Music video on Youtube: https://youtu.be/OENmK2hkaaQ?feature=shared

Synth track inspired by the story of Robert Falcon Scott as told in 'Scott of the Antarctic', also inspired by musicians  Vangelis, Tangerine Dream and Enigma.

Xanadüüm

I May Be Some Time

Inverted Terrain

Dodecathedral

Polybius (Intro)

Xenogenesis

Snowpiercer

Polybius II (Outro)

Dove Dives Down

The Vorrh

thing of beauty with a bit of help from orbital

sunset and sunrise

THE SCOTTISH TURK part 2

Gwyddion Flint: British interdisciplinary artist, writer and electronic musician performing under the name Xanadüüm. Please view my Bandcamp page for Official Releases. Link below.

Recently reviewed by Electronic Sound Magazine for the album: inverted Terrain, and featured on DJ Lola Haro's Kiosk Radio liveset from Brussels.

Back in 2013 Gwyddion Flint collaborated with David Tibet from the experimental band ‘Current 93’ in creating a sound installation at the Eastbourne's Redoubt for the exhibition: Archive Fever in the South of England.

The film ‘Brutalist’, a contemporary dance, electronic music and spoken word film was created in conjunction with ‘Collabs’, a London-based platform (headed by producer Dan Lowenstein) for arts collaboration of all kinds, utilising Gwyddion's poem ‘In the City of My Body’ to create an experimental film and dance work in 2018 utilising electronic music. (Can be viewed on  YouTube and Vimeo) 

Gwyddion has exhibited his visual artwork nationally in the U.K. and is now beginning to exhibit internationally, along with his poetry and other writing currently available through Amazon (under the title: A Hymn to Proteus) and publishing platform Medium.

His artwork is heavily influenced by Buddhism, philosophy, psychology and future technologies. Previous works have included psycho-geographical and hoax art elements, such as the Hopwas Project, where he buried two copper plates and other occult artifacts in a Staffordshire woodland that were later found and written about in local newspapers and online, sparking an interest into the woodland’s past that became international.

Despite some of the more elaborate artworks and installations that he has created he always comes back to pencil drawing, poetry and prose as his main source of inspiration. 

His poetry is primarily created as spoken word works to be accompanied by synth soundscapes and imagery, both live and recorded initially encouraged by a chance meeting with Alan Moore.

He is a qualified yoga instructor and practices and teaches vipassana meditation which he studied while living in various monasteries for a year and a half as a Buddhist monk and later while living and traveling in South East Asia and India.

I May Be Some Time

Xanadüüm

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