@zone-plus: check the break bro !! ouff melting my heart , lets do something out from it ... do ur magic

@bushranassar: check out the break only !! shi ktir aweeee

أيا صبح أشرق فالذرات ترقص
و الأرواح في رقص من وجد
سأهمس لك مقصدهم
فكل الذرات في الريح و الصحراء تعلم طريقها
و إن بان عليهم من وجدهم الجنون
فكل ذرة في سعدها أو شقائها
تكون فقط في عشقها لتلك الشمس
تلك التي لا توصف بكلمات

[قصيدة الذرات _  مولانا جلال الدين الرومي]

Armand Amar_ Poem of atoms (Bab Aziz)

Rencontre du duo zafroud avec le trio belge slang au festival jazz au  chellah 2O12.

BELHIF

The track for Mercan dede  from the Album Journes of a Dervish  
About Mercan dede :
http://www.last.fm/music/Mercan+Dede

Fire Drums

Street of Minarets

Ondes of Chakras (feat. Rakesh Chaurasia, Nguyên Lê, Marcus Miller, Adriano Dos Santos Tenorio & Vinnie Colaiuta)

Jazz improvisation, syncopated beats and counter-culture attitudes have been swinging in the Arab world since the early twentieth century. This Rough Guide explores today’s thriving scene, revealing how blending jazz and Arabic music has created the most beautiful of musical concoctions.

For more information, visit www.worldmusic.net/arabicjazz

The Rough Guide To Arabic Jazz
This Rough Guide travels the Arab world exploring the depth and range of jazz interpretations heard across the region’s many nations and cultures. 

Lebanon’s rich musical melting pot is to thank for many of the tracks on this album. Haunting track ‘Harrama el-Nawma’ is by Rima Khcheich, a singer from Khiam in the south of the country. Lebanese trumpeter and composer Ibrahim Malouf’s ‘Nomade Slang’ is anchored by an undulating double-time drum pattern with sharp stinging horn lines and inquisitive rising bass figures. Another Beirut-born musician, Rabi Abou-Khalil, contributes the track ‘A Better Tomorrow’ with his masterful oud bringing out a slinky, seductive flavour with brushed drums and a languorous wind solo. ‘Masâr’ by Le Trio Jourban also spotlights the iridescent delicacy of the stringed oud. 

Ahmad Kaabour is also from Lebanon and a prominent cultural figure in the Middle East: his 1975 hit ‘Oundaikom’ became the anthem of the Palestinian struggle. ‘Abou Afif’ was released in 2012 and is a peppy, almost saccharine number that encapsulates the feel of modernist 1970s jazz. 

Daramad count in the proceedings with the track ‘Tigris Eye’. The band’s line-up features a mix of Persian and Australian musicians allowing them to create a delicate musical dialogue. 

Karim Ziad is an Algerian jazz percussionist, guitarist and gumbri (Moroccan bass lute) player. Omar Faruk Tekbilek was born of Turkish and Egyptian parents and currently resides in America. ‘Dark Eyes’ is inspired by Sufi devotional music and ambient electronica. Maurice El Medioni stirs a potent punch with Cuban percussionist Roberto Rodriguez on closing track ‘Ana Ouna’.

Jazz is still pulsing through the veins of Arabic homelands and this Rough Guide offers up an insight in to the scene. 


Hijaz: Chemsi (taken from the album The Rough Guide To Arabic Jazz)

بالذي ألهم تعذيبي ثناياكَ العِذابا 
ما الذي قالتهُ عيناكَ لقلبي، فإستجاب

Eleni Vitali & Haig Yazdjian - To Tragoudi Ton Gyfton

Get my album 'Ela Mataa?' here!
https://music.apple.com/ca/album/ela-mataa/1450133455

My interpretation of the piece Halfaouine by Anouar Brahem: arranged for Oud, Nylon String Guitar and Acoustic Guitar.

Recorded in September &amp; October 2011

Halfaouine is a neighbourhood in the city of Tunis in Tunisia. It is also the birthplace of Anouar Brahem.

Halfaouine (Anouar Brahem)

Dhafer Youssef & Hüsnü Şenlendirici Group - Odd poetry

Bazen geleneklerle yapılanlar sansasyon yaratır. FisFüz, geneneksel müzik öğeleriyle sansasyon yaratmanın sırrını çözmüş bir Türk-Alman grubudur. Grup, kendisini iki ulus ve kültür karşılaşması arasında kısıtlamıyor. Bunun yerine yaklaşık olarak 3000 yıllık kültür tarihi olan tüm Akdeniz ve Orta Doğu`yu müziğinin temeli olarak sayıyor. Müziklerinde hem çok eski ve gelenekselleşmiş hem de yepyeni öğeler, İspanyol, İtalyan, Türk, Oryantal ve Kuzey Afrika`ya özgü öğeler caz ile birliktebirleşiyor.

Bu albümde, yanlarında sayısız müzik aletleri ile birlikte yolculuğa çıkan müzisyenler, müziksel anlamda Akdeniz`i bir ucundan diğerine katediyor, Orta Doğu ülkelerinden geçip İran`ın uçsuz bucaksız topraklarını keşfedip Hint Yarımadası`nın güneyine Madras`a varıyor. Yol, hedef; oryantal zenginliklerin bolluğu ise müzikal azık onlar için. Bu kez perküsyonda uyumlu müzisyen ve bu heyecan verici müzikal yolculuk için ideal bir yoldaş olan olağanüstü Ramesh Shotham da gruba eşlik ediyor. 
Detaylar: http://aysaorg-music.com/musicians/ensemble-fisfuz/

Ensemble FisFüz - Bosphorus Winds

Inspired by the music of Moorish Spain, a time of intertwined cultures, with a mix of European and Arab elements.

Brian Prunka: oud, composition
Kenny Warren: muted trumpet 
Nathan Herrera: alto flute/bass clarinet
Apostolos Sideris: bass
George Mel: frame drum, cajon, ride cymbal 

Solos in order: Herrera (alto flute) Prunka (oud) and Warren (muted trumpet) 

Andalus

مسمعتش اروع من التراك ده jazz fusion و oriental  وهم بكل معني الكلمة 
بالمناسبة sull lull كلمة ايطالي ومعناها علي هدوء

Dhafer Youssef & Hüsnü Şenlendirici Group - Odd poetry

h-icteduyulan

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Don Edwardo

Don Edwardo

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