Amazing track Guy Andrews, well played! Check us out for free promo on future tracks

Forthcoming

Continuing on with bonus tracks for seed 2 stage fall jamms 2025

Day 16 - Morose (Rough Sketch)

Sisyphus - Mixed

PREMIERE > http://inverted-audio.com/premiere-liquid-city-motors-untitled-2/

On 'Untitled 2', which we're glad to present you in full stream form, @liquidcitymotors veers off on much more of a UK sound tangent, melding old-school jungle tropes with a slight US house feel and a pinch of footstep-inflected rhythms.


Untitled 2 EP

Liquid City Motors - Cirrostratus (Iridescent Mix)

Buy link: https://lnk.to/savefabric

London nightclub fabric and its in-house, artist-led label Houndstooth have released a huge, 111-track compilation of previously unreleased music.  #SaveFabric features tracks from Clams Casino, Skream, Machinedrum, Coldcut, Simian Mobile Disco, Clark, Howie B, µ-Ziq, Terry Francis, Mumdance, Caspa & Rusko, Roman Flügel, Route 94, and many other artists who all donated their music.

On 7th September, fabric’s license was revoked forcing the closure of one of the UK’s most important venues and adding to the 50% of clubs closed in London since 2008.  A court date for Fabric’s appeal hearing has been set for 28th November.  With proceeds going towards their ongoing campaign to re-open, purchasing the #SaveFabric Compilation – which costs just £9.99 – is a chance for fans of music, clubs, culture and nightlife to support fabric and Houndstooth.

℗ & © 2016 fabric Records / Houndstooth.

#savefabric

Procession

Buy #savefabric

Guy Andrews - Procession

The second release in our series of Split EPs comes from Marcos Cabral & Daniel Araya and features two tracks from each artist. New York's Cabral is known for his experimental IDM and techno on labels like L.I.E.S. while Daniel Araya has recently released an album of acid, techno and industrial on the Classicworks label and is well known for his outputs on Borft records or Kontra Musik. 

Araya's 'We Almost Lost Detroit' is first and is a truly haunted deep techno cut with sparse acid undulations and a real sense of manic in the rasping synth lines. Softer pads in the background only add to the spooky nature of the track. 'Ghost Bass' is the other Araya cut and this one is more up on its toes, with mid tempo kicks down low and wonky chords up top. It's a mind melting tune that trips deep into the night. 

'Live At The Egg' is Cabral's first effort and is a lonely and icy techno track that is supple and seductive in its long lines and paddy drums. After getting you into a state of hypnosis, some freaky vocal sounds only add to the unsettling nature of it all later on. 'Cuts & Bruises' rounds things out in squelchy and depraved techno territory. Muted acid stabs are off in the distance as swampy drums suck you in from the front. It’s a brilliantly odd tune that close out a fine EP. 

Out now via bandcamp, worldwide next week
Distributed: Clone.nl 
Mastered: Marco Spaventi 
Graphics: Heavyweight

SHOP

Daniel Araya & Marcos Cabral - Split 02 [ENDILL011]

Download: https://www.xlr8r.com/mp3/2017/09/eluize-make-me-sin-dub/

[via XLR8R] - Technicolour Remixes

Download

Download: Eluize - Make Me Sin (Dub)

The cold wind howled along the inside of the tunnel and she shuddered slightly beneath the strain of the chill. The mountain region was home to a flurry of short rocky pathways which went beneath the towering giants that loomed above. Carved into the rock these man made holes created an intricate crossing without the need for vertical climbing and exploration amidst the peaks. Outside the snow continued to fall heavily from the dark and gloomy skies...

Fina Records return with a fresh EP from Paso, an intriguing prospect which features originally crafted club tracks and an innovative take upon house music in the present day.

PREMIERE: Paso - Idocracy [Fina Records]

* Read more :  https://boltingbits.com/marc-bianco-harland-jam/
* Watch on Youtube : https://youtu.be/aswNnd5as8o
* Pre-order : http://bit.ly/2Cj78P1

Every music lover feels a specific, even if sometimes undeserved, sense of achievement when they discover an obscure and underrated artist. So we were particularly stoked when we caught wind of France-based Marc Bianco. The little-known producer is about to again release an EP for French label Moonrise Hill Material – an imprint whose tracks we’ve premiered before – and the record is top quality. The five-tracker is made up of structurally diverse tracks that nevertheless unify under an aesthetic umbrella of sample-heavy, gritty and jazzy sounds.

