Name: Bird by GUNK.
Duration: 15 min 29 s
Description: A side of Bird/Less 12". Edition of 100 copies, released 10/2014.

A side of Bird/Less 12". Edition of 100 copies, released 10/2014.

Bird

Venera - Tear
Label: PAN
Cat.No.: PAN 153S1
Release Date: 10 July 2025
Purchase: pan.lnk.to/Tear

Venera shares ‘Tear’, the first single of the upcoming album ‘Exinfinite’ out via PAN on September 12th, 2025.

Having defined a multi-dimensional sonic universe on their acclaimed eponymous debut album, composer/filmmaker Chris Hunt and Korn’s James “Munky” Shaffer abandon the familiar and drift towards a kingdom of recursion on EXINFINITE, staring down a tangled mass of mirrored wormholes that hum with eldritch ambiguity.

On ‘Tear’, the duo’s new direction can be heard clearly as Shaffer’s primal guitar noises are reformed into eerie widescreen expositions that Hunt punctuates with pneumatic kick and snare cycles. Broken up by airlock hisses and luminous synths, the track proposes a backdrop that VENERA continuously transmute, reforging the concept as the album develops.

Recorded in Downtown Los Angeles, CA and Atlanta, GA
Mixed by Chris Pawlusek in London, UK
Mastered by Matt Colton at Metropolis, London, UK
Art by EFFIXX with Samanta García

Venera - Tear (PAN 153S1)

Second track on Yves de Mey's dark master piece "The Velocity of Anguish", released as a collaboration between iDEAL and Athens-based Stellage.

Yves De Mey - A Cue From The Child (iDEAL/Stellage CD)

Sophie Agnel: piano
Joke Lanz: turntables

Recorded by Martin Siewert at his studio in Vienna April 2024
except Wittgensteins Hand and 21st Century Humans recorded by Benjamin Pagier at Instants Chavirés, Montreuil November 2022

Mixed & mastered by Martin Siewert

Collage by Joke Lanz
Photo by Marcandrea
Design by Lasse Marhaug

Edition of 300 copies

Sophie Agnel & Joke Lanz - Wittgensteins Hand (iDEAL LP)

Venera - Asteroxylon
Label: PAN
Cat.No.: PAN 153S2
Release Date: 21 August 2025
Purchase: pan.lnk.to/Asteroxylon

Venera shares ‘Asteroxylon’, the second single of the upcoming album ‘Exinfinite’ out via PAN on September 12th, 2025.

Having defined a multi-dimensional sonic universe on their acclaimed eponymous debut album, composer/filmmaker Chris Hunt and Korn’s James “Munky” Shaffer abandon the familiar and drift towards a kingdom of recursion on EXINFINITE, staring down a tangled mass of mirrored wormholes that hum with eldritch ambiguity. They launch squelchy, decelerated techno into occult noise reflecting pools on the slithering ‘Asteroxylon’.

Recorded in Downtown Los Angeles, CA and Atlanta, GA
Mixed by Chris Pawlusek in London, UK
Mastered by Matt Colton at Metropolis, London, UK
Art by EFFIXX with Samanta García

Venera - Asteroxylon (PAN 153S2)

Venera - Exinfinite
Label: PAN
Cat.No.: PAN 153
Release Date: 12 September 2025
Purchase: pan.lnk.to/Exinfinite

Having defined a multi-dimensional sonic universe on their acclaimed eponymous debut album, composer/filmmaker Chris Hunt and Korn's James "Munky" Shaffer abandon the familiar and drift towards a kingdom of recursion on EXINFINITE, staring down a tangled mass of mirrored wormholes that hum with eldritch ambiguity. VENERA's sophomore full length is darker, heavier and more percussive than its predecessor, but there's something more intimate wired into its circuitry that's harder to define - something mystical, mysterious and melancholy. Songs materialize from the void only to be dissolved by acidic synths or pierced by Hunt's whetted beats, while Shaffer's dense, tortured riffs are offset by euphoric, time-dilated vocals from FKA twigs, Dis Fig and Chelsea Wolfe. Following their encounter with vastness, VENERA have peered inward, ruminating on the limits of existence and excavating their most deeply buried emotions.

