Name: Richard Wagner: Götterdämmerung - Suite by Gunter
Duration: 36 min 49 s
Description: Live-Mitschnitt aus dem Concertgebouw Amsterdam. Version der Suite von Hartmut Haenchen

Cover of J. S. Bach - Harpsichord Concerto No. 1 In D Minor (BWV 1052) (Allegro 2018) performed by the Virtuell Chamber Muzik

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J. S. Bach - Harpsichord Concerto No. 1 In D Minor (BWV 1052) (Allegro 2018)

MAURICE RAVEL ~ Bolero
(Radio Symphony Orchestra Ljubljana - Direttore Samo Hubad)

Boléro
From Wikipedia, the free encyclopedia

Boléro is a one-movement orchestral piece by Maurice Ravel. Originally composed as a ballet commissioned by Russian ballerina Ida Rubenstein, the piece, which premiered in 1928, is Ravel's most famous musical composition.[2] Before Boléro, Ravel had composed large scale ballets (such as Daphnis et Chloé, composed for the Ballets Russes 1909–1912), suites for the ballet (such as the second orchestral version of Ma Mère l'Oye, 1912), and one-movement dance pieces (such as La Valse, 1906–1920). Apart from such compositions intended for a staged dance performance, Ravel had demonstrated an interest in composing re-styled 
dances, from his earliest successes (the 1895 Menuet and the 1899 Pavane) to his more 
mature works like Le tombeau de Couperin (which takes the format of a dance suite).

Boléro epitomises Ravel's preoccupation with restyling and reinventing dance movements. It was also one of the last pieces he composed before illness forced him into retirement: the two piano concertos and the Don Quichotte à Dulcinée song cycle were the only compositions that followed Boléro.



MAURICE RAVEL ~ Bolero

Live-Mitschnitt aus dem Concertgebouw Amsterdam. Version der Suite von Hartmut Haenchen

Richard Wagner:  Götterdämmerung - Suite

Ein Finale für das Orchester - und weniger das Soloinstrument. Dennoch halte ich ihn für sehr gelungen, für eingängig und effektlastig genug, hier gewissen Zuspruch zu finden. Es gibt zwei Hauptthemen, das erste taucht gleich am Anfang auf, ehe es vollständig von den Celli intoniert wird. Das zweite Thema wird viel später erstmalig in den 1. Violinen vorgestellt, ehe es in Nuancen und Abwandlungen alle Blechbläser und die großen Orchesterpassagen durchläuft.

opus 150 - Konzert für Englischhorn und Orchester E-Dur 4. Satz

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Richard Wagner: Götterdämmerung - Suite

Gunter

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