Our premiere is the last and longest track on the record and probably our favourite, too, Harland Jam. Wonderfully fluent keys as well as splashy percussion staple this track, which you could imagine as the soundtrack for a hybrid jazz-house club. Perhaps it’s most impressive for it’s delicate balance of continuity and change: for the background-listener, the track could sound monotonous, but with a bit more attention the song’s dynamism and slow incline is clear. The track subtly picks up at around 2m30s, with energetic drum fills and keyboard jamming on top of the groovy three-chord progression that repeats throughout.

The record, called Serious Mass, will be the label’s ninth release. If you’re into modern and daring house records with an old-school feel, you’ll probably find it worth a purchase.

Moonrise Hill Records

PREMIERE : Marc Bianco - Harland Jam

NEUTRINO

|☤| http://www.facebook.com/origamisound |☤| http://store.origamisound.com/album/seraphim |☤| 

In light of Borealis' debut album "Voidness" two collections of 4 remixes each will be coming out both digitally and as limited edition transparent/black splatter 12"s.

"Seraphim" presents four visions of Nightfall, one of the strongest pieces of emotional music, leaving little to no reference of the original, album version.

Melodic techno legend Dominik Eulberg kicks things off with a seemingly never-ending 'anthem' rendition of the original. Liar delivers a stunning take which is impossible to place into any one genre while also acting as a proper introduction of his subtle, highly eclectic trademark sound. On the B-side, Jesse Somfay (aka Borealis) turns his own work into a flashback-generator for anyone who has a soft spot for epic, early 00s trance. There's no better way to close things off than through a heartwrenching piano cover, courtesy of Ben Lukas Boysen (aka Hecq).

Borealis - Nightfall (Liar's 'Adrenal Ego Lap' Mix)

Popka
https://soundcloud.com/popk4

UnderGroove Records
https://soundcloud.com/undergrooverecordslyon

Video on youtube
https://www.youtube.com/watch?v=sU1yFfn8-4Q&lc=z22merbbssivvhgdvacdp434tnjpqv5n2np502hbh5tw03c010c

Popka - Peddy Tendergrass [UG002]

My inspiration for these remixes was to play with this concept of opposite spaces, and tailor it to how I am trying to develop my work, personally. 

Spaces can completely change perception of sound. Opposites seem to inspire me: I am as fascinated with an anechoic chamber where all acoustic reflections are non-existent – as I am with a highly reverberant space, such as an auditorium or hall. 

As an artist who's known more for writing music suited for dark spaces, I find myself battling against the expectations that surround this context frequently. The Dark reinterpretation is my familiar ground; the Light is essentially a rejection of that.

LIVE:
22 March at Archspace, London
Tickets > https://soundcrashmusic.ticketline.co.uk/order/tickets/13330983/guy-andrews-archspace-standing-2018-03-22-19-00-00

www.guyandrews.co.uk
www.instagram.com/guy_andrews
www.houndstoothlabel.com

Tåke Reinterpretations

Feelings Within a Dark Space

alone
concentrated
successives
images
undefined
tones of greens
I put distance
in between you and me

trees bend
under a deadly sun
fixed on the road
my eyes wide open
attempt to sow you
the past behind me
I put distance
in between you and me

all these houses
I wouldn't visit 
all these people
I wouldn't meet
my life is on the line
the furrow of my tires
I put distance
in between you and me

it's a one-way trip
to oblivion
I try the fate
don't care about my chances	
Every minute is a term
leading me to the truth
I put distance
in between you and me

Motortrack

2) Yes! Come Parade With Us
"I remember leaning right off the slipway in Sheringham to record the waves that I used in this track. I had to get really close to the surface of the water to be able to hear the pebbles moving around. It was early in the morning and the sound was so alive that It made me want to make some very positive and uplifting music."

