All rhythms were played in or with water. Taken with the hydrophones of company Ambient Recording. Many thanks to Günther + Timo from for great support.


THE INVISIBLE FISH

"Das Meer" ist eine Bearbeitung eines teils der sinfonischen Dichtung "Scheherazade" von Rimski-Korsakow. Die Geschichte vom Prinzen Kalender (Lento—Andantino—Allegro molto—Con moto). Die Rhythmen wurden im bzw. mit Wasser kreirt. Aufgenommen mit den Hydrophonen der Firma Ambient Recording. Many thanks to Günther + Timo from for great support.

"The sea" is an adaptation of a part of the symphonic poem "Scheherazade" by Rimsky-Korsakov. The Story of Prince Calendar (Lento Andantino Allegro molto-Con moto). The rhythms were played in or with water. Taken with the hydrophones of company Ambient Recording. Many thanks to Günther + Timo from for great support.

Das Meer

MTV Unplugged -Phir Mohabbat

Best Of

Lordi Lord



The song “The Shore” deals with the issue of steadily rising seas levels. Kiribati is expected to disappear just like our Halligen (German islands).
Many coastal cities, countries and regions have to deal with it in time.

Information about our music and our equipment:

The complete percussion – drum set was played with, or in the water (H2eau Waterdrum). For the bass drum we used a PET bottle. Dirk Günter Schlott played the water-sand HiHat (+ vocals). Torben Cord played Tank Drum, sand, water and acoustic guitar.
Florian Hoheisel played the solo guitar
Text and composition Konny Zimmermann (Bass + H2eau Waterdrum).


The Shore

"Chao Manu - Farewell my drunk pianist" is the Wonan tales' first release. It was written with the idea in mind to paraphrase one of Manu Chao's most memorable melodies to me (1:48), and recontextualizing it in a completely different musical genre to demonstrate that melodic forms can take on many different guises and evoke disparate emotions depending upon interpretation; be it by an artist or a consumer.

Chao Manu - farewell my drunk pianist

Chao Manu - Farewell my drunk pianist

Zuversicht

RHINGJOLD

Lomajondo

Live recorded at Meeresrausch Festival, Kinkerlitzchen, 16.06.2018. Alles war wunderschön. Soviel Liebe - und ihr wart Schuld!

Psychedelic Kingdom 

Mix: Das Kraftfuttermischwerk at Meeresrausch 2018

Slow float, is hypnotic Aqua Electronic Pop. It is a short demo track for the H2eau album.

Slow float

Water is the basic instrument of all the H2eau tracks and compositions.
All rhythms on "blue breath" are played live with water sounds.
Recorded with a hydrophon "TC4032" from Ambient Recording Munich.
Many thanks for there great, wonderful support. Blue Breath is one of the songs that will be published soon in appearing on the album "the invisible fish".

Blue breath 01012013

Canadian Danny Michel Joins Forces With The Garifuna Collective From Central America to Produce Black Birds Are Dancing Over Me

“One of the finest musical works of our time” - Larry LeBlanc

"It’s a fun and uplifting listen, bursting with acoustic and electric guitar, saxophones, organic, rich backup vocals and tons of Garifuna percussion. The obvious comparison is Paul Simon’s Graceland, but there are also moments of heavier Talking Heads-like funk." – NOW Magazine

“A blend of folky grit and tropical rhythms, nestled somewhere in between the rootsy vibes of Bedouin Soundclash and the slick funk of English singer-songwriter Charlie Winston. However you want to define the genre, this combination works.” - The Grid

Juno Nominee 2013 – Best World Music Album

Out In the US on July 2, 2013
Extensive US & Canada Tour This Summer


Danny Michel first fell in love with the Central American country of Belize 15 years ago when he traveled there for a break from a cold Canada winter. What started as a vacation from the grind of touring and recording changed Michel’s life and led him down a long and winding road towards the creation of Black Birds Are Dancing Over Me, a stunning collaboration between a Canadian indie rocker, an innovative Belizean producer and some of the top musicians in the respected Garifuna music scene. After earning raves upon its release in Canada, including a coveted Juno nomination for Best World Music Album, Black Birds Are Dancing Over Me is about to be introduced to the world through its international release on Stonetree/Cumbancha on July 2. 

