Mirah (1999)

28282 Videos 1sm2

“Fusion 11” is my sound setting of Andre Schreuder’s photo of his artwork.  The music fuses two noise drones with a strict 12 tone row for electronic string orchestra.

Fusion 11

“ Four Fusions”  is my music composition via ReasonRecord using 8 tone colors - electronic vs improvised,
Neoclassical vs aleatoric , Noise vs fixed pitches and 12 tone  strict  serial vs chance.

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"Fusion 14 " is my Neoclassic music composition which is mixed with Noise  effects and aletoric phrases.

Fusion 14

A Study of Percussive Colors”  is my electronic music composition - realized via ReasonRecord .The photo was found at:  
 https://unsplash.com/s/photos/spring

"A Study of Percussive Colors”

“ Fusion 16 “ is my music composition via Yamaha’s Motif and Kyma. There is  a white noise -  “undercoating”  - with 6 successive Neoclassic tone colors (timbres) without transitions. The free image was found at https://pixabay.com/images/search/summer/

“ Fusion 16 “



“ Placid Waters “ is my music composition via Kyma and Yamaha’s Motif.  It uses improvised Time starching and Reverb Echo effects.

Placid Waters

so well there were these songs that were mislabeled I know they were as van morrison does not make sounds of electronic noise but maybe the length of the songs were the same from the ? DVD?  any way it was really weird to hear my music labeled van..

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Our customary way of thinking and talking about the world is in terms of objects and events, both of which are abstractions. Gurdjieff saw the world as the universal process of transformation of energies, regulated by two fundamental laws and various 'second-grade' laws arising from their interaction. The two basic realities are relations and transformations. The first are governed by the Law of Threefoldness variously called Triamonia and Triamazikamno and the second by the Law of Sevenfoldness called Eftalogodiksis or Heptaparaparshi- nokh. The interaction of these two laws is represented by the Enneagram symbol and by the Diagram of All Living referred to in Chapter II. It is also noteworthy that Gurdjieff refers in the Purgatory Chapter to a scale of energies of different 'degrees of vivifyingness', which is divided into twelve steps or stages. We find on close examination that all the first twelve numbers are associated with various laws or principles of the relationships and the transformations of substances. With the exception of the numbers five, seven and eleven, these are all obtained by combining two and three, as Plato does in his exposition of the Pythagorean doctrine in the Timaeus. Gurdjieff himself ascribes this knowledge to the Masters of Wisdom of Atlantis, again reminiscent of Timaeus. He departs however from the Platonic tradition in his description of Reciprocal Maintenance which has no place in Greek cosmology and did not enter European thinking until Gurdjieff came to the West.

link to .pdf https://drive.google.com/file/d/1LVHC6d0xtbbdN3up7tk7XVomIbSmwQHS/view?usp=sharing

Appendix 2 Gurdjieff Making a New World

Gurdjieff Making A New World: Appendix 2, The Great Laws Read By Ben Bennett

“Breath, Beats & Balance,” Johnson walks participants through breathing and balancing movements to the background mellow sounds from a range of genres - R&B, pop, jazz, blues, trap, and hip hop. The mix tape will give you a feeling of personal interaction with the instructor as she freely talks (including expletives) and laughs as if you were in a room with her while never missing the instructions of the purposeful movements for yoga.
Offering practical advice, “People are not feeling confident in themselves - We have to release in order to heal. If you understood energetically how opening & clearing these (chakras) helps to heal your body & mind - then we would pay attention” states Johnson on her audiobook regarding Chakras.

Breath Beats & Balance

I organize abstract realities to develop new ideas and maths-we are all of the spirit as aware as now.  I music with a supernova II by novation I have played it for the last 20 years.  a korgmicro xl about 8 years of play. c-sound with various interfaces.  an iPad 2 mini with bluetooth midi connections and a MacBook Pro.

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