Watch John's hand-animated video here>> https://www.youtube.com/watch?v=XaCOvylhxks&

-----------------------

On the auspicious occasion of the release of his mystical seventh artist album, technological force-of-nature Leafcutter John teams up with fellow stalwarts of idiosyncratic electronica Border Community to gift unto the world the small-yet-perfectly-formed joyously utopian artefact Yes! Come Parade With Us. Weaving field recordings from the Norfolk coastline together with layers of lyrical modular synth, these seven bright-eyed folk anthems sing with positivity and a sense of place, and feel right at home amongst the British label’s unparalleled ever-pastoral and often-organic electronic legacy.

During the summer of 2017 exiled Yorkshireman Leafcutter John returned to his one-time home of Norfolk (having graduated in Painting from Norwich’s School of Art and Design back in 1998) and set out on foot along the sixty mile section of Norfolk Coast Path which runs from Hunstanton to Overstrand, trusty audio recording device in his pocket. “And very soon the physical act of walking began to make me think about music,” he explains. “My footsteps dictated the tempo and imagined melodies accompanied me as I slowly moved along the increasingly wild and magical stretch of coastline. Stresses of the city were replaced by the fall and rise of the North Sea and endless salt flats. Sounds from the environment filtered in and I would stop often to record what I was hearing around me.”

Back home in London, the hours of amassed field recordings would form the backbone and inspiration for a whole album worth of outpourings from John’s six-years-in-the-making modular synth. From the evocative sound of sea birds on Pillar and Stepper Motor to the colourful conversation from a country pub in This Way Out, the apposite selection of samples which made the final edit provide the perfect jumping-off point for John’s synths to soar with abandon, at times uplifting, frenetic, haunting, hypnotic or meditative, but always atmospheric and with unstoppable propulsion.

“Above all else, I wanted the album to exude a sense of constant forward motion but at a very human scale,” says John. Thus drummer friends Tom Skinner (Hello Skinny) and Sebastian Rochford (long-time collaborator in the twice Mercury Prize-nominated band Polar Bear) were roped in to lend their suitably clattering human momentum, on Doing The Beeston Bump and Dunes respectively. Working in tempos to match his walking speed throughout - “whether trudging along a rainy shingle beach or running up wildflowering clifftop paths” - Yes! Come Parade With Us is perfect traveling music, and once unleashed upon the world is sure to provide the soundtrack to plenty more journeys to come. 

Beginning his own musical journey back in 1999 on Mike Paradinas’ Planet Mu Records and with a widely-varied twenty year career in electronic music already under his belt, the release of his masterful seventh album sees Leafcutter John on career-defining form. An intensely personal project, John has also hand-drawn the labyrinthine album art and animated his own suitably exuberant rainbow-hued video to accompany the boundless enthusiasm of restorative title track Yes! Come Parade With Us. The resultant album gem is both assuredly successful in his stated aim of capturing “both the rugged beauty of the environment and the positivity I felt walking through it” and incredibly infectious, with a harmonious utopian outlook which cannot help but rub off on the listener.

Yes! Come Parade With Us

Leafcutter John - Yes! Come Parade With Us

Improvisation on 3 x Moog Mother 32s

No midi, all notes played in live via the small keyboard, with some moments of onboard sequencing.

Recorded in live unedited, just a small amount of reverb added.

Three Mothers 2

Circuits is debut single of https://soundcloud.com/friedernagel new Karoshi EP - out  April 3rd. 

The track is formed by the hypnotic loop of several clarinets triggering a Juno 60 and Moog Sub 37 Synthesizer on a ruthless chase through their electric “circuits”, while massive chords and broken beats are leading their way. The listener feels simultaneously persecuted and attracted to a sound-aesthetic which has its origin in late 80´s end-of-the-world sci-fi soundtracks but carries within the complex texture of today´s finest electronica.

Karoshi

Frieder Nagel - Circuits (Schaltkreise Version)

Resident on Vandelay Radio. Every 2nd Monday of the month

Houndstooth records artist. Management: james@thewildseeds.com

Feelings Within a Dark Space

Guy Andrews

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