Danny Michel was born in Kitchener-Waterloo, Ontario, a small city one hour west of Toronto, and has earned a wide and devoted following across Canada. During his prolific career Michel’s style has ranged from power pop and alternative rock to singer-songwriter fare, leading him to be compared to everyone from Paul Simon to Elvis Costello.  His albums have led to multiple Juno Award nominations (the Canadian equivalent of the GRAMMY) including one for “New Artist of the Year” in 2004. 

A popular tourist destination, Belize is home to magnificent coral reefs, white sand beaches and clear blue ocean waters. Many visitors never stray from their comfortable resorts. But it was the people of Belize that made an impression on Danny Michel, so much so that he found himself returning to the country over a dozen times, even establishing a scholarship fund to help provide educational opportunities for local children. His visits led Michel to discover the soulful music of the Garifuna people, the unique Afro-Amerindian culture that resides in coastal communities in Belize, Honduras, Guatemala and Nicaragua. 

As he traveled the country, Michel often heard the alluring rhythms of Garifuna music blaring out of taxicabs and village bars. Upbeat songs by the late Garifuna icon Andy Palacio and the lyrical wisdom of paranda legend Paul Nabor, among others, piqued Michel’s interest. But the veteran of Canada’s indie rock scene never imagined that he would one day seek out the originators of this enchanting music and blend his music with theirs. 

As the years rolled on and Michel’s connection to Belize deepened, he decided in 2011 to reach out to Belizean producer Ivan Duran to explore the possibilities of working together. Duran, who runs the recording studio and record label Stonetree Records, is well known in world music circles for bringing Garifuna music to wider international audiences. 

The mastermind behind Andy Palacio & The Garifuna Collective’s groundbreaking 2007 album Wátina, a deeply loved album that amazon.com anointed as “The Greatest World Music Album of All Time”, Duran was skeptical at first. The annals of international music history are dotted with artists such as Paul Simon, David Byrne, Peter Gabriel and others who have borrowed “exotic” flavors to spice up their sound, and Duran wasn’t looking to have Garifuna music become just an interesting ingredient in someone else’s musical stew. But Danny Michel’s long connection with Belize and the respectful way he approached the proposal led Duran to realize he had found a kindred musical spirit who shared his love for Garifuna music and the people of the region. 

Danny Michel traveled the pot-holed roads by bus from the Caribbean coast to Benque Viejo, the inland town lying in the shadows of the Xunantunich Mayan ruins where Stonetree is based, with no guitar, no songs, and no expectations.  Michel recalls, “I was terrified. I went down and walked into a room full of strangers who are all sitting there thinking who the hell is this guy. It was really intimidating. But it was absolutely incredible that I was welcomed with open arms.”  

During the sessions, Michel bonded with some of the colorful characters who make up the loose-knit ensemble known as The Garifuna Collective: percussionist Joshua Arana, whose youthful spirit and easy smile camouflages a serious virtuoso of traditional Garifuna drumming; laid-back and smoothly soulful guitarist Sam Harris who returned to Belize after a long stint in the US to enjoy the simple life as a Belizean farmer and occasional touring musician; the vocal firebrand Desiree Diego, a woman who grew up deeply immersed in Garifuna traditions; multi-instrumentalist Rolando Marcelino “Chi-Chi Man” Sosa Martinez, a musical legend from Honduras who wandered into the studio three days late in keeping with the relaxed attitude of the locals; engineer and guitarist Al Ovando, whose constant smile and ebullient disposition buoyed everyone’s spirit. And let's not forget the creative force that is Ivan Duran, a Belizean patriot of Catalan descent who makes musical diamonds appear out of the rough soil of Garifuna traditions.

During the weeks they recorded together an inseparable bond was formed, but it took a little while before the music started to gel. “I did have to win them over in a way,” recalls Michel, “Here I was some Canadian singer-songwriter whose music didn’t really make sense to them at first. The most important part of the song would be the lyrics, I mean my music is not really loud, you can't dance to it, so what’s it good for, really? I think they were skeptical but still into it for the adventure.” 

Danny brought some songs, lyrics and arrangements, while The Garifuna Collective brought the powerful rhythms, melodies and instruments of their heritage. “To me, those Garifuna drums, the segunda and primero and the jawbone and the turtle shell, that’s the magic,” points out Michel. 

