very striking mood when that higher leady sound came in, emotive

excellent sound design. this would be great for a film!

The bass sounds like it's on the beach, being sucked up and washed back. Marvellous.

Sounds like recorded in a large factory. Which can be good if that's the goal and some of the sounds fit to that. But at the end it doesn't let me fully appreciate the builds up and the melody.

Really loves the overall build and sounds throughout.

you've made a lot of sounds work pretty well in context here

One Synth Challenge #140: Pendulate

The gremlins in Negoba's studio decided to steal snippets of his previous OSC's to create a monster destined to confound and disgust all listeners. Unbeknownst to them, their creation (Jenkins) instead prefers cuddles and long walks on the beach.

All sounds created using Odin2 Softsynth by Wave Warden for KVR OSC #197.

Mix of stock presets, tweaked presets, and init. Shout back a bit to a previous track where I used Odin on an open round. I think I’ve learned a little since then.

Jenkins Knows He Ain't Pretty - OSC 197 Odin2

——
Every Sound in this Track was made from scratch with Odin 2 - Synthetiser
——

Beed Boop - BO-C [OSC 197]

Entry for KVR One Synth Challenge #197 using Odin2 by TheWaveWarden

DAW: Reaper 7.27
33 VST3i: Odin2 (TheWaveWarden)
8 VST: ReaEQ (Cockos)
5 VST3: ReaComp (Cockos)
6 VST3: dearVR PRO 2 (Dear Reality)
1 VST3: Valhalla Supermassive (Valhalla DSP, LLC)
2 VST3: TDR Nova (Tokyo Dawn Labs)
1 VST3: TDR Kotelnikov (Tokyo Dawn Labs)
1 VST3: bx_masterdesk Classic (Plugin Alliance)
1 VST3: LoudMax (Thomas Mundt)
1 VST3: MAnalyzer (MeldaProduction)


Asgardian Rhapsody [OSC #197 Odin2]

Made for KVR One-Synth-Challenge 197
https://sites.google.com/site/kvrosc/2025/osc-197-odin-2

bzz - Living High

My track for KVR One Synth Challenge n. 197 (July 2025), in which existential horror and reckless fun go hand-in-hand.

All sounds generated by free VST synth Odin 2, developed by TheWaveWarden

Burakku Horu

About 30 Instances of Odin 2 synthesizer made all the noises you here. Recorded using Live 11, native effects, OTT and bx_masterdesk

A Lot Can Be Said About Nothing At All (OSC 197 Odin2)

Hey everyone, I did this at the last minute. I know rushing is bad, but never mind. :) I used a total of 45 Odin 2 instances

All effects from Studio One 6.6 + free Dreverb2
=========================================

--------------------

DAW: Studio One 6.6
45 instances - Ragnarök 2 / basic sounds from bank 1 and 2

---------------------

FX:
- built-in plugins from Srudio One 6.6
"Compressor, Binaural Pan, mixverb, Pro Eq, splitter, mixtool, limiter, analog Delay
+ free Dreverb2"

=====================

Mastering:
Mastering using built-in Studio One 6.6 effects

=========================

Oscillator (OSC #197 - All instruments in the song are from VST Odin 2)

This track is made with Odin2 for the One Synth Challenge 197
All sounds are made by me.
The Cover Image is 100% made by me (starting with the  original photo of the crow).

For the track I used Ableton Live 12 with:
25x Instances of Odin2

Ableton Stock Devices:
14x EQ8 (mostly to cut rumble below 100Hz)
11x Utility (for volume automation)
1x Glue Compressor
1x Compressor
1x Multiband Compressor

Bus Fx:
1x HybridReverb
1x Echo (simple 8th note  ping pong, no modulations)

MasterChain:
Eq8, Glue Compressor, Utility( For the Fade out), Limiter



Fbr - OSC197 - 42°Celsius

here's my OSC made entirely with Odin2 in BitWig

using 25x Odin 2 and 120 more Odin2's tuned to 40 notes using the delay as Karplus strong and the following free VSTs and Bitwig FX:
VST:
TDR Nova
TDR Kotelnikov
AirWindows VariMu
Limiter no6
Valhalla Supermassive
Voxengo Sound Delay
Saturation knob
Free Clip2
BX Tuner
Span
Air Windows Kplate140
Raum
KHs Transient Shaper
TB Spectrogram
Airwindows KplateA
STFU
Airwindows NonLinear Space
Pancz
Fresh Air
AirWindows CreamCoat
BusterSe
KHs Haas
TDR Molotok
AirWindows ToTape8

BitWig:
Sculpt
Focus
Peak Limiter
Tool
Transient split
Delay -2
Humanize
Stereo Split
Note Filter
Arpeggiator
Instrument Layer

Kilvornoch

OSC 197 OnTrackP Mushrooms 1

not dance but...

