Permanente e transitorio (extended version 2018)

2016@stereo
La serie di microcomposizioni "Tecnomorfosi" presentano delle riflessioni dell'autore sul senso del tempo nel continuum sonoro.
VocalZ presenta una dialettica eclettica tra suoni derivati dalla frammentazione ed elaborazione della parola New York cantata da Frank Sinatra insieme a numerosi oggetti sonori ottenuti da soli cinque suoni campionati in una stanza di albergo parigina.

Tecnomorfosi I - VocalZ (2016)

2015@stereo
First Price EFME 2016 International Contest and Finalist at Taukay 2016 International Contest.
The composition deals with those two seemingly opposite concept. The piece takes to the audience to virtual spaces of unexpected features and jointed sound gesture of opposing attributes.
By the mixing and editing techniques very often used in cinema and video games, there were created a lots of complex "impact sounds" classified by their dynamical and spectral envelope structures as “transitori”. Elaborated resonant frequencies have been extracted from those materials in order to obtain the “stable sounds” or “permanenti” to be used as reciprocal nexus.

Permanente e transitorio (2015)

(2011)Baritone Sax: Laura Venditti.
Available versions of the piece: baritone sax, tenor sax, alto sax or soprano sax

SaxOut! (2011) - baritone sax & electronics

ViolitroniKa (2012) - Violin & Electronics

(2010)Contrabass clarinet: Massimo Munari.

MaxOut! 2.0 (2010) - contrabass clarinet & electronics

2004@stereo
First premiered at IMEB Bourges Festival 2004
It is some kind of experiment of creating transitions and transformations between a south american folk music loop by Inti-Illimani and electroacoustic sound objects.

Sounds coming from inside of... (2004)

(2016) In occasione della Giornata Europea della Musica 2016, il Conservatorio A.Vivaldi di Alessandria presenta un brano composto ed elaborato dalla classe di Musica Elettronica. Sarete accompagnati in un percorso musicale attraverso una passeggiata per il cortile, i corridoi, le aule, gli uffici e l’auditorium, all’interno del microcosmo di Palazzo Cuttica.

Buon ascolto.

Credits:

a Cura della
CLASSE DI MUSICA ELETTRONICA
del Conservatorio “A. Vivaldi” di Alessandria
Docente: Gustavo Adolfo Delgado

Riprese ambiente, elaborazioni e prestrutture
Brian Belloni, Denny Cavalloni, Gabriele Pandiani, Diego Ratto

Coordinamento e montaggio
M ° Gustavo Adolfo Delgado

Progetto grafico e impaginazione: Giulia Vuillermoz

I colori del Vivaldi

Soundclip. (1998). This is a very short piece with a funny feeling, "divertimento". It's some kind of laughing dream. 
You will hear my wife's voice (my girlfriend in the late 1998)

Mi secreto es la risa (1998)

El hombre electronico - Prefacio I (1999)

(1995) It was my first electroacoustic piece. The female voice belongs to my wife (my girlfriend in the late 1995)

Fantasía en el Sur (1995)

(1997) My first mixed piece for pianoforte and fixed electronics. The electronic sounds were made by sampling and re-synthesizing in Csound my little parrot called "Pedrito"

Perdido en un circuito abierto (1997)

(1996). The electronic materials were created by playing an electric guitar. It was my first attempt to create a mixed composition.

Entrecuerdas (1996)

Sonoclip '98

Objeto sonoro '98

Objeto sonoro '97

Objeto Sonoro '96

Pipi's sound - Objeto sonoro '95

2017@stereo
La serie di microcomposizioni "Tecnomorfosi" presentano delle riflessioni dell'autore sul senso del tempo nel continuum sonoro.

Tecnomorfosi II - Contrasti (2017)

Fratture nello spazio – 5:23’ – 2019 - Rome
Binaural
An exploration of fragmentation and discontinuity by a counterpointed use of sound objects spread into polyphonic virtual spaces. This piece has been created for acousmonium systems.

