Free your mind and float away, you’re now entering the mode of the Growing Bin. Hamburg’s centre for audio enlightenment is back with another sublime sensory experience, this time from the land of the rising sun.
Keen to get another stamp on his passport, Basso reached out to Japanese duo Singu, two open minded cats who just love to jam. Marrying Kiyo’s free drumming with Keta Ra’s melodic mastery of keyboard and guitar, the two-piece fuse free jazz, post-rock, kosmische and ambient into immersive and esoteric improvisations. Free from any compositional concerns, the Hiroshima outfit trade in energy, emotion and expression.

The frenetic percussion and ephemeral melodies of opener ‘Aurora Gate’ instantly transport you to the breathless churn of a Tokyo crossroads, where thousands of people rush by but you stand still in the eye of the storm. Though they may be explosive, the drums sit back in the mix, offering a soft intensity behind the shimmering wall of melody. A nimble and nuanced affair, ‘Bop’ brings rapid fire rhythm, slick syncopation and hypnotic piano refrains. Cool bass rolls along like KDJ’s ‘Rectify’, as Singu update the acid jazz template like Toshio Matsuura covering Carl Craig. Singu journey from far out to Furthur on A- side closer ‘Nagebu’, strapping in for psychedelic synth wig out which is heavy on the resonance and free on the filter.

Blooming out of the darkness on the B1, Basso favourite ‘Fazaria’ soothes and moves you with its twinkling keys, nebulous wave forms and delicate guitar, leaving you wide eyed in wonder as the drum fills burst like fireworks across a starfilled sky. ‘828’ sweeps into abstraction as Kiyo and Keta Ra combine snapping glitches and aquatic electronics with fractal guitar tones and woozy bass, pushing through a portal to see what’s beyond. An a-grade wall melter, this trip makes great use of tension as the crisp ma- chine drums stand in sharp contrast to the whirring, blurring guitars. Finally ’44’ carries you home on a downbeat drift, a flawless fusion of buzzing electronics, misty pads and relentless percussion played with perfect poise.

Turn on, tune in and trip out, Singu bring you music from the moment that you’ll love for a lifetime.

Preorder here

Singū - Siki (GBR017)

Torn Hawk - Shock Tape

Ep one available now

https://otohiax.bandcamp.com/album/one
https://bleep.com/release/64721-oto-hiax-one


LARK     EP ONE    (HIAX000)

The Wire / Below The Radar 19 compilation

previously unreleased

Multiplicative

Recorded on the Yamaha Electone (the "beast).

A2. MOISTURE - VALLEY OF LOVE

Singu - B2 - 828 (6.59) Clip

Singu - B1 - Fazaria (6.45) Clip

Singu - A3 - Nabegu (7.41) Clip

Singu - A2 - Bop2B (3.06) Clip

Singu - A1 - Aurora Gate (8.28) Clip

Caboladies “Virginia”

1974 Rotary R/1001 - STEREO

Music by NARASSA
Arrangements and production by AMEDEO TOMMASI

1. TENSIONE DINAMICA
2. SPLEEN
3. SUBTONE
4. AFLOGELIA
5. CONFLITTUALE

TENSIONE DINAMICA

Amedeo Tommasi & Narassa - TENSIONE DINAMICA

JOSIAH STEINBRICK - (Two Vibraphones, Two Bowed Marimbaphones, Wooden Xylophone, Two Bells...)

Carl Oesterhelt "Eleven Pieces for Synthesizer"
LP & Digital © 2019 Umor Rex Records
www.umor-rex.org

Umor Rex presents Eleven Pieces for Synthesizer, a collection of synth instrumentals by German composer Carl Oesterhelt. Oesterhelt has been recording a mixture of straddling kosmische and classical traditions for years on his own reel tape machine, overdubbing stacks of analogue gear to create a compelling body of work that brings fresh emotional depth and rhythmic experimentation to the syntax of the modern synthesizer.
 
Born in Munich in 1968, Carl Oesterhelt has worked in a variety of fields throughout a long and impressive career. His discography includes tenures with Neue Deutsche Welle legends FSK, intellectual disco outfit Merricks, and German legends The Notwist. His solo work has travelled even further and wider, taking in contemporary classical and chamber music, music for exhibitions and radio plays, not to mention notable collaborations with saxophonist Johannes Enders and legendary founding member of Faust, Hans Joachim Irmler. 
 
Oesterhelt augments his own analogue arsenal with synthesizers borrowed from musician friends, resulting in almost fifteen different synthesizers –some in fruitful states of disrepair– which feature on the album. Opener “La chapelle de Francis Lai” pays tribute to the French film composer with a synthesized church organ procession, disintegrating kraut-funk-noir which emerges on “Poro Secret Society”. Then, eerie sound effects mash with minimal techno rhythms on “Makonde Pattern”, and –most surprisingly– Oesterhelt turns his keys into a sub-Saharan drum ceremony on “Trinidad Pattern”. The sheer range of Eleven Pieces for Synthesizer is an impressive achievement unto itself. Yet it is Oesterhelt’s instincts as a composer which make these (largely improvised) recordings so compelling. Tensions build and emotions stir throughout each piece with a proficiency perfected through his work for the stage.
 
Musically associates, and directly connected to a heritage of German electronics, Eleven Pieces for Synthesizer touches upon similar ground to the likes of Musik von Harmonia in its pulsations, Klaus Schulze’s sonically adventurous Cyborg, and Tangerine Dream at their earliest and most primitive. The hypnotic ritualism of early African field recordings, or the spiritual regality of European organ music also convey key reference points in the formulation of this collection. Oesterhelt’s compositions here have taken the musically primitive and the emotionally raw, and woven them into a rich synthetic soundworld all of his own.

Eleven Pieces for Synthesizer

Buy LP & DL

Carl Oesterhelt — Simple Theme

LP/CD/Tape/Digital available https://dur-durband.bandcamp.com/album/volume-5

Dur-Dur Band — Halelo

Zone 4 from the "Tones/Zones" LP (Important Records 2010)

Zone 4

growing bin records is a micro-label and online record store. With lots of love and affection we bring you music that is special to our ears. Well actually we're a one man business, but "we" sounds a bit more professional, or maybe even royal. Forget about that. We're small and not a bit royal and we'll stay small and loyal. Cheers!  If I should not react to your demo I probably didn't feel it, and I'm too shy to tell you.  Sorry but life is short and I don't release stuff that i feel 100%. Keep on keeping on!

Singu - B1 - Fazaria (6.45) Clip

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