Name: Peace Orchestra-Sional by G-Stone Recordings in Portis
Duration: 5 min 55 s
Description: from the album "Sixteen F**king Years Of G-Stone Recordings"

has that dazed & confused feeling... Aerosmith! Love this

lovely rich sound, nice one! this g-stone recordings page is a great find

smoker's ambient :-)  I luv it... kudos from Berlin...

Portis

Artist: hey ø hansen Title: Die Sonne und der Mond

If you like this song please follow my soundcloud page.
Merci!

Nina Simone vs.  C.love

To The Promise Land - Nina Simone

Exclusive track for Melting Records' Tales Of Another Direction compilation.
Buy vinyl or digital here:
https://melting-records.bandcamp.com/album/tales-of-another-direction-lp

Savages - The Ascent

Artist´s collective Shika Shika (@shikashikacollective) presents “Especias”, the debut EP by renowned Amsterdam producer Daniel Zuur´s (@danielzuur) new worldly moniker Kraut.
“Especias” - Spanish for spices - serves-up four choice cuts of flavour packed, global electronica, mixing together Daniel´s diverse influences to offer a whole new platter of sound, rhythm and melody. “Especias” infuses house production esthetics with Latin American folk melodies and organic rhythms, mixing natural flavours with a modern touch and just the right amount of kick for the dance floor.
The release opens with “Selva”, a mouth-wateringly familiar melody transporting us to the Andes before the soothing, aromatic melodies the aptly titled “Marimba” take our taste buds in a different direction. “Hermano” is fusion at its best, mixing Eastern European hammer dulcimers with tribal rhythms and ethereal flutes to form an appetizing track for DJs from Cali to California. A drummer by training, Kraut has an exceptional ear for rhythm, marrying organic, free-range, live percussion with crisp melodies like on closing track “El Mariachi”: a refreshing cumbia beat sprinkled with fiery claps and glazed with glistening arpeggios.
Daniel Zuur has been a household name on the German and Dutch electronic music scene since 2009 having played iconic clubs and festivals such as Kater Holzig (Berlin), Katerblau (Berlin) Sisyphos (Berlin), Paradiso (Amsterdam), Perron (Rotterdam) and Tivoli (Utrecht) or internationally at locations like Baum (Bogota, Colombia). He has released music on labels like Katermukke, Manual Music, Cinematique and on his own label, Zauer Records and “Especias” is his first official release as Kraut - which means 'spices' in Dutch.
“Especias” is the third release from the international, organic music collective Shika Shika, a record label without owners for music without borders and is available on Bandcamp as well as the usual digital music channels.

Buy on Bancamp

01 La Selva

Thievery Corporation - Shiva  ( Govinda )

UMG; LatinAutor - SonyATV, Sony ATV Publishing, Warner Chappell, ARESA, BMG Rights Management (US), LLC, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, LatinAutorPerf, PEDL, BMI - Broadcast Music Inc., CMRRA"

Always support artist:  https://www.discogs.com/ru/MRUX-Edits-Cuts/release/8777878

Nina Simone - Be My Husband (Full Edit)

'Quazarz: Born on a Gangster Star' (release date: July 14, 2017) 
Order Now - Sub Pop Mega Mart  http://u.subpop.com/2oZIUq6

Song contains material from “I REALLY LOVE YOU” performed by Dee Dee Sharp on ABKCO Records

Shabazz Palaces https://shabazzpalaces.com/
Facebook https://www.facebook.com/shabazzpalaces
Twitter https://twitter.com/shabazzpalaces 
Instagram https://www.instagram.com/shabazzpalaces 
On Tour https://www.subpop.com/tours/shabazz_palaces

Shabazz Palaces - Shine A Light (feat. Thaddillac)

DOWNLOAD WAV

Ulibaba (BéTé Re-Edit) preview

Yemanjo reworks four classic tracks from the Golden Age of African diaspora music: The Malian singer Oumou Sangare, South African superstar Miriam Makeba, Colombian cumbia legend Toto la Momposina, and reggae godfathers Toots and the Maytals.
 Available for FREE download via The Artist Union
https://theartistunion.com/yemanjo
https://www.facebook.com/yemanjo
http://soundcloud.com/yemanjo

Free Download

Toto La Momposina - El Piano De Dolores (Yemanjo Edit)

Let me love you - Alternative version  (Igloo Sowarex 2008)

Melanie De Biasio - Lead vocal Lyrics & composition 
Pascal Paulus - Clavinet Lyrics & composition
Axel Gilain - Dbbass

Let Me Love You Alternative

Matthew E. White 
"Big Inner" LP/CD/DIG
Out January 2013 in Europe on Hometapes and Spacebomb.
www.matthewewhite.com
www.home-tapes.com
www.spacebombrecords.com

Like all of us, Matthew E. White was born into a constructed world. His unfolded out of the mingled sands of Virginia Beach and Manila, the youngest son in a family that raised him barefoot between the blurred racket of that far eastern jungle city and the backyard lightning-bug-hum of a trimmed southern lawn. His first moves, from picking up a basketball to picking up a guitar, were cast in the dual glow of these latitudes. Something between them taught him to love. Something between them taught him to time travel. Here began the lessons of Big Inner.

On that day in August, when the earth shifted into the shape of Matthew E. White, there was so much to listen to, so much to put your heart into, already. The dusts of the Delta had swirled into Rock and Roll. Alan Lomax's recordings sat in a big building in Washington, DC. Lee Perry had built The Black Ark in his backyard in Kingston. Somebody else lived in Big Pink. Mac Rebennack was Dr. John. King Tubby was dubbing. Terry Riley was overdubbing. Sly Stone had hit #1. Randy Newman's Sail Away was a decade old. Caetano Veloso had just turned 40. Muddy Waters was just about gone. Jimmy Cliff had sung "Many Rivers to Cross." So had Harry Nilsson. White shared this common inheritance. He stitched his own flag out of it.

