Ambient

The seminal ambient album from The KLF... 
A1   Brownsville Turnaround On The Tex-Mex Border  1:47  
A2   Pulling Out Of Ricardo And The Dusk Is Falling Fast  1:29  
A3   Six Hours To Louisiana, Black Coffee Going Cold  3:01  
A4   Dream Time In Lake Jackson  2:35  
A5   Madrugada Eterna  7:40  
A6   Justified And Ancient Seems A Long Time Ago  1:08  
A7   Elvis On The Radio, Steel Guitar In My Soul  3:01  
B1   3AM Somewhere Out Of Beaumont  9:24  
B2   Wichita Lineman Was A Song I Once Heard  5:56  
B3   Trancentral Lost In My Mind  1:16  
B4   The Lights Of Baton Rouge Pass By  3:34  
B5   A Melody From A Past Life Keeps Pulling Me Back  1:41  
B6   Rock Radio Into The Nineties And Beyond  1:26  
B7   Alone Again With The Dawn Coming Up  0:16  


The KLF - Chill Out

FREE DOWNLOAD (High Quality WAV)
-------> https://hypeddit.com/davidbowie/imderangedkommissarkellersthunderstormedit
FOR DJ USE ONLY!

Remixed by Kommissar Keller (2022)

I'm Deranged - (1995) From The Original Soundtrack "Lost Highway" by David Lynch

David Bowie (8 January 1947 – 10 January 2016) was an English singer-songwriter and actor. A leading figure in the music industry, he is regarded as one of the most influential musicians of the 20th century. Bowie was acclaimed by critics and musicians, particularly for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, and his music and stagecraft had a significant impact on popular music.

Bowie developed an interest in music as a child. He studied art, music and design before embarking on a professional career as a musician in 1963. "Space Oddity", released in 1969, was his first top-five entry on the UK Singles Chart. After a period of experimentation, he re-emerged in 1972 during the glam rock era with his flamboyant and androgynous alter ego Ziggy Stardust. The character was spearheaded by the success of Bowie's single "Starman" and album The Rise and Fall of Ziggy Stardust and the Spiders from Mars, which won him widespread popularity. In 1975, Bowie's style shifted towards a sound he characterised as "plastic soul", initially alienating many of his UK fans but garnering him his first major US crossover success with the number-one single "Fame" and the album Young Americans. In 1976, Bowie starred in the cult film The Man Who Fell to Earth and released Station to Station. In 1977, he again changed direction with the electronic-inflected album Low, the first of three collaborations with Brian Eno that came to be known as the "Berlin Trilogy". "Heroes" (1977) and Lodger (1979) followed; each album reached the UK top five and received lasting critical praise.

After uneven commercial success in the late 1970s, Bowie had three number-one hits: the 1980 single "Ashes to Ashes", its album Scary Monsters (and Super Creeps), and "Under Pressure" (a 1981 collaboration with Queen). He reached his peak commercial success in 1983 with Let's Dance: its title track topped both the UK and US charts. Throughout the 1990s and 2000s, Bowie continued to experiment with musical styles, including industrial and jungle. He also continued acting; his roles included Major Jack Celliers in Merry Christmas, Mr. Lawrence (1983), Jareth the Goblin King in Labyrinth (1986), Pontius Pilate in The Last Temptation of Christ (1988), and Nikola Tesla in The Prestige (2006), among other film and television appearances and cameos. He stopped touring after 2004 and his last live performance was at a charity event in 2006. In 2013, Bowie returned from a decade-long recording hiatus with The Next Day. He remained musically active until his death from liver cancer at his home in New York City. He died two days after both his 69th birthday and the release of his final album, Blackstar (2016).

During his lifetime, his record sales, estimated at over 100 million records worldwide, made him one of the best-selling musicians of all time. In the UK, he was awarded ten platinum, eleven gold and eight silver album certifications, and released 11 number-one albums. In the US, he received five platinum and nine gold certifications. He was inducted into the Rock and Roll Hall of Fame in 1996. Rolling Stone named him among the greatest artists in history and—after his death—the "greatest rock star ever". On 17 January 2022, Bowie was announced as the best-selling vinyl artist of the 21st century.

