A short dawless jam and impro recorded in one take.

20.04.2023

carbon-footprint

Colder Space

FXXXXXXXXXXXXXXXXXXXXXXXXXKKKKKKKKKKKKKKKKKKKKKKKK
LYRICS:
WALK IN THE TRAP HIT A SACK, QUARTERBACK
DARK MAGE BLACK HAT SMOKE THRAXX BLVCK WAXX
NO UNDERWEAR COME N SIT ON MA LAP I NEED PUSSY ON MY LAP. . . 
HAVE A FUCKED UP PAST SO I ALWAYS WEAR A MASK CAUSE I tHINK THAT IMA DIE SOON
MY LIFE IS LIKE A CARTOON, HARPOON STR8 THROUGH MY HEART LIKE A MONS00N
PEOPPLE KNOW IM TOXIC, TOXIC, TROXIC'
WALKIN RIGHT BY YOU SWEAR TO GOD ITD MAKE YOU NASEUOUS
IM JUST TRYNA EXCERCISE THE DEMON OUT MY CONSCIOUS
. . A GAUNTLED, WANTED HAUNTED:) STOP IT
NIGGAS GETTIN MAD BECAUSE I TELL THEM THERE UNWANTED
HATE A NIGGA FRONTIN WHEN I KNOW THE NIGGA BLUUUFFFFINN

BMX DO STUNTS X GAMES TWIST RUNTZ FUCK SLUTS KEEP TUCKED FLICK WRIST LET RIP AIR OUT THE MOTHUFKCIN FUNCTION QUICKK! QUICK BITCH.  !
DVRK DVRK DVRK DRVK

MAKO - PLEASE FXXK THEM NOW(T0XiC) (PROD BY: or.1love) (LYRICS IN DESCRIPTION)

Despot

Natural Source

Commissioned by the U.S. Navy Band for Jonathan Yanik

Completed Oct. 17, 2023
Premiered at the International Saxophone Symposium on January 12, 2024 at George Mason University

As a child, I used to obsessively rewatch my favorite movies. Seeing the same sequences over and over, I would begin to notice little mistakes across cuts - misplaced items, inexplicable outfit changes, loose strands of hair - and I started to wonder how actors managed to keep their characters consistent if they could barely maintain their physical appearances. I soon realized that many actors, quite simply, did not. 

Continuity Errors, true to its name, celebrates the unexpected surrealism of inconsistency. The piece is filled with sudden, frenetic shifts in tone, register, and key, with these drop-of-a-dime changes kicked off by the clapboard-like ‘crack!’ of a whip. The solo saxophone is the star of the show, eager to shine but occasionally out of step with the whip’s cues. The music frequently invokes the stylings of grand, cinematic soundscapes, even as the soloist obsessively brings the music back toward a more mischievous, off-kilter dance. As the piece builds towards its relentless climax, it cycles again and again through the soloist’s dance, as though trying to rehearse it again and again. The piece ends explosively with a series of wild jump cuts, culminating in a final exhausted smack of the whip. 

Many thanks to Jonathan Yanik and the amazing musicians of the U.S. Navy Band for realizing this piece.

Large Ensemble

Continuity Errors, for alto saxophone and wind ensemble

'Cause this is diverse in time, Sai..!

Beat made by AccessDenied:

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Despot

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