Name: Homesick To Nowhere by Gunther Benedict in THE CONQUEST OF YESTERDAY'S WAVES' MOTEL
Duration: 3 min 3 s
Description: This is a track from my album TALES OF A NOMAD, a collection of impressions from decades of living a nomadic life for professional reasons.

I love the title and the music perfect for it.  Good job

гитара играет на струнах души!

Blues with a bit of mystery, and the appropriate reflective sadness.  Love this, Gunther.

It's a melody that draws you deep into your heart! I was drawn in just like when I was absentmindedly listening to Janis Joplin.

THE CONQUEST OF YESTERDAY'S  WAVES' MOTEL

Jack Wild as Tom Ornshaw:Melody (1971 film)

Ornshaw

Voiceless

PHOBOS / Paploviante Open Collaboration Offer
Paploviante: E-Bass, Music, Composing, Arrangement, Mix and Mastering 
BPM 88
Free Download
Feel free to adding something !
If you publish it, you have to mention me in the description and title!

PHOBOS

Silence By Zitou Itou & Albert Paule

Songwriters : Richard Carpenter & John Bettis \ ISWC : T-070.161.059-4
Released : March 14th 1975
Publishers : Almo Music Corporation \ Universal Music
__________________________________________________________

The Carpenters are the Favourite band of all my celebrities.

Their songs have been a part of my childhood, my teenage years and even
now. Especially Karen's voice.
She had a fairly deep, medium-range voice, warm and colorful,
with an exceptional tone.
She was not only a singer, but also a very talented drummer.
Her brother Richard also has an extraordinary voice and does a lot of
backing vocals.

Their two voices alone amply cover the harmony of their tracks.
They're Unique.
-------------------------------------------------------------------------------------------------

I love this song; it's well-paced, as well as the bass and especially the drums.
For me, this song is very hard to sing, 
because the key starts off very low and rises quite high,
and the tempo also increases.

Honestly, I struggled to keep up with the rhythm in both choruses.
As I was saying, my voice isn't what it was 20-30 years ago. 🙂
__________________________________________________________

Arrangement (Yamaha PSR SX900) : Phong
Vocal : Anh
Recorded : May 31st 2025
__________________________________________________________

Only Yesterday - Cover (Carpenters)

Special thanks to Ashesndreams for her acappella

Lyrics :
Baby no me pidas que me aparte
Yo ya te he buscado en todas partes
Solamente vengo a recordarte que estoy
Imaginandote
Una y otra vez
Que tu estas aqui conmigo
Acariciandome
No seas timido
Dejate querer
Que si dudas te prometo
Que vas a volver

No tengo miedo
Soy un kamikaze
Mi imaginacion se prende con lo que me haces
Diario yo te pienso
Te tengo en mis suenos
Eres el motor para escribir todos mis versos
No te voy a mentir te quiero todo pa mi

IMAGINANDOTE. 🎧.  feat  Ashesndreams

Recording sessions from 03/05/2025 - 16/06/2025
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks / No I.A. / No samples.
🎹 - Composed, arranged, performed, produced by Pier WILL & 4H09
🔲 - Cover art - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile,
Focusrite, Hewlett Packard, Korg, Logitech, M-Audio, MSI, Sony,
SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________
❤️🕊️🙏

Across the river

Conquest

Time to get satirical with the US political dystopia, or maybe I'm just a  little touchy after all the threats to Canada, both political and economic (not pondering the military  threat to allies)
Sorry if this is offensive to any US-based listeners. Sorry, not sorry ;)

Track 2 from a new 2025 collection of ideas called FRINGE found at https://www.terrywigmore.com/wigmore-allen-gibbons

 Lyrics:
They've all come around on bended knee
Kissing the a-a-a-ass of a once and future king
They fought a war to get rid of a crown
Only to give it away to an autocratic clown
(how come you misjudge me so...

Pick on immigrants, round them all up
Doesn't matter if they're the ones who fill your shops
With all the merchandise and food that you just can't ignore
So you haul them off to a foreign shore - a foreign shore -a foreign
(how come you misjudge me x2   ...so...)

