Vocal : Bahwaka
Backing Chorlas : Me
All instruments are played by me apart from
Trombone/Viola/Flute ... they are Machine learning instrument by Thomash
---

This is the song I wrote with my dear friend Bahwaka, singing about the hard lockdown days in dark cold Berlin winter.

..Lyrics..
毎日酒飲んで 暗い映画観て 猫と寝るだけの 毎日ですけれど
それでも 生きてる 毎日 生きてる
僕はネクラ人間

毎晩ポルノ観て 汚いパジャマ着て 暗い妄想だけの 毎日ですけれど
それでも 生きてる 毎日 生きてる
僕はネクラ人間

もしかしたら君も？

I get drunk every day, watch a depression movie and sleep with my cat,
That is my days, but still alive, every day I am breathing.
I am a bummer.

I watch a porno every night in dirty pajamas and dark delusion in my bed
That is my nights, but still alive, every night i am breathing.
I am a bummer.

You might be as well?

Nekura Ningen  ネクラ人間

idaho sief (pupi chunes edit)

Y Bülbül is back on the controls accompanied by Yumurta, a percussionist from Istanbul. “Big K” is the last track from the album “Not One, Not Two” that is based on a one-way transmission of improvised drum recordings from an industrial estate in Maslak to another one in Tottenham. There Y Bülbül laid down fragmented layers of bass, synths, guitars and field recordings over Yumurta’s singular drum takes. The result is a free-form deep listening album for fans of dub, ambient and kosmische music.

Not One, Not Two

Get the album

Y Bülbül, Yumurta: Big K (Pingipung 076)

Pingipung proudly presents the predecessor to "Uzun Havalar" from 2017, newly assembled and mixed by the artist, remastered and also available on vinyl for the first time. Release date: 9th June.

Hatıralar was Anadol's second album, originally composed between Berlin and Istanbul around 2012 and released years later only in digital form on the Ankara based label Inverted Spectrum. The title Hatıralar ("Memories") turns out to be a self-fulfilling prophecy. Anadol recalled and revisited the music in 2023, gently editing and mixing the compositions for the newly mastered LP format in which they now see the light of day. Hatıralar represents an early version of the melodic, instrumental synth-pop that Anadol refined on her album Uzun Havalar (2019) before exploring the more free, krautrock-inspired musique concrète of her last album Felicita (2021). Here is the text that accompanied the original 2017 release:

Anadol, named after an old-fashioned Turkish automobile brand, is an instrumental synth-pop project by Gözen Atila, an artist, dj and keyboard player. She records with mini organs manufactured during the 70s and 80s, the built-in rhythms and arpeggios of these machines provide the backbone of her sound, and her melodies are influenced by pop music and soundtracks from France, Italy and Turkey from the same period. The music is awash with allusions to the moods of old Turkish and European cinema, from the erotic to the melodramatic, and with a reminiscence of the sound and spirit of so-called "tavern music" popular in Turkey's urban nightlife in the 1980s, a flexible pop style usually performed by a solo keyboardist-singer. Anadol is a continuation of the tradition of lone synth experimentalists like Bruce Haack and The Space Lady with their childlike curiosity for electronic sounds, and of the keyboardists pushing the boundaries of minimal equipment to entertain middle aged drunk couples in pubs and wedding parties of Istanbul.

Hat​​​ı​​​ralar

Her Şeylerin Arasından Göründü Bana Bir Ceylan

Get LP/digital album

Anadol: Her Şeylerin Arasından Göründü Bana Bir Ceylan (Pingipung 080)

Multi Culti Japan

Thomash - Field Recordings In Minas Gerais

The ICE LP was created by Maxim Wolzyn over a period of three years, mostly whilst touring throughout Germany by train as part of the Günther Lause duo. Spread over eight tracks, the LP poetically captures the complex networks of railways and tunnel systems that carry with them the thoughts and feelings of millions of people, aspiring to attain an overall impression of the collective consciousness of a society on the move. 

Inspired sonically by the soundscapes of urban spaces, rail stations and the pulsing motions of modern mass transportation, various field recordings are mixed with reverberating synthesizer patterns and percussive composition, creating a mixture of straight forward techno and dystopian ambiences. 

While being reminiscent of Berlin's dub techno tradition it also transcends the typical club context, moving into the realm of the intimate and personal.

Time to

Erik Truffaz - Minaret 
https://www.youtube.com/watch?v=Qg-3rfQrkE0
Der Räuber und der Prinz - Moogwalzer 
https://www.youtube.com/watch?v=2J2JGM3sU-k

Minaret und der Räuber(acid edit)

Die Wilde Jagd - Drachenfels

Umeko Ando / Battaki (Ground Remix)

Another processed feeling <3 it just dropped out of my heart. freestyled on the piano first time for a track. hope you enjoy the moody sounds and feelings <3 <3 <3

the servant

Rework for Grönland Record's Conny Plank Compilation "Who's that man?"
All sound material from the tape archive of Conny Plank's studio.

This is the original:

http://www.youtube.com/watch?v=u7kFkd3E52o

Phew - Doze (Günther Lause Rework)

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Günther Lause is a live project of Max Lange and Konrad Wehrmeister and releases music on the SVS and PARADISE NOW! imprint -->  <--- &#13;
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http://svs-records.com/&#13;
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http://paradisenow.de/&#13;
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contact : lauseguenther {at} gmail.com

Phew - Doze (Günther Lause Rework)

Günther Lause

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