PF Environment

Jonah Senzel - Deathcard Cabin (Reprise)

Warhammer 40,000: Mechanicus (Original Soundtrack)

Lost Civilizations

Millennial Rage

Binary Signal

Immortal Machine

Artist / Ars Dada & Dr. Roman 
Title / Freshly Baked Raggamuffins
Label / Murder Channel 
Format / Digital 
Product number / MURDG-038
Release data / MAY 18

Track List:
1. Enough Raggamuffins To Feed a Small Village
2. Killa Sound
3. Pitbull 
4. Valley of the shadows (Ars Dada & Dr.Roman redux)

All tracks written and produced by Erlend Bilsbak (Ars Dada) and Sam Roman (Dr. Roman)
except Valley of the shadows (original by Andy C).
Mastering by STAZMA
Coverdesign by Erlend Bilsbak

Erlend Bilsbak, better known as Ars Dada, has one leg firmly planted in the world of underground electronic music and the other in the world of art music. This makes his music an eclectic mix of classical music, jazz, hardcore, metal, jungle, IDM, ambient, and any other musical expression that catches his fancy. Ars Dada has played at raves and festivals across Europe and beyond, and has also composed commissioned works for dance performances and film. Hailing from the arctic town of Bodø, Norway, his music is often colored by a dark undercurrent that lurks beneath the surface.

Dr. Roman is an English jungle and drum'n'bass DJ and producer who has been playing at clubs throughout Oslo for the past 10 years. He is an experienced musician from London's underground scene, and a dedicated artist who has devoted his life to spreading his passion for drum'n'bass to audiences. With a unique style and an ability to read the dancefloor, he can create an irresistible vibe at any event. Whether playing at the biggest clubs or smaller, more intimate venues, Dr. Roman will make sure you feel the energy exploding from the PA system. Over the years, he has become one of the most respected DJs in Oslo, and his passion for the music has inspired many other artists and fans.

Ars Dada and Dr. Roman have worked on and off together on music for over ten years and played several gigs together both in Norway and abroad. Together, they create a unique sound that defies categorization, incorporating elements of classical music, jungle, drum'n'bass, and more. Their collaborative music is a testament to their dedication to the art of music and their desire to push boundaries and explore new sounds.

Ars Dada & Dr. Roman - Enough Raggamuffins To Feed A Small Village

One of the pieces I have written for the upcoming "Witcher 3 Wild Hunt" video game

Commanding the Fury

Death's Door (Original Soundtrack)

Hall of Doors

Warhammer 40,000: Space Marine (Original Soundtrack)

Prelude To War

Prologue

Darkest Dungeon (Original Video Game Soundtrack) [Deluxe Edition]

A Brief Respite (Camp Theme)

Character agent has spec ops experience that serve his or her country that was left behind. The character comes back near death experience with to serve and protect people. 

Queen's Ascension

THROUGH GLASS
by MAX DEVEREAUX & KAZUYA ISHIGAMI

released July 15, 2025

Digital Album  $2 USD  or more
edition of 25 Cassette  $6 USD or more 

1.FRIED GRASSHOPPERS 03:53
2.GALVANIZED STEEL TUB 03:10
3.PARTICULATES 04:33
4.SHED FESTIVAL 05:03
5.RIVER OF RAZORS 02:17
6.CORRUPT WIND-UP 04:48
7.THROUGH GLASS 05:54
8.THE LOWEST CHAMBER 05:29
9.WORKING TO RETURN 06:09

Side A : 1-5
Side B : 6-9


Through Glass is the result of a deeply collaborative and cross-continental experiment between Japanese electroacoustic composer Kazuya Ishigami and American multidisciplinary artist Max Devereaux. Rooted in contrasting yet complementary approaches, the project unfolds as a dialogue between structured sound design and spontaneous sonic exploration.

The process began with Kazuya Ishigami, who created a series of intricate sound materials, merging electroacoustic textures, noise fragments, and ambient field recordings. These materials were then sent to Max Devereaux, who layered, reinterpreted, and expanded upon them through improvisation, using field recordings, found objects, contact microphones, and modular synthesizers. Max's additions reflect his tactile and often textural approach, combining environmental sounds and lo-fi textures with gestures that evoke both intimacy and sweeping activity.

The recordings passed once more into Ishigami's hands, where he carefully deconstructed and reassembled the sound elements into finished compositions. His final edits shaped the album into a cohesive whole, blending raw improvisation with composed electroacoustic precision. He also oversaw the mastering process.

The album’s title was chosen by Devereaux, reflecting a feeling he has carried for much of his life as an artist, especially one working within the avant-garde. To him, creating art often feels like living behind glass: present but removed, able to observe and reflect the world with clarity, yet never fully immersed in it. This invisible barrier separates the artist from society, allowing vision without contact, insight without belonging. The music on the album, with its delicate, translucent textures and fleeting glimpses of human presence, seemed to embody this sensation perfectly, like watching life unfold just beyond reach.


Lost Civilizations

Guillaume David

Related tracks