აბობოქრებულ ზღვაში გატარებ

თათია პეტრიაშვილი - მთის სურნელება Tatia petriashvili - Mtis surneleba  [Geo Tube]

ბუთქუნა და თამაზა - საახალწლო სიმღერა Remix  Butquna Da Tamaza - Saaxalwlo Simgera

No Place Left to Stand was written on Christmas Day, 2025, in the middle of gratitude and grief, anger and love, exhaustion and clarity. It’s an album born from frustration with the current American administration, from the lived contradictions of being a gay man in this country, and from deep love for the family that stayed.

The songs move freely across genre because they needed to. Some are confrontational and unsparing. Some are quiet, domestic, and deliberately small. Some ask hard political questions. Others sit with intimacy, memory, and the long work of learning how to be loved without armor. Taken together, they trace what it feels like to live in a country and a body where the ground keeps shifting, and neutrality no longer feels honest.

There are songs here about becoming an “American refugee” without ever leaving home, about the lies nostalgia tells, about naming cruelty plainly, and about refusing to let love and attention be consumed entirely by the noise of the world. There are also songs about parents who stayed, siblings seen more clearly with time, and the slow dismantling of walls that once kept the heart alive.

The title No Place Left to Stand doesn’t point to a single meaning. It reflects a moment when the old footing disappeared, when silence stopped feeling safe, and when choosing how to stand became unavoidable. Not because certainty arrived, but because standing still no longer was.

I made this album because I needed to. If you’re listening because you feel pulled between anger and tenderness, between survival and hope, you’re not listening alone.

აბობოქრებულ ზღვაში გატარებ

GT_714

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