C’est si belle! Trés originale mais classique ou antique á la meme fois! Merci pour ce musique! 

A wonderfully executed performance. You perform your craft exquisitely.

D&D: Dusk- Arc 2: Washed Up Souls

Where the Water Tastes Like Wine (Original Game Soundtrack)

Breathe the Black

DONATE (because games aren't cheap and all music here is legal):
PayPal: aenszguhelem@gmail.com

"Marcin Przybyłowicz" - The Fields of Ard Skellig
Official Soundtrack from "The Witcher" 3: "Wild Hunt"

Watch game trailer: youtu.be/HtVdAasjOgU

Official page: thewitcher.com/
Buy Witcher: buy.thewitcher.com/
FB: www.facebook.com/thewitcher
Youtube: www.youtube.com/user/WitcherGame
Twitter: twitter.com/witchergame
Instagram: instagram.com/cdpred
G+: plus.google.com/101376405451195477853/

The Witcher 3 OST: Merchants Of Novigrad

Jessica Curry – Mandus Theme (OST A Machine For Pigs)

Originally written by Koji Kondo and his crew.
As heard in The Legend of Zelda: The Wind Waker
Featuring both inside and outside of Forest Haven:

Check it out on YouTube!
https://www.youtube.com/watch?v=FO5Uy1gZ6hU


My perspective of this song.

Forest Haven

buy & stream it: https://orcd.co/uysr151 
Artist(s): @dj-mark-mywords + @ednoodle 
support Underyourskin: https://solo.to/underyourskin 

Mark MyWords, Ed Noodle - Workless
Cat-No: UYSR151
Label: Underyourskin Records - GVL Labelcode 83623
release: November 28th 2025

01. Mark MyWords, Ed Noodle - Workless
02. Mark MyWords, Ed Noodle - Quadro
03. Mark MyWords, Ed Noodle - Quadro (Downtempo Mix)


“Workless & Quadro” were born out of a series of regular sessions we have at Mark’s place in between our everyday jobs – little creative islands within our daily routines. The title track got its name because one of us happened to be workless at that time – and maybe that brought a certain freedom, both musically and mentally.
For Workless, we drew inspiration from the slower sets we love by artists such as Caleesi & Sarah Kreis or Mira & Chris Schwarzwälder – sets often built around pitched-down versions of faster tracks. Our goal was to create music that would naturally fit into that kind of downtempo atmosphere, without the need to slow it down.
Quadro, the second track, originally started at a faster pace. But as we worked on it, we realized there was a more laid-back, deeper downtempo version hidden inside. Instead of asking someone else to remix it, we decided to do it ourselves – turning our own faster production into an organically flowing slowhouse piece.


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All Tracks written & produced by Mark Oudshoorn & Edwin van Dalen.
Published by Copyright Control.
With friendly permission of Underyourskin Records 2025 - GVL Labelcode 83623

Workless

Quadro

buy & stream

Mark Mywords, Ed Noodle - Quadro [UYSR151]

PREMIERE: Ramazan Kahraman, Om Aurea - Velero [Camel VIP Records]

Buy on Beatport
https://www.beatport.com/release/velero/5524110

PREMIERE: Ramazan Kahraman, Om Aurea - Velero [Camel VIP Records]

Buy for 99¢

Burning Of The Piper's Hut - The Piper's Lament

Pyre: Original Soundtrack

Pyre Original Soundtrack - Dirty Deal

Le Château Magique

Andrey Vinogradov - composition, hurdy-gurdy, arrangement

Buy my new CD "Aequilibrium" 
https://avinogradov.bandcamp.com/album/aequilibrium
http://kunaki.com/sales.asp?PID=PX00UXR482&pp=1

Buy this track https://avinogradov.bandcamp.com/track/medieval-tune
Buy my CD "Music For Hurdy-Gurdy"
http://kunaki.com/sales.asp?PID=PX00ZRRI1W&pp=1 
http://kunaki.com/DigitalSales.asp?PID=PX00ZRRI1W
https://avinogradov.bandcamp.com/album/music-for-hurdy-gurdy
https://store.cdbaby.com/cd/andreyvinogradov2

https://www.pond5.com/ru/stock-music/82176644/medieval-tune-hurdy-gurdy-organ.html

Aequilibrium. Medieval Tune. Hurdy-Gurdy With Organ

Hi there, party peeps!

Two weeks in a row, two amazing video game soundtracks interpreted by yours truly!  Did this in about 45 minutes this afternoon, but still a fun little riff on "Spike in a Rail", from the AMAZING game "Bastion".  Seriously, even if you don't play video games, check out this soundtrack.  It'll blow your father's balls.