Gustavo Adolfo Delgado

Fratture nello spazio

Fratture nello spazio (2019)

Gustavo Adolfo Delgado was born in Buenos Aires, Argentina in 1976. He started his career in 1995. Composer and acousmatic, mixed music and live electronics performer. Full-time professor of Electroacoustic Music Composition at the Conservatory Claudio Monteverdi of Bolzano (Italy).

His artistic production is characterized by an articulated language of polyphonic micro structured sound objects on multiple virtual spaces and focused on electroacoustic music orchestration, spectral morphing, sound synthesis, and spatialization techniques.

His compositions have been awarded or nominated finalists at 20 international contests and these have been performed at prestigious festivals and concerts in Argentina, Chile, Colombia, Costa Rica, Mexico, United States, Austria, Belgium, Spain, France, Italy, Latvia, Malaysia, Portugal, Sweden, Principality of Monaco and the Republic of Azerbaijan.

Very often his pieces are broadcasted by radio and streaming music channels "The New Edge" (USA), WMBR 88.1 FM (USA), New York Public Radio (USA), taintradio.org (USA), Undae Radio (Spain) and www.musicaelettronica.it (Italy).

His works have been published by labels "Not Art Records (New York)", 4-Tay Inc. (USA), Taukay (Italy), Sconfinarte (Italy), "Music Sas" (Italy), "Sannio Neumi" (Italy), LIM Publishing (Italy) and are on sale at Amazon, Ebay, Spotify, iTunes, emusic.com, just to mention a few of them.

AWARDS

2017	Third price. “SIME 2017” Electronic Music Week Festival/Contest (France);
2016	First price. International Composition Contest “EFME 2016” (Argentina);
2016	Finalist selected piece. International Composition Competition of “Città di Udine 2016" (Italy);
2016	Winner. International Festival/Music Contest “El laboratorio del espacio 2016” (Spain);
2016	Mention. "Exhibitronic Contest 2016” (Belgium);
2013		Selected piece. National Contest CD #6 "Listening points 2013" of CEMAT Federation. Rome. (Italy);
2012		First Prize. “Premio Giornata Mondiale della Memoria 2012” to the Nicola Sala Conservatory of Music, granted by the President of the Italian Republic Dr. Giorgio Napolitano. It was the very first time a Conservatory was awarded with this prize. The award was for the CD "The memory notes: The Broken Music of the Holocaust" produced by Conservatory of Benevento. Gustavo Delgado: Sound Engineering. (Italy);
2010	Finalist selected piece. International Composition Competition “Città di Udine 2010". (Italy);
2009	First Prize. "National Arts Award 2009" (Electronic Music and New Technologies category). (Italy);
2004	Finalist selected piece. "International Composition Competition Città di Udine 2004" (Italy);
2004	First Prize. " National Salon  Contest 2004". Buenos Aires. (Argentina);
2001		First Prize. "Composition Contest Juan Carlos Paz 2001" granted by the "National Fund of Arts Argentina": U$S 5,000; (Argentina);
2001	Third prize. "Forum- Contest of Electronic Music 2001". Goethe Institute of Córdoba (Argentina);
2000	 	Finalist selected piece. "Electroacoustic Music Contest/exchange of by Ina GRM/LIPM 2000" (Buenos Aires/Paris);
1999		Finalist selected piece. "Electronic Music Forum-Contest 1999". Goethe Institute of Córdoba (Argentina);
1998		Finalist selected piece. " Electronic Music Forum-Contest 1998". Goethe Institute of Córdoba (Argentina);
1998	First prize. “Sound object contest 1998". FARME (Argentina);
1998	Second prize. "Sound clip contest 1998". FARME (Argentina);
1997	First prize. "Sound Object contest 1997”. FARME (Argentina);
1996	First prize. "Sound Object contest 1996”. FARME (Argentina);
1992	Finalist selected piece. "13° Coca-Cola in the arts and sciences contest 1992". Category: "Modern Music"

Gustavo Adolfo Delgado

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