I take a little salt, not on the tail
I like my golden jets, like my foreign jails
I talk of the land, the land of the "free"
Whatever you've got, just give it to me


How did you misjudge me (x3)
I am the claw, in the white flabby hand
(how could you misjudge me (x2)
Autocratic clown (x3)

* samples... "I am Oz, the great and powerful, who are you?", "I could shoot somebody on Fifth Ave..", "China has total respect for Donald Trump and  for Donald Trump's very, very large uh, brain"

Note: No salt on the tail - https://en.wikipedia.org/wiki/Salting_a_bird%27s_tail

Wigmore: music, production, main lyrics and vocals
Allen: additional vocals and lyrics, bass, guitars

Autocratic Clown

released in Jan 2025 - https://nomatesensemble.bandcamp.com/album/i-am-never-freer-than-when-i-am-with-you. 


Then She Reaches for the Gun was formed in 2021 by Mat Ward. At its essence is sound collage, Ward invites musicians, sound artists, poets and anyone interested to send him files to be used, abused and showcased ‘as suggested by the work’. They are not always musical but field recordings, spoken word, engine noises and drunken rants. Animals participate a lot too! The raw material is arranged with one phrase asking for the next in an alchemical and intuitive process that will most often feature dozens of tracks weaving in and out of each other, colliding, harmonising, arguing and laughing along the way.

Both the aesthetic and the compositional methods use what Frank Zappa called Xenochrony - the mixing together of separately recorded and rhythmically opposing musical phrases to create polyrhythmic and polytempi compositions.The work also features fragmented story telling with the human voice (in many languages) appearing unannounced throughout the tracks offering up snippets of thoughts, conversations, jokes and existential angst. The absurdity of humanities desperate claim to have any real understanding of its place in the universe is revealed through the recorded follies and genuine emotions of the artists. The project is a celebration of chance, diversity and community. It pays homage to all musical tastes and genres whilst maintaining a sense of humour and irreverence that is needed to stay sane in the climate of  21st Century contemporary culture.

Then She Reaches For The Gun is

Humans

Adam Meredith - Ford XD with XF front mods/Voice
Ambient Annie - Electronica/Field Recording/Voice
Andrew Harper - Field Recordings
Angostura Elwar -  2 x Behringer CRAVE analog synths/Yamaha P200 electronic piano 
Antonella Eye Porcelluzzi - Text/Voice
Ariad Music - Clarinet/Percussion/Piano
Axel Weiß - Electric Guitar/Robot Voices
Banalytic - Experimental Electronics
Belial Pelgrim - Digital Strings/Electronica
Brendan Corey Benson - Electric Guitar
Carolyn Wigston - Voice
Chicago Word Brigade - Electronica
Dan Hewins - Bass Guitar
Dane Renshaw - Drums/Voice
Dani Kirby - Keyboard/Piano/Voice
Dylan Banks - Intonarumori/Voice
Frank Wilke - French Horn/Trombone/Voice
Garbage Truck Disco - Drum programming/Electric Guitar/Joyous Pop Punk
Glenn Ward - Electric Guitar/Skyhooks
Hakan - Moog Voyager XL
Hverheij- Drums/Electric Guitar/Synth
Johnny Python- Bass Guitar/Drum Programming/Electric Guitar/Text/Voice
JZsuperstar - Electric Guitar/Field Recordings/Keyboards
Lady ElectroTrek - Organ
Libby Laksmi - Jazzy Loops/Synth Bass
Loop(c)y - Electric Guitar
Malo Bernard-O’Meara - Drums
Maxx Black - Guitar/Ukulele
Minimal Drone Girl - Cat Wrangling/Field Recordings
Oberlin - Eurorack/Piano
Paolo D’Emilio - Electronica
Paul Miller - Electronic Percussion/Keyboards/Phat Electro Bass
Phil Bywater - Saxophones/Voice
Raul Mainer - DAW Programming/Heavy Metal
Robert Jefferson - Akai Rhythm wolf/GakkenSX-150 ll/Korg Kaosilator/Percussion
Rosin Dust - Violin/Field Recordings
Sarah Megahertz - Speedway Noise
Scratch Kelly - Beats/Electronica
Stan Magendanz - Electronica
Ten Atmospheres - Field Recordings/Synths
Texmex Shaman - Electric Guitar
The Windscale Blues Experiment - Clarinet/Flute/Saxophones
Timothy Korstad - Demons/Electronica
Thomas Bergheim - Bass Guitar/Electric Guitar
Tobias Schmitt - Electronica/Processed Organ/Text
Tuonela - Demons/Electronica
Vartch - Drones/Things/Trousers (not T-shirts)/Voice
Widar’s Spiritual Front - Electronica/Ms Pacman
W:I:L-o’ the-wisp - Bass Guitar/Electric Guitar/Electronica
Wivresse - Electronica/Voice
Zanshin - Acoustic and Processed Drums