And so it begins with "One of These Days," looking in, up, and over in its declarations of love. It's waking up next to someone. It's feeling the wood of the church pew on your back. This is your introduction to Matthew E. White and the world of Spacebomb; he's convincing you to stay the night. You give me joy like a fountain deep down in my soul. You can hear him breathe in. The first time around, White only hums the chorus. Hums it. Plants it in your head as it blooms in his. Strings enter like a siren. The guitar only talks when it has something to say. The choir lets you know you're not alone. Overdubbed woodwinds and muted brass like it on top, dancing around the embers of the bass line. Whether you're a woman or man, White's mournful, get-it-on voice may be all you can hear: I don’t want to live a day longer than you, so let’s meet the Lord together. You can call it soul music if you want. It's his soul and it's his music. 

Big Inner is told in seven songs that mingle memory with the rawness of any given human moment. The references — from the lyrics that echo the common conditions of love, death, seeking, and finding, to open tributes to artists like Washington Phillips, Allen Toussaint, Jorge Ben, Jimmy Cliff, and Randy Newman — are their own scavenger hunt through history and through White's place in it. "Big Love," the album's whopping second track, evolves the serenade of the opener into an all-out field holler. The vibe is farmed by Trey Pollard's cinematic string arrangement, Megafaun's Phil Cook on near-frantic keys, baritone sax squawks, pacemaking congas, and the first appearance of a burning White guitar solo. I am a barracuda, I am a hurricane. You don't need the seven-voice choir chasing White's voice to make you believe it, but it sure doesn't hurt.

For a record so personal, built on such code, it's never been a secret. Inseparable from Matthew E. White is Spacebomb — the process, the sound, the spirit, and the record label which White's debut launches. A gifted jazz arranger and exceptional guitarist, White is joined by bassist Cameron Ralston (the Wise) and drummer Pinson Chanselle (the Mighty) in the formation of the Spacebomb House Band. You won't forget those names. This core group, multiplied by horns, strings, and a choir (all culled from and roused by the venerable landscape of Richmond, Virginia), was captured to tape in White's own tricked-out attic on the west side of town. This is Spacebomb: an inimitable House Band, a producer, and a unified crew of arrangers and musicians join with an artist and cut a record — with staggering results. White assumed the actor-director role for Big Inner; it's the first Spacebomb album, the playbook and the highlight reel all at once, for a colossal series of upcoming albums from Natalie Prass, Karl Blau, Joe Westerlund (Megafaun), and Ivan Howard (The Rosebuds, Gayngs). A conductor in every sense of the word, an ambitious new label and a solo album were an easy segue from White's well-known post as the leader of the avant-garde jazz band Fight the Big Bull. 

As you swing into "Will You Love Me," you're a goner. Big Inner is an album of firsts, for White and for our place in time. He trades his guitar in for piano. He coos into the piano mic on the first take, a hunch that turns into an ice-breaker for the tingling dirge of "Gone Away." Written on the night of his young cousin's death, it walks the line between worldly gloom and heavenly lightness — and questions the validity of both. As on the rest of the album, White arranged the horns; they speak volumes beyond the limitation of his earthbound vocabulary.

The album culminates in the riverbed of "Brazos," a parable for the whole of Big Inner. Take every story you've heard, every note that's shaken your bones, every sunrise, and every friend you've got — and run. Like the rest of Big Inner, this closing track stands at full attention, the Spacebomb House Band, Horns, Strings, and Choir waiting their turn to kindle a flame that lights up the endless desert. Like every man before him, Matthew E. White is leaving a mark on the landscape. It's there, on records. It's there, on stage. But, like rare few, what Big Inner has brought to its glistening surface is what very well might be right inside of you.

-Sara Padgett Heathcott, Hometapes

Matthew E. White "Big Love"

Hard to believe it has been four years since the birth of Shika Shika with the release of Barrio Lindo’s Kayak Break EP. Four years of being able to release music we love, artists that inspire us and the power of borderless, cultural cross-pollination.

Yet we have reached a crucial crossroads where it is time for the collective to evolve and grow. We want to embrace a vision that tries to find the sweet spot between music & activism, be it cultural and social empowerment or environmental awareness.

Cosmofania (inspired by Cosmogony - the study of the beginning of the universe) embraces this new beginning but also new artists and new sounds for ys. A deep, exciting anf refreshing new beginning!

With this compilation we are presenting a selection of new names we’d never heard of until our open call, old friends we somehow haven’t already worked with and amazing established names. It is a selection of beautiful, music by 13 talented musicians and producers from all over the world - Canada to Indonesia, Egypt to Argentina. They are tied together by an approach to electronic folk music, rich organic soundscapes and a sonic freshness

Free Dwnld (= donate

Eat My Butterfly & Danyel Waro - The Plane

from the album "Sixteen F**king Years Of G-Stone Recordings"

Peace Orchestra-Sional

G-Stone Recordings was founded by Viennese DJs and producers Peter Kruder &amp; Richard Dorfmeister.
It is a small creative cluster of musicians, artists, VJs - people who feel musically, artistically and personally connected.

Artists: Kruder & Dorfmeister, Tosca, Voom:Voom, Rodney Hunter, Makossa & Megablast, Urbs, DJ DSL, Sugar B, DKAY, Marsmobil, Christian Prommer

http://www.g-stoned.com
http://www.facebook.com/gstoned
http://www.youtube.com/gstonevienna

Peace Orchestra-Sional

G-Stone Recordings

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