29 Pedulate synths in Ableton Live
+ Abeton Reverbs, Delays, Compressors, EQs

Desktop

World Mechanics

Tried to make a cinematic soundtrack that is unsettling, yet emotional and hopefully provides some closure.

As always, everything is synthesized and MIDI; no samples were used.

DAW: Reaper 6
Pendulate : 23 instances
Native FX: ReaComp, ReaEQ, ReEQ, ReaGate, ReaControlMIDI
3rd Party Free FX: RandArp, Leveling Tool, SN03-G Tape Recorder, OrilRiver, SuperMassive, Cocoa Delay, GClip, LoudMax, W1 Limiter,  OTT, MAutopan, A1StereoControl
Mastering: JS: DC Filter, TDR SlickEQ, TDR Nova, TDR Kotelnikov, GClip, LoudMax
Metering: SPAN, Youlean Loudness Meter 2

Tempest

Tempest (OSC 140 Pendulate)

Music made for the OSC Challenge 140, using only Pendulate to create all the sounds.

DAW: FL Studio 20.6
Pendulate: 55 instances

FL Effects: 
Fruity Parametric EQ2, Fruity Compressor, Fruity Limiter, Fruity Balance, Fruity Reeverb 2, Fruity Delay 3, Stereo Enhancer, Fruity Send, Fruity Delay Bank

3rd Party effect: OTT

Three Movements Of A Complex Pendulum

Leo Amaral - Three Movements Of A Complex Pendulum

"Watch... as a young ambitious camel, dreaming of getting both very rich AND entering the Kingdom of Heaven, sets off on an epic journey in search of the Big Giant Needle. A tale of dusty plains, dazzling cities and, of course, genies and bottles. Will The Eye remain shut...or open to reveal it's wonders ?"

Entry for the One Synth Challenge 140 ( Pendulate by Newfangled Audio ) at kvraudio.com

EQ was not used for sounddesign purposes.
No transient processing was used to create percussion. 
All 100% Pendulate.

The main players are:
12 instruments  (  flute-ish, reed-ish, 3 plucks , mallet, brassy, brassy-stringy, bass - sustained, bass - pluck )
7 SFX  ( buzz, creaky, metallic, noisy trickle, not-noisy trickle, bubbly laser sweep )  
10 percussives ( kick, snare (2i), clap, cymbal, hat, crackly boom, hand drum, short tom ) 

The support caravan:
ReaControlMIDI ( transposing to get noise )
BlueARP (4)  ( on SFX and briefly on Mallet )
TAL Dub II as bus effect for some instruments and SFX )
Valhalla Supermassive ( insert for Brassy  ) 
ReaQ (5)  ( light EQ'ing, light HP-filtering ) 
TDR Nova 12 ( light EQ'ing, light HP-filtering and sidechaining of kick to bass, also on master bus)
Blue Cat's triple EQ 4  (2) ( stereo control for Sustained Bass )
Oril River (14) ( seven pairs of mono instances )
ReaVerb ( very, very  lightly on master bus ) 
Chebyshev LP  ( on master bus ) 
Ozone Imager 2 ( on master bus )
Limiter No6 ( on master  bus )
Signalizer
Voxengo SPAN
Voxengo Correlometer
Youlean Loudness Meter 2

ELEX - 1002 : A Desert Odyssey

My entry for KVR Audio's OSC 140 contest, using Newfangled Audio's excellent Pendulate Monosynth. 

Pendulate is pretty great. 

Daw: Reaper 6
Pendulate x 17
ReaEQ x 10
ReaComp x 3
Transpire x 2
Dragonfly Hall Reverb x 4
Valhalla Supermassive x 2
Voxengo Span x 1
Limiter No 6 x 1
TDR Nova x 1

hsje - OSC 140 - Where Are You Taking Us?

Join the challenge by going here: https://shorturl.at/bhBFQ

hsje - OSC 140 - Where Are You Taking Us?

h.s.j.e.

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