Hope you enjoy!

Spike In A Rail - Darren Korb

tl;dr—"Return of the Obra Dinn" is excellent, and I reworked part of its soundtrack as a strict 1-bit composition, mirroring its crisp, retro 1-bit graphics. Scientific description of some aspects in this paper: 
Working link: https://www.researchgate.net/publication/336915189_Generalizations_of_velvet_noise_and_their_use_in_1-bit_music
Original link (broken?): (http://dafx2019.bcu.ac.uk/papers/DAFx2019_paper_53.pdf)

"Return of the Obra Dinn" (2018) is a fantastic game released in 2018. Its creator, Lucas Pope, describes Obra Dinn as "An Insurance Adventure with Minimal Colour." The graphics are entirely 1-bit, meaning that each pixel of the screen takes on only one of two possible colors: light or dark (nominally white or black). This hearkens back to the visual display style of old computers with  monochrome monitors, like the Commodore 64 or Apple IIe, and gives the game a unique and beautiful aesthetic. To represent grayscale values, Pope uses a technique called spatial dithering. Cleverly, he actually deploys a variety of dithering algorithms (including sometimes suppressing the dithering entirely) to differentiate textures in the game.

As a cover and tribute, I've rearranged part of the game's original (rollicking, acoustic) soundtrack—part of the music from the "Unholy Captives" chapter—in a 1-bit *musical* style. This not only mirrors the 1-bit graphics of the game, but mimics the 1-bit "beeper" audio capabilities of many early computers like the Apple IIe and ZX Spectrum.

1-bit music poses a unique compositional challenge. First of all, there is no signal amplitude control, making volume control difficult. Furthermore, in the 1-bit domain, addition of 1-bit signals does not properly exist. This is because certain values can be added (0+0=0, 0+1=1, 1+0=1), but the operation 1+1=2 cannot, since "2" is forbidden! Strictly speaking, this limits polyphony to one sound. Working around these limitations to produce music that is not monotonous and can express chords, layering of multiple instruments, and convincing audio effects becomes quite the task.

In this track, I manage to coax up to 6 layers out of the sound at once: bass, a three-note chord, a melody, and percussion. Part of the trick is just interlocking parts in the arrangements—here, for instance, the bass and chords rarely play at the same time. But in general, there are moments where up to 6 sounds have to be expressed with only 1 bit. The layers are mixed using a custom XOR-plus-error-feedback 1-bit mixing engine, combined with judicious use of thin pulse widths, custom 1-bit wavetable synths, and a special kind of sparse noise that can be XOR'd with signals without overwhelming them. Furthermore, the melody employs what I think may be a novel feedback delay effect that operates entirely in the 1-bit domain to give a sense of space to the track. This is mostly a note-for-note cover of Lucas Pope's original—involving elaborate 1-bit trickery in the sound synthesis, arrangement, and audio effects—but I did take one small liberty: an extra half measure of percussion added just before the start of the final phrase at 0:39.

The special sparse noise sequence is called "crushed velvet noise" and is described in my 2019 DAFx paper "Generalizations of velvet noise and their use in 1-bit music," available here: http://dafx2019.bcu.ac.uk/papers/DAFx2019_paper_53.pdf.

I've deviated from a strict 1-bit construction in just one way—The entire track was processed through Plogue's Apple IIe impulse response to make it sound like it is coming out of a real Apple IIe speaker, rather than being a "raw" stream of zeros and ones.

"Unholy Captives" from "Return of the Obra Dinn" (Lucas Pope, 2018): a 1-bit cover/tribute

An Orchestration of 'Guldove - Another World' from the Chrono Cross soundtrack. This was created to stress test some things I'm working on. They were pretty stressed.

Big fan of the Chrono series? Perhaps you'd like my orchestration of 'The Last Day of the World' on iTunes: http://bit.ly/ChronoTune. Listen and download some related goodies (wallpaper, cover & MIDI) from my site http://bit.ly/ChronoExtra.

Used:
FL Studio 10, Kontakt 5, Spitfire Loegria, Albion, Percussion, British Woods, Harp, Solo Strings & Piano. Orange Tree Samples Evolution Acoustic guitar, Cinesamples CineBells & Piano in Blue, Project Sam Symphobia II, EWQL Symphonic Choir, Orchestral Tools Symphonic Sphere, Various private libraries

Le Château Magique

Guilhem Desq

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