play this

Philosophy of the stick-music {for headphones and low-medium volume}

the darkest cave,s {headphones} for medium-high volume

2:40

SC 230628 004044

SynthDef(\wn, {arg resfreq, vol; Out.ar([0,1], BHiPass.ar(BLowPass.ar(WhiteNoise.ar(vol), resfreq, 0.01, EnvGen.kr(Env.new([0.0001, 1, 0.0001], [0.1, 2], 'exp'), doneAction: 2)), 900))}).add;

Pdef(\wnp, Pbind(\instrument, \wn, \dur, 60/60/8, \resfreq, Pwhite(1000, 2000, inf), \vol, Pwhite(0.05, 0.1, inf))).play;

MIDIdef.noteOn(\noteOnTest, { arg vel, nn; { arg freq, dur; var sig, verb, delay, osc, env; env = EnvGen.kr(Env.new([0.1, 0.0, 0.0], [1, 7]), doneAction: 2); osc = SinOsc.ar(nn.midicps, 0, env); verb = FreeVerb.ar(osc, 0.5, 1)*0.8; verb = BHiPass.ar (verb, 00); sig = Out.ar([0,1], verb*5); }.play;})

MIDIClient.init;

MIDIIn.connectAll;

1. You weren't okay

(
{AllpassL.ar(BBandPass.ar(
	WhiteNoise.ar(0.3),
	LFNoise0.kr(0.1, 500, 100),
	LFNoise0.kr(0.1, 0.01, 0.01)
), 1, LFNoise1.kr(1, 0.5, 0.5!2), 3)}.play;
//{Pulse.ar(6!2, 0.9)}.play;
)

s.record;

s.reboot;
Server.killAll;

bugg

weird. bi world.

SynthDef(\basshit, {Out.ar([0,1], FreeVerb.ar(BLowPass.ar(WhiteNoise.ar, 100, 0.1, EnvGen.kr(Env.perc(releaseTime:3, level: 0.2), doneAction:2)*14)))}).add;

Synth(\basshit);

SynthDef(\treblehit, {Out.ar([0,1], BHiPass.ar(BLowPass.ar(WhiteNoise.ar, 10000, 0.001.distort, EnvGen.kr(Env.perc, doneAction:2)), 8000))}).add;

Synth(\treblehit);

SynthDef(\treblehit, {arg freq; Out.ar([0,1], BHiPass.ar(BLowPass.ar(WhiteNoise.ar, freq, 0.001.distort, EnvGen.kr(Env.new([0.001, 1, 1, 0.001], [3, 4, 4]), doneAction:2))*0.5, 8000))}).add;

Pdef(\test, Pbind(\instrument, \treblehit, \dur, Pwhite(1, 4, inf), \freq, Prand([1000*5/6, 1000, 1500, 1700, 2000, 1950], inf))).play;

s.record;

Pdef(\test2, Pbind(\instrument, \basshit, \dur, Pwhite(1, 7, inf))).play;

Working

//both negative and positive; three options

SynthDef(\test1, {arg freq; Out.ar([0,1], SinOsc.ar(freq, 0, EnvGen.kr(Env.new([0.001, 1, 1, 0.001], [0.001, 0.115, 0.001]), doneAction:2, levelScale: 0.3)))}).add;

(
Pdef(\test, Pbind(
	\instrument, \test1,
	\dur, Prand([
		Pseq([1], 1), Pseq([1, 1], 1), Pseq([1, 1, 1], 1), Pseq([1, 1, 1, 1], 1),
		Pseq([Rest(1)], 1), Pseq([Rest(1), Rest(1)], 1), Pseq([Rest(1), Rest(1), Rest(1)], 1), Pseq([Rest(1), Rest(1), Rest(1), Rest(1)], 1),
		Pseq([Rest(1)], 1), Pseq([Rest(1), Rest(1)], 1), Pseq([Rest(1), Rest(1), Rest(1)], 1), Pseq([Rest(1), Rest(1), Rest(1), Rest(1)], 1)], inf)*0.2,
	\degree, Prand([20], inf)
)).play;
)