Mat Ward - Arrangements/Bass Guitar/Double Bass/Field Recordings/Intonarumori/Marimba/Noise/Percussion/Piano

Dogs
Boogie
Brophy
Buddy
Hancho
Jack
Momo
Neska
Poldo
Senna
Shyamsundara
Star
Oily (cat)
And many cows from Milis, Sardinia

Cooking Hard Boiled Eggs in a Cheap Motel In Adelaide part 3

The Heatwave Mr Lexx & Keida VS JoeyStarr (Dramantic Remix).mp3

This is a track from my album TALES OF A NOMAD, a collection of impressions from decades of living a nomadic life for professional reasons.

Homesick To Nowhere

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Spotify

Aurora

acropolis

The Acropolis is an ancient citadel in Athens, Greece, perched on a rocky hill overlooking the city. Its most famous structure, the Parthenon, is a temple dedicated to Athena, built in the 5th century BCE during Athens' golden age. The Acropolis symbolizes classical Greek architecture and culture, housing other significant structures like the Erechtheion and the Propylaea. It's a UNESCO World Heritage Site, drawing millions for its historical and archaeological value.



ACROPOLIS - ΑΚΡΟΠΟΛΙΣ

I had a dream to be a basketball player when I was very young.I gave it up, but kept watching ball games for years. I wrote this song Inspired by the great players’ super plays and strong minds.
And this is a song for all the people who are fighting in the life.

Lyrics 

Just wannabe my self, Stand!
Don’t know what to do
I know without ( what) I used to be
 Ice cold in my hands , upside down to sky

Tried to understand 
Let you know
Take my hands tonight 

I see you , Shooting Star to flow inside
Befalling Rising Stars, too grace

I can’t take my eyes off all of you
If you down I’ll be staying with you 
If you fall (you) could be staying with me

Shooting Star

Firstly on easy listening 6/4 bars, I cut some notes out of the main theme so as to give it dynamism, and finally obtained a prime amalgam of 17 quarter notes. I hid any recognizable thing in the accompaniment, and for the organic lines (voice and guitars) I tried the strong rhythm would not fix too much the melodies, first paying a lot of attention, and finally ... just letting me go.

Translated lyrics:

Oídos sordos (17 negras)  /  Deaf ears (17 quarter notes)

Quiero gritar todo lo que siento, estando solo;  /   I want to shout out everything I feel, being alone;
pero gritándolo al viento y si no contesta,  /  but shouting it at the wind and if it doesn’t answer,
dime, ¿de qué me sirve? (bis)  /  tell me, how does that help me? (bis)

Todos los vientos conocen mi historia  /  All the winds know my story
pero no hacen nada.  /  but they don’t do anything.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

He estado aquí y allí gritando como un loco,  /  I’ve been here and there screaming like a madman,
pero todo sigue igual.  /  but it’s all the same.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

Quiero gritar…  /  I want to shout out…

Ahora sé que no sirve de nada;  /  Now I know it’s no use;
el viento sois todos que callais al verme,  /  all of you are the wind, silent when you see me,
y dejáis que hable y hable,  /  and letting me speak and speak,
y dejáis que hable y hable y hable.  /  and letting me speak and speak and speak.

No creo que vuelva mañana  /  I don’t think I’ll be back tomorrow
a escuchar vuestro silencio.  /  to listen to your silence.
Quiero encontrar a alguien. (bis)  /  I want to find someone. (bis)

Quiero gritar…  /  I want to shout out…

©1995 E-RUIZZO – ®2013 FRANCÉS RECORDS ;)
Image: "Red eared cactus", photo by Ruizzoidman

Oídos sordos (17 negras)

Here I would like to present music composed and produced by myself (multitracking guitars, bass, and drums) and pieces that were created in the context of various bands since 1990. Some of the tracks are completely worked out, some are demos, some are from jam sessions, and some are live recordings. When relevant, in each single track the band name is given, the respective players are listed, and details as to the background of the music are presented.
All drawings and paintings were done by myself and, in some cases, by my wife, Andrea.

(Don't follow me here, best on my main page ;)

Homesick To Nowhere

Gunther Benedict

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