VENERA emerged in 2022 when Hunt and Shaffer veered into their own musical territory after recording with Albanian artist Xhoana X. Improvising together and experimenting with cinematic, sci-fi-inspired sound design, the duo realized the collaboration had potential, so they began developing and evolving the sound further, bringing in assistance from former Mars Volta drummer Deantoni Parks, Queens of the Stone Age's Alain Johannes, post-punk duo VOWWS and LA noise rock legends HEALTH. And after their debut album appeared on Mike Patton's Ipecac imprint in 2023, VENERA kept deconstructing and rebuilding their approach to songwriting, swapping out ambient Eno-esque atmospheres for blown-
out beats and dense textures, and figuring out how to extend the narrative they'd opened up without retreading old ground.

On 'Tear', the duo's new direction can be heard clearly as Shaffer's primal guitar noises are reformed into eerie widescreen expositions that Hunt punctuates with pneumatic kick and snare cycles. Broken up by airlock hisses and luminous synths, the track proposes a backdrop that VENERA continuously transmute, reforging the concept as the album develops. Cult singer-songwriter Wolfe adds a gothic American flavor to the crepuscular 'All Midnights', crooning powerfully over VENERA's vacuum packed rhythms and gaseous synths, and Berlin-based noisemaker Dis Fig follows work with The Body and The Bug on 'End Uncovered' lending breathy, emotionally layered tones to Shaffer and Hunt's tape-damaged industrial pops and whirrs. They launch squelchy, decelerated techno into occult noise reflecting pools on the slithering 'Asteroxylon', and Hunt replies to Shaffer's reverberating plucks with foghorn groans on the ominous, pensive 'uuu773'.

'EXINFINITE' perpetually builds momentum until it hits 'Caroline', an intense collaboration with FKA twigs that isolates her most unearthly tones. Initially curling her words around ominous electrical distortions and mangled, ghostly voices, twigs launches into a charged operatic cry that Shaffer and Hunt meet with skittering cybernetic beats and dense walls of guitar noise. It's this track that fully cracks open VENERA's concept, merging the synthetic with the natural and prompting dysphoria, loss of self and infinite regress. So the blood-curdling noise and sinister ambiance of 'Decreation' acts like a dissociated coda. In the 'EXINFINITE', destruction and death are not overcome, they're intensified until they metamorphose completely.


Venera ft. Dis Fig - End Uncovered

Merzbow, Iggor Cavalera, Eraldo Bernocchi - Nocturnal Rainforest
Label: PAN
Cat.No.: PAN 154
Release Date: 03 October 2025
Purchase: pan.lnk.to/NocturnalRainforest

The first collaboration between Japanese noise titan Masami Akita, aka Merzbow, iconic Brazilian drummer and producer Iggor Cavalera and forward-thinking Italian guitarist and sound designer Eraldo Bernocchi, 'Nocturnal Rainforest' terraforms a sonic landscape that's almost overpoweringly dense and disorienting, but never aggressive or chaotic. It's a fully immersive experience that re-contextualizes the trio's years of work in extreme experimental music by concentrating on texture, atmosphere and sensory overload. The noise itself is used to provoke a refined level of focus; 'Nocturnal Rainforest' is mediative in its own way, enveloping listeners with waves of distortion, phantasmic unmetered rhythms and perplexing processed field recordings, but it's not intended for passive listening. Made using a fusion of bespoke techniques the trio have been developing for decades, it exists in a raw and mystifying liminal zone between the organic realm and the digital world - a place that's too hauntingly familiar to be ignored.

'Nocturnal Rainforest' is a product of each artist's ongoing musical evolution, powered by extreme music but tempered by deep listening techniques that expect presence rather than dissociation. On 'Swietnenia Macrophylla', evocative humid soundscapes provide a precarious sense of security at first, blurred at the edges by purring oscillations that mimic the jungle's fauna. And that peace is quickly ruptured by percussive, foghorn-like distortions that mark out the scale of the trio's vision. Not just raw noise, the rougher elements are cut with subtle waves of billowing ambience and muggy low- end drones before the track launches into a symphony of computerized stutters. There's a constant push and pull between organic and artificial sounds - before there's been time to acclimatize to the DAW corrupted noise, collaged tape saturations and slashed amplifier hum muddies the atmosphere, purposefully confusing the senses and obfuscating the sources.

