's "Control Verse" which Soundcloud saw as a copyright infingement and chose to remove the song from its website.



CONTROL VERSE 2014 (REMIX)

Formerly unreleased song made in 2010. Produced by Grouce.

White Lies (2010)

There's No Doubt (2010)

Previously unreleased track from 2013. Featuring Mute Mc, Kaye, Adrian Incarnate. Music produced by Grouce.

Techniques ft. Mute Mc, Kaye, Adrian Incarnate

Music Produced By: Verbaleyes (True Vibenation) - IT MUST BE NOTED: I wrongly released the song without realising that the beat wasnt finished; Verbaleyes was hoping to take the beat to the next level but didnt get a chance - but with that said i still love the beat regardless. 

Song features on DJ Skae's 2008 'Guestlist' compilation LP and on 'Rainy Day Women No.9 & 42'... Ive been asked by a few people to upload this, so i have. Hope those who havent yet heard it will enjoy it. Sub Conscious Records, Sydney.

Grouce - God's Wayward Son

Track 1 from 3rd album 'Emcee' released Dec 10th, 2020.
http://hyperurl.co/grouce.emcee

Music produced by Grouce. Lyrics written & performed by Grouce. Recorded, mixed & mastered by Grouce. Made in Sydney, Australia. © 2020 Grouce. All rights reserved. Unauthorised commercial use &/or unauthorised reproduction is prohibited.

Emcee

Virus(2020)

GROUCE is an EMCEE/RAPPER/VOCALIST & MUSIC PRODUCER based in SYDNEY AUSTRALIA.

GROUCE BIO
 During the early part of last decade, within the quiet depths of a Sydney suburb, the lead singer of a band somehow finds himself falling down a rabbit-hole into the realm of rap & hip hop music - and so from here his story begins… After initially being exposed to the inner-workings of a high-school band mastering the art of funk and blues, the lyricist not yet then known as GROUCE had received his first taste of what the musical creative process could offer him therapeutically.
 
In the early days while GROUCE’s lyrical abilities were still in their infancy and being developed, restraints were being placed upon his inherent need to tread new grounds and expand upon what was felt to be lacking within popular lyrics at the time.
 
Immediately after parting ways with the band that brought him into “the world of writing songs“, GROUCE began to find all limitations subsiding while creating his new approach to writing lyrics; which in-turn led to the unintentional creation of “raps“, due to the rhyme-complexity and idiosyncratic nature newly incorporated into his new style of written verses. And with these newfound raps, an emcee was born…In 2006, he was named GROUCE.
 
In his 7th year as a lyricist and in his 4th year of rapping, 2007 saw the creation of GROUCE’s Weapons Of Mass Distraction, a humble attempt at his first mixtape which laid the foundation for what was to come in-regards to GROUCE as a recording-artist. But without a moments delay, a follow-up mixtape double-in-size with 20 tracks was produced only 6 months later in July ’07 - It Is What It Is. Though both mixtapes saw only limited CD pressing and given to the important few within the Sydney Hip-Hop scene, they can both still be found and downloaded here @ www.freewebs.com/grouce2
 
Also early in the turbulent year of ‘07, GROUCE began his life on stage by performing a number of shows around town; and over the years since then, the most memorable stage performances have been “LiveFuse3” supporting Jumbledat and Usutu at the Gaelic Club with Reverse Polarities; “567 King’s 2nd Bday” at the Abercrombie Hotel; and performing at the 2011 Inner West Festival.

 LATEST RELEASE: RAINY DAY WOMEN NO.9 & 42
 GROUCE certified his induction into the Sydney hip hop scene with the release of his long-awaited mixtape RAINY DAY WOMEN NO.9 & 42 which features an assortment of songs showcasing both the rap and singing abilities that GROUCE is increasingly becoming known for; and in the process has firmly cemented his place within the Sydney Hip Hop scene. This latest offering from GROUCE is predominately a hip-hop/rap mixtape, but also at times can feature songs that are hard to classify - surprisingly this fact is now found to be part of its appeal. GROUCE on RAINY DAY WOMEN NO.9 & 42 is accompanied by a variety of Sydney & international underground hip-hop producers catering to many musical tastes, but also features a couple re-workings of classic instrumentals much-loved within the hip-hop sphere and even those unbeknownst to many hip-hoppers - one example could be the 6th track titled Eleanor Rigby Redux, a song-title known by Beatles fans across the globe.
 
Drawing influence from all genres of music and lyricism heard both here and abroad; GROUCE fuses a unique blend of styles all into the one distinct voice carrying with it a meticulous flow; which is almost always remarked as being the among the most recognizable on any song that it is featured on.
 
GROUCE yields a certain knack for cleverly incorporating sensitive issues long considered taboo by the establishment and the overly maligned corporate-machine. Melodically-savvy and with a twisted sense of humour, GROUCE cultivates a contagious brand of hip hop that is admittedly easily digestible by those who are fortunate to consume it. GROUCE’s live show is also as entertaining; fast becoming a hot topic around the water-cooler due to the unpredictable nature of the live show now performed in Sydney and hopefully soon interstate.
 
If someone was to describe GROUCE’s ever-increasing repertoire of songs, a person might begin to describe it collectively as unrelenting; provocative; educational though comically-driven; experimental and pioneering but also firmly grounded to the roots who they themselves were pioneers; highly-crafted with an almost overly-heightened attention to detail; and as cosmically foreign to some as to say it almost borders further beyond the norm than anything else before it.
 
Google 'GrouCe' on Youtube, Bandcamp, Facebook, Soundcloud & etc for more details and for music. 


GROUCE

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