credits:
bass clarinet by Urs (Coincidence, Encounter)
field recording by Tatjana Bikic (Taiwan) 
artwork by Rolf Hofmann

buy LP

The Sum Of Its Parts

Culmination

Ahhhh, Fusion – you stole my heart once again!

I haven’t stopped smiling since my set on Sunday and I’m still full of joy and memories. Playing my very first live set to a packed Seebühne floor at Fusion was truly a dream come true 🥹

Thank you so much to everyone who came by and made this one of the best days of my life. I’m deeply grateful for all the beautiful souls who supported me over the past months while I was busy preparing my set – you know who you are!

A special thanks to the entire Seebühne crew for the beautiful stage and incredible artist care, and to @ju_nixe for your unwavering trust in my music, your motivation, and this opportunity.

All tracks are produced by myself and unreleased. Mastered by @haunted_water

Endless love,
Linus <3

Lorikeet ✺ Live — Fusion 2025 (Seebühne)

credits:

field recording by Tatjana Bikic

artwork by Rolf Hofmann

Taiwan

Taiwan (feat. Tatjana Bikic)

Encounter

Encounter (feat. Urs)

Coincidence

Coincidence (feat. Urs)

support the artist:
https://soundcloud.com/lana_music_berlin
https://www.instagram.com/lana.music.berlin/#

Slow Punchhh:
@slowpunch
www.instagram.com/slowpunch/
www.beatport.com/label/slow-punchhh/91814

Berlin-based artist LANA:YEN takes us on a deep, immersive journey with her latest contribution to the Slow Punchhh in the Mix series. Blending smooth downtempo rhythms with lush atmospheres and emotive melodies, this mix unfolds like a slow-burning dream — intimate, expansive, and full of feeling.

Each track is carefully selected and woven together, inviting listeners to drift through soundscapes that are both grounding and transcendent. Expect deep grooves, warm textures, and subtle yet powerful energy — the kind that lingers long after the last note fades.

Press play, let go, and sink into the sonic world of LANA:YEN.

LANA:YEN ... in the Mix 066

They do what they want simply because they can.   
I do what I can, because I am here.

They no longer feel the hypocritical need to justify their actions.   
I do not justify. I bear witness.

They speak loudly. They reverse the facts.   
I speak softly. But I do not lie.

Totalitarian culture does not force. It erases.   
I do not shout. But I trace. Even if it’s fragile.

The algorithm holds captive, but does not elevate thought.   
I watch over the moment. And I breathe in the present.

Meta thrives on noise. Amazon on speed.   
I watch over the link. And I breathe in the slow.

Exxon and Lockheed thrive on destruction.   
I do not thrive. I breathe. And I watch.

Violence is a drug. It excites, it justifies.   
I am not excited. I am here. Sober. Present.

Diplomacy is possible, but refused.   
I do not refuse. I extend my hand. Even if it trembles.

The world approaches universal death in a frightening way.   
I am not the universe. But I am alive. And I remember.

Russell and Einstein wanted to remember their humanity, and forget the rest. I am what is forgotten. And I remember.
credits
released October 19, 2025
license
all rights reserved

🙏🏻

The Algorithm of Impudence

Brittle Signal

My fav trio at work: DFAM and Subharmonicon doing all the chord and pad lifting and sequencing while DIY Minimoog fills in the bass.

Shiver


???

Dedans s’inscrivent des signalétiques universelles, des tournures administratives, des formules de politesse, des zeugmes alphanumériques, des anglicismes, des abréviations sous des gérondifs sous des acronymes

???

*

catalogue : muzakorderEP0011

recording(s) : fhauna

mastering : Nil Hartman


buy on bandcamp

wirdeerie

This is a remix of an old song (2013) A haunting reawakening of a lullaby once whispered in the quiet between nightlights and dreams. The primal ache for light in the dark, a sonic meditation on childhood’s fragile rituals and the ancestral pulse of fear that flickers when the sun retreats. Why does the dark feel so big?

Kids Sleep in The Light

Common Heart Thief

Agram HR

https://www.instagram.com/reynekemusic/
https://open.spotify.com/artist/0UyLL1W8wULpgrTJWByZJU?si=Os--b6fCTxyHIuX-cRJp4A

Just a little reinterpreation for my 2019-Liveset @klunkerkranich :)
The original Rabenkind was a little laidback, so I wanted a more danceable/funky version. It is not thaaaat polished (just added the E-Piano I wanted to play live, changed the Kick and did some basic mixing). This release is kind of a "Thank you" for supporting me in 2020 that much :) You will see some more releases from myself and my project @bassaramusic (with the lovely @sahrabass) in the near future!


Vocals by Francesca Genco (Voices of Gaia)
Mastering by Frederik Groborsch. Thanks a lot to him and the whole rec.de-massive <3

DOWNLOAD :)

Rabenkind (Tribe-Of-Raven Reinterpretation)

Dresden based producer most of the time 
performing and composing live with 
analogue synthesizers creating sounds from 
scratch and exploring music with no boundaries

🎹🎛🎚🪛 🎵❤️

Credits:

photography by VR

artwork by Rolf Hofmann

sound design, composition, recording, field recording, mixing and mastering by HCH

Encounter (feat. Urs)

HCH

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