And the thought is continued on 'Ceiba Pentandra' when the trio follow the jungle's teeming sonics with growling, whirring electronics and dense interference. What starts as birdsong and an choir of insects mutates into a wall of deafening, transcendent full-spectrum texture that cracks open like a slow-moving storm over a shadowy wilderness.

Merzbow, Iggor Cavalera, Eraldo Bernocchi - Swietenia Macrophylla

Cyprien Gaillard - Retinal Rivalry
Label: PAN
Cat.No.: PAN 157
Release Date: 17 October 2025
Purchase: pan.lnk.to/RetinalRivalry

Retinal Rivalry is the soundtrack to Cyprien Gaillard’s new stereoscopic film, Retinal Rivalry (2024). It is an entrancing journey through Germany’s urban landscape and its layers of historical and social significance. Building on his previous exploration of the sculptural qualities of three-dimensional moving images, the work extends beyond the confines of the screen. By harnessing cutting-edge technology to its full potential, Gaillard offers an expanded, sharpened and deeply affecting novel view of the world around us.

Retinal Rivalry is named after the visual perception phenomenon that occurs when the brain receives two conflicting images at the same time. Instead of blending into one 3D image, the neural system alternates between prioritising one image while suppressing the other, causing confusion and discomfort for the viewer.

Gaillard’s film engages with these complexities of visual processing and the limitations of technology, collating visual information through exceptional, often tongue-in-cheek, shots that intertwine the inside and outside, the contained and dispersed, and the natural and built.

His camera adopts unusual viewpoints, shifting from smooth aerial perspectives to a rodent’s low gaze to the dizzying darting in and out on the bulbous nose of a sculpture, or a long shot of a train moving through a landscape, drawing us into a layered experience that teeters between a bad trip and unexpected beauty providing solace.

The film’s score draws from diverse sonic elements, bolstering its exploration of dissonance and synchrony. Indonesian instrumental music is reworked and combined with field recordings of heavy machinery rumbling and strangely melodic retching. The soundtrack also incorporates the opening lines to Werner Herzog’s Aguirre, the Wrath of God (1972), along with its accompanying overture by German band Popol Vuh. 

The soundscape of Retinal Rivalry contrasts its images—what we see is often at odds with what we hear. Only one section lets sound and image converge: a fractured leg pumps the pedal of an interactive organ to play a piece by Johann Sebastian Bach that repeatedly falters.

The film Retinal Rivalry will be on view at Haus der Kunst in Munich from October 17, 2025, to March 8, 2026.

Cyprien Gaillard - Retinal Rivalry (PAN 157)

The Glitch hype was a rather short one. But it brought together different scenes; minimal techno, sound art and electronic minimalism. Then it hit a dead end and dissolved. In the centre of Glitch we found labels like Mille Plateaux (who released the formative ”Clicks + Cuts”) and raster-noton who especially with their static series formed a sound. The first release (2000) was by a young Andreas Tilliander who under his new moniker MOKIRA released the ”CLIPHOP” album. He had done synth and techno for years and then got his hands on an early COH CD on raster-noton in some Stockholm record shop and decided to send a demo to Carsten Nicolai and crew. They luckily decided to release it. I got my copy in the Wave record shop in Paris, as I knew Tilliander’s earlier techno and synth stuff. But this blew my mind. Sharp, funky (yes), static and it sounded like pure electricity. It still sounds great, and rather alien to me. I am proud to reissue this on iDEAL, and to dive even deeper into "CLIPHOP" - check out Johan Jacobsson Franzén's book on the album.

Joachim Nordwall, Gothenburg 29.10.2025. 

MOKIRA - PALM

Ilpo Heikkinen
Janne Martinkauppi
Petri Pirtilä
Antoine Verhaverbeke

gunkstructures.blogspot.com

Bird

GUNK.

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