Both negative and positive; Three options

//both negative and positive; three options

sound, nothing, nothing

SynthDef(\test1, {arg freq; Out.ar([0,1], SinOsc.ar(freq, 0, EnvGen.kr(Env.new([0.001, 1, 1, 0.001], [0.001, 0.115, 0.001]), doneAction:2, levelScale: 0.3)))}).add;

SynthDef(\test2, {Out.ar([0,1], WhiteNoise.ar(EnvGen.kr(Env.perc(0.01, 0.01, 0.1), doneAction:2)))}).add;

(
Pdef(\test, Pbind(
	\instrument, \test2,
	\dur, Prand([
		Pseq([1], 1), Pseq([1, 1], 1), Pseq([1, 1, 1], 1), Pseq([1, 1, 1, 1], 1),
		Pseq([Rest(1)], 1), Pseq([Rest(1), Rest(1)], 1), Pseq([Rest(1), Rest(1), Rest(1)], 1), Pseq([Rest(1), Rest(1), Rest(1), Rest(1)], 1),
		Pseq([Rest(1)], 1), Pseq([Rest(1), Rest(1)], 1), Pseq([Rest(1), Rest(1), Rest(1)], 1), Pseq([Rest(1), Rest(1), Rest(1), Rest(1)], 1)], inf)*0.2,
	\degree, 0
)).play;
);

(
Pdef(\test2, Pbind(
	\instrument, \test1,
	\dur, 0.4,
	\degree, 0
)).play;
);


(
Pdef(\test3, Pbind(
	\instrument, \test2,
	\dur, 0.1,
	\degree, [0,-2]
)).stop;
)

Not Available While You're Offline

Behringer TD 3 Arturia Microbrute SuperCollider

sqip

WEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE

in the eternal wasteland of time

in the wasteland of eternal time pt II

buop

(
MIDIdef.noteOn(\noteOnTest, {arg vel, nn; { arg freq, dur; var sig, verb, delay, osc, env; env = EnvGen.kr(Env.new( [0.1, 0.0, 0.0], [1, 7]), doneAction: 2); osc = SinOsc.ar(nn.midicps, 0, env);  verb = FreeVerb.ar(osc, 0.5, 1)*0.8; verb = BHiPass.ar (verb, 00); sig = Out.ar([0,1], verb*2); }.play;});
{FreeVerb.ar(PitchShift.ar(SoundIn.ar(0!2), 0.5, 1, 0.0, 0.00), 0.2 , 1 )}.play;
{FreeVerb.ar(PitchShift.ar(SoundIn.ar(1!2), 0.5, 1, 0.0, 0.00), 0.4, 1, 0 )}.play;
)

MIDIClient.init;

SynthDef(\test1, {arg dur, pitch; Out.ar([0,1], BLowPass.ar(Pulse.ar(220), pitch, 0.01) * EnvGen.kr(Env.new([1, 1, 0.001], [0.001, dur]), doneAction: 2))}).add;

Pdef(\thing, Pbind(\instrument, \test1, \dur, Pbrown(2.5, 3.0, 0.1, inf), \pitch, Pseq([100, 100, 110, 110], inf))).play;

hm 2

{FreeVerb.ar(AllpassL.ar(BLowPass.ar(Impulse.ar(1!2), SinOsc.kr(LFNoise1.kr(0.1, 1.5, 2.5), 0, 4000, 10000))), 0.1)}.play;

{SoundIn.ar(1!2)}.play;

s.record;

MIDIClient.init;
MIDIIn.connectAll;

(
MIDIdef.noteOn(\noteOn, {arg vel, nn; { arg freq, dur; var sig, verb, delay, osc, env; env = EnvGen.kr(Env.new( [0.1, 0.0, 0.0], [1, 7]), doneAction: 2); osc = SinOsc.ar(nn.midicps, 0, env);  verb = FreeVerb.ar(osc, 0.5, 1)*0.8; verb = BHiPass.ar (verb, 00); sig = Out.ar([0,1], verb*2); }.play;});

ikeda type

ikeda type 2

BEHRINGER TD 3 -> [FILTER] ARTURIA MICROBRUTE

SUPERCOLLIDER ON SINOSC

MIDIdef.noteOn(\noteOn, {arg vel, nn; { arg freq, dur; var sig, verb, delay, osc, env; env = EnvGen.kr(Env.new( [0.1, 0.0, 0.0], [1, 7]), doneAction: 2); osc = SinOsc.ar(nn.midicps, 0, env);  verb = FreeVerb.ar(osc, 0.5, 1)*0.8; verb = BHiPass.ar (verb, 00); sig = Out.ar([0,1], verb*2); }.play;});

SIGN

scraap

ENJYO .