Free Download

David Bowie - I'm Deranged (Kommissar Keller's Thunderstorm Edit) FREE DOWNLOAD

' In celebration of Warp's re-release of Artificial Intelligence - a mix of some of the stuff that was floating around us at the time ' - Autechre
https://www.nts.live/shows/guests/episodes/autechre-5th-february-2023

AUTECHRE

https://www.instagram.com/_love__letters_
https://www.instagram.com/mikeservito

Freq with Love Letters and Mike Servito @ The Lot Radio 07-30-2024

Illuminator - 24th october 2024

Rinse FM Podcast

Interstellar Funk - 18 January 2025

El pasado 3 de enero Mr Wakanda, jefe de Luv Bar y Mau Mau Underground, organizó una noche "Tuff Luv" en el Laut de Poble Sec. 
Él y yo hicimos B2B antes y después del headliner de la noche, el capo de Clone Records y Clone Distribution en Rotterdam: Serge. 
El holandés se marcó un set memorable, de lo mejor que he escuchado últimamente. Empezó con Chicago house, a destacar el clásico "Drowning In A Sea Of House" de Laurent X y otros de Paranoid London, Mike Dunn o Mr Lee para pasar al electro con Dynarec, PRZ, Privacy... acabar con acid techno de Ten Lardell y cerrar con el "Emotinium" de Roy Of The Ravers. 

Pese a estar temerosos de cómo iría la noche por ser el 3 de enero y el hecho de que Serge pinchase de 2 a 4, a las 2 de la noche ya había ambientazo en la pista y acabó siendo una noche para el recuerdo.

Para acompañar este mix he hecho esta mini entrevista a Serge:

-When did you discover house music, and when did you start DJing?
-That must have been around 1986-87. I was listening to a lot of radio while doing homework, and I heard some really cool new dance music on a couple of shows. It was so different that I wanted to know more about it! It started with hip-hop, R&B, disco, and electro, but at the time, those sounds were mixed with house, wave, and early acid and techno. It was so powerful.

-When was the Clone label founded? What was your idea at the time? 
-In 1992. I was making music with a couple of friends and wanted to get it out into the world and play it myself (vinyl was the only way to play your music in a club). I decided to do it myself, just like the early house and techno labels that inspired me. I also wanted to keep creative freedom and experiment.

-If you had to recommend three essential Clone releases to someone who doesn't know the label, what would they be?
-I can’t answer that question because everyone has their own way into music. It’s personal for everyone, and I can only answer this question if I know someone’s preferences. Some people think Larry Heard’s music isn’t "party" enough and prefer trance. What can you do in such a case? 😊

I recommend spending time scrolling through the catalog and enjoying the pleasure of discovering music you’ve never heard before, all by yourself.

-How do you discover new talent for Clone Records?
-People in my network might recommend someone, I listen to demos, I discover new artists via social media, I hear a great new record by a producer I didn’t know, I connect at parties, or I meet people in the store.

-What advice would you give to someone who wants to start their own record label?
-Haha, don’t do it! 😆
It’s going to suck up a lot of your time, and there’s a fair chance it will make you poor.

But seriously… just do whatever you want to do. Don’t listen to others—just see where it takes you.

-Three gigs from your career at a club or festival that you remember as the best.
The Colundi party at Tapeley Mansion in Devon.
A party in an underwater aquarium, two meters below sea level, in 1992 in Zeeland (all the fish died at the end of the event from the heavy bass 😅).
An illegal acid party in an abandoned fortress, where I did a live set with my old O.R.X. project around 1996.
And, of course, the Acid Planet parties at De Blauwe Aanslag.


RHYTHM CONTROL BARCELONA MIXES 010: SERGE - CLONE RECORDS

27-02-2025 // Robert Bergman // Live recording from the Radio Hinter studio at Der Hintergarten, Amsterdam.

mastering: Victor Marbus

Robert Bergman // M>O>S Recordings // 27-02-2025

Hello greetings welcome, and relax.