An 8-song version of Black Birds Are Dancing Over Me was released in Canada by Six Shooter Records in the fall of 2012 and it immediately received tremendous accolades. Renowned critic and former editor of Billboard Larry LeBlanc called it “One of the finest musical works of our time. A career album.” Now Magazine exclaimed "It’s a fun and uplifting listen, bursting with acoustic and electric guitar, saxophones, organic, rich backup vocals and tons of Garifuna percussion. The obvious comparison is Paul Simon’s Graceland, but there are also moments of heavier Talking Heads-like funk." And Toronto weekly The Grid called the album “A blend of folky grit and tropical rhythms, nestled somewhere in between the rootsy vibes of Bedouin Soundclash and the slick funk of English singer-songwriter Charlie Winston. However you want to define the genre, this combination works.”

For the international release, Michel returned to Belize to record three new tracks, the funky “Behind the Waterfall,” the rousing anthem “Sad and Beautiful World” and the moving “This Is What Is,” which features the voice of Paul Nabor, the 83-year old Garifuna legend. These songs join “What Colour Are You?” a catchy riff on perceptions and attitudes, the irresistible grooves of “The First Night” and the earthy beats of “Survivor’s Guilt” among other gems.  

The release of Black Birds Are Dancing Over Me coincides with the launch of the new album Ayó  by The Garifuna Collective, their first since front man Andy Palacio passed away suddenly in 2008. Fans of Danny Michel can discover the roots of his inspiration with this magical album whose songs of heartbreak, hope and joy will take your breath away.
 
This summer will see Danny Michel with The Garifuna Collective on an extensive tour in Canada and the US, with plans to bring the show to Europe in September.  Michel is enthusiastic about the upcoming tour, “With everybody together on stage it’s going to be really exciting and there will be an infectious wonderful energy going on.  The Collective will play a set of their music, then we can play my set, we can play together, we can play each other’s songs.  It will be really fun and eclectic and a great experience for everyone, I’m sure.”


For more information or to arrange interviews, please contact: Ryan Romana at 415-385-1784 or ryan@pressjunkiepr.com
LINKS: www.cumbancha.com/dannymichel / www.dannymichel.com


Danny Michel "Blackbirds Are Dancing Over Me" (Preview)

Water, Wasser, Woda, Aqua, Agua, Eau … is designer and shaper of our world.
to make music and sounds with water is the basic idea of the H2eau Project.
The idea and concept and H2eau Aqua Drum was developed by Konrad Zimmermann.
H2eau – WATER DRUM – SOUNDPOOL – H2eau Performance – AQUAPHONIE
Music and art created with the elixir of life water
Here you can plunge into the world of sound H2eau and learn a lot about H2eau Project.

Water is the basic instrument of the H2eau AQUAPHONIE performance. Acrylic glass bowls filled with water, equipped with hydrophones (underwater microphones) of the company “Sonar Surround” are the main components of our “water drum”. All rhythms of the performance are played live with water. The sounds and grooves produced are unique. Some of them are linked to water compositions of famous Debussy, Smetana and Rimsky Korsakov. The sound is crystall clear and transparent similar to chill out sound of Yann Tiersen (Gotan Project). Mixed with electro-, trance-, techno- or jazz-sounds our themes like “wade in the water” lead the audience to an unexpected listening experience. The highly sensitive hydrophones translate finest nuances, without any noise or feedback, and the water is making its own unique sound. Variety is ensured by our special instruments – like day to day articles and kitchen tools such as plastic bottles, whisks, shells, sand, just to name some of them. Literally anything could be used as instrument, and therefore our performance often brings a smile to everyone who first listens to the music, and then actually watches how the sound is produced. Special light effects, reflected and broken by water, create a magic mystic atmosphere. The Hydrophone was tested 2010 for the first time for the performance. The result and the possibilities are sensational. The first H2eau performance took place 1997. The first H2eau CD was published 1998. H2eau in the Internet since 01.01.2002. Winner 25. German Rock & Pop price 2007 best Tranceband Winner 25. German Rock & Pop price 2007 best experimental band.

For more information please contact:
H2eau Project Manager: Konrad Zimmermann
Email: info@h2eau.de

The Shore

H2eau Project

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