(
MIDIdef.noteOn(\noteOn, {arg vel, nn; { arg freq, dur; var sig, verb, delay, osc, env; env = EnvGen.kr(Env.new( [0.1, 0.0, 0.0], [1, 7]), doneAction: 2); osc = SinOsc.ar(nn.midicps, 0, env);  verb = FreeVerb.ar(osc, 0.5, 1)*0.8; verb = BHiPass.ar (verb, 00); sig = Out.ar([0,1], verb*2*SinOsc.kr(3)); }.play;});
{FreeVerb.ar(PitchShift.ar(SoundIn.ar(0!2), 0.5, 1, 0.0, 0.00), 0.2 , 1 )}.play;
{FreeVerb.ar(PitchShift.ar(SoundIn.ar(1!2), 0.5, 1, 0.0, 0.00), 0.4, 1, 0 )}.play;
//{FreeVerb.ar(PitchShift.ar(SoundIn.ar(2!2), 0.5, 1, 0.0, 0.00), 0.4, 1, 0 )}.play;
)

beat3 [BEHRINGER RD 6 BEHRINGER TD 3]

Jam [BEHRINGER RD 6 BEHRINGER TD 3

(
{SinOsc.ar(44, LFNoise0.kr(5, 3, 3), 0.1/{LFNoise1.kr(0.1, 2.5, 3.5)}!2)}.play;
{SinOsc.ar(44*2, LFNoise0.kr(5, 3, 3), 0.1/{LFNoise1.kr(0.1, 2.5, 3.5)}!2)}.play;
{SinOsc.ar(44*3, LFNoise0.kr(5, 3, 3), 0.1/{LFNoise1.kr(0.1, 2.5, 3.5)}!2)}.play;
{SinOsc.ar(44*4, LFNoise0.kr(5, 3, 3), 0.1/{LFNoise1.kr(0.1, 2.5, 3.5)}!2)}.play;
{SinOsc.ar(44*5, LFNoise0.kr(5, 3, 3), 0.1/{LFNoise1.kr(0.1, 2.5, 3.5)}!2)}.play;
{SinOsc.ar(44*6, LFNoise0.kr(5, 3, 3), 0.1/{LFNoise1.kr(0.1, 2.5, 3.5)}!2)}.play;
)

toongtoongtoongtoong f major

Space

new horror sunrise

Hemming and Hawing

Opo (oporadio version) -> {It was} <-  not Normalized

money machine but at a random speed every 0.1 seconds

2. A square

//Every time you play a note, it plays three other notes: two that are either 7, 5, 4, 3 keys above/below the note you play, and another that is 7, 5, 4, 3 + 12 keys below.

MIDIClient.init;
MIDIIn.connectAll;

(
MIDIdef.noteOn(\noteOnTest, {
	arg vel, nn;
	{
		var sig, env;
		sig = LFTri.ar([nn, nn + [-7, -5, -4, 4, 5, 7].choose, nn + [-7, -5, -4, 4, 5, 7].choose,  nn + [-7, -5, -4, 4, 5, 7].choose - 12].midicps);
		env = EnvGen.kr(Env.perc(releaseTime: 3), doneAction:2);
		sig = Splay.ar(sig * env * vel.linexp(1,127,0.01,4), 0);
	}.play;
});
)

03162020 {instrument code in description!}

object :in: undular bloom

SC 201013 002827

https://www.goodreads.com/user/show/54730678 https://boxd.it/7968R
Chess: chessaccounthowdy
Notebook

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tending vision
[][][][][][][][][][][]
unknown use
[][][][][][][][][][][]
free theory
[][][][][][][][][][][]
feltknew
[][][][][][][][][][][]
tabbte

gtbth30

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