2021/09 - 2022/01
For a partial double-woodwind orchestra.
A cantabile part (from 4m50s) in the Development is from a Chinese nursery: "Learning about the Past from Mom". My mother often sang this to me when I was little.

Aliena Somnium, in C-Sharp Major

2021/05 ~ 2021/08
For a double-woodwind orchestra.

Fonti, Dante in Nocte Pluviae, in A Minor

2022/1 ~ 2022/7
For a full trible-woodwind orchestra.
The orchestration is too large to use my RAM to produce it. So I remain the original version from Sibelius as a demo (with bad percussion!!!!).
Sheet(Only the first 4 pages are available for free): https://drive.google.com/file/d/13rQo5H-ldUpnFKhqfH-DpTK2CKp8JnzI/view?usp=drive_link

The Canvas: 1. Asahi [Volume Caution!, Demo, Low-quality Percussion]

2022/05 ~ 2023/02
For a double-woodwind orchestra and SATB.
Sheet(Only the first 4 pages are available for free): https://drive.google.com/file/d/1xDxJWEoILn0g2U0xCXyfsLtIemWxagwb/view?usp=drive_link

Requiem: 1. Fatalis

2023/09
For a wind quintet.
Sheet(Only the first 2 pages are available for free): https://drive.google.com/file/d/1hZcUr1KVHgZG2GWSudAK8LruD0D_wn_7/view?usp=drive_link

Wind Quintet “The Narrate”: 1. Farewell

Orchestrator / Symphonic Composer / Symphony & Chorus Conductor
Style: Impressionism, Atonal, Classical
Also a: Flute player, Piano player, Countertenor & Bass
Favorite composers: Maurice Ravel, Xilin Wang, Claude Debussy, Antonín Dvořák, Joe Hisaishi
Music instructor: Caitian Yan, Prof. Chunhua He (Past)

はぎ