Due to a series of unfortunate events, a very late night session at the HQ. New things (to me), favourites and things you were tired of hearing me play out, 12 times ago. The usual. 



Brew /w RB 


BREW RECORDS w/ Robert Bergman [02.04.25]

Next up on the GROOVE Resident Podcast are LNS (@lauransparrow) and DJ Sotofett (@sophatmixes), resident DJ's of Tresor's Globus floor. Go to https://bit.ly/GrooveRP64 for interview and track list.

GROOVE Resident Podcast 64 – LNS & DJ Sotofett

Rinse FM Podcast - Lobster Theremin w/ Asquith - 24th August 2015

RINSE January 30th 2016
http://rinse.fm/boxingday2015

Room 1 - Box
Kenny Dope (All Night Long), DJ Haus

Room 2 - 103
Zac Samuel, Icarus, Kokiri

Room 3 - Baby Box
Love United, Daddy Russell, FROMHELLTOTHEYEAH, DOC, Micralibre, Mozmo, D Moore, ASHEN

Room 4 - Loft
To Be Announced


Saturday 30th January 2016
10pm-7am

Tickets & More Info:
http://www.residentadvisor.net/event.aspx?785504
www.ministryofsound.com

Rinse FM Podcast - Lobster Theremin - 12th January 2016

Tracklist + download: boilerroom.tv/upfront/056-lobster-theremin

"For this mix, I was keen to pull out the more euphoric aspects of what we'll be releasing, as it seems to have become a bit of a theme for the next 12 months."

– Jimmy Asquith, @lobster-theremin

Tracklist + Download

Upfront 056: Lobster Theremin

1)	Reload &amp; E 621 : The Biosphere – 1993
2)	Plastikman : Drp – 1993
3)	Reload : Rota link – 1993
4)	Reload : 1624 try 621 - 1991
5)	Aphex Twin : I – 1991
6)	Aphex Twin : Tha – 1993
7)	The Orb : Little fluffy clouds – 1991
8)	Jedi Knights : The thruth – 1996
9)	Reload : The biosphere (Global communication remix) – 1993
10)Robert Leiner : Out of control – 1994
11)The Black dog : Chase the Manhattan – 1996
12)Reverend’s speech
13)Autechre : Second bad vilbell – 1996
14)Speedy J : Patterns – 1997
15)X-102 : The rings of Saturn – 1992
16)Orbital : Halcyon on + on – 1992
17)A conversation with Ricki Lee Jones – PBS
18)Orbital : Out there somewhere ? – 1996
19)Boards of Canada : Aquarius – 1998
20)Carl Craig : Mind of a machine – 1994
21)Autechre : Lowride – 1993
22)Plaid : Milh – 1997
23)AFX : (CAT 00897-AA1) – 1993
24)L.F.O. : Simon from Sydney – 1991
25)Cmetric aka B-12 : Void / Comm – 1996
26)F.S.O.L. : Smokin japanese babe – 1994
27)Warp 69 : Natural high (Global communication remix) – 1995
28)John Beltran : Collage of dreams – 1996
29)Leftfield : Melt – 1995
30)Quote from 2001 a space odyssey

Ambient Techno Tribute 1991-98

Red Light Radio Episode 13

A follow-up to December's selection of mid-90s Detroit-influenced UK techno, this time featuring some US producers in the form of Carl Craig, Kenny Larkin and Abacus alongside the likes of As One, Stasis and Black Dog. Deep and timeless music for heads and feet.

NB: As before, these are all recorded from well-worn vinyl, so apologies for the occasional snap, crackle and pop.

As One - Shambala (Buzz, 1993)
Stasis - So-lar (Time Is Right, 1993)
Psyche - Elements (Planet E, 1989)
Abacus - Relics (Prescription, 1994)
Kenny Larkin - Butterflies (R&S, 1995)
Repeat - Lilt-A (A13, 1995)
Nuron - Eau Rouge (Likemind, 1996)
La Synthesis - Agraphobia (Plink Plonk, 1994)
Black Dog Productions (Atypic) - Otaku (Rising High, 1992)

Red Light Radio Episode 13

G String

Recent comments

videosmon

Big Computer Band

Related tracks