Braindance skewwiffy

vinyl out may 2011 / distributed by rubadub

OBJEKT002B :: Unglued [CLIP]

Hallo zusammen, es gibt eine neu gemasterte Version. Ich habe das eigentlich für mich privat gemacht, damit ich das selbst einfach besser anhören kann. Ich habe inhaltlich nichts geändert und es fällt nur im A/B-Vergleich auf, aber die Version ist etwas lauter und ein wenig räumlicher. 
Aber wirklich ganz, ganz dezent. Ich wollte, dass der Track etwas besser in aktuelle Playlists passt. Ist aktuell in den Spotlights oder direkt hier zu erreichen.
https://on.soundcloud.com/3Zo9m

Das gilt übrigens auch für die anderen Stücke des Albums. Ich lade die sukzessive hoch mit meinen Lieblings-Pressebildern aus dieser Zeit. Viel Spaß damit. Von Herzen, C.

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Codec & Flexor - Time Has Changed

Time has changed Codec & Flavor (D.I.M.I edit)

March 28— distributed by Rub a Dub and shipping soon!

Buy 12": http://bit.ly/1RabPkB

Buy Digital: http://bit.ly/1RabOx4

1080V008: Ex-Terrestrial—"Paraworld" (Previews)

Available now: https://KompaktRecords.lnk.to/Speicher104SD

Dear Friends,

25 years of KOMPAKT is no reason to get hysterical. Then again, it’s a nice occasion to have a laid back look at the situation in electronic music today. Minimal techno in all it's varieties is now established as the worlds best dance music, as you may know. So far, so good. What’s next? Nothing. Dance on!

I’ve gain two essential insights with the passage of time. First off, that music which over the years only knew “faster, better, stronger” and “forwards ever – backwards never” can constantly repeat, quote and loop itself without killing itself. A music that suspends the meaning of time and eventually can set a parallel, better universe of fantasy against the twisted grimaces of reality. Again and again.

And secondly, that getting older living in/with this music is a quite relative term to which ideally a serenity of age can ring a bell. This shows that 25 years after 1993 so many protagonists, enthusiasts, DJs, musicians, relentlessly rave fighters – with all personal advancement – are still there and still celebrate, play or produce this/theirs music; and compete themselves and their music just with that.

Two such heroes of the neat and tidy bass drum culture are with no doubt T.RAUMSCHMIERE aka MARCO HAAS and REINHARD VOIGT. From day one, those two figureheads have given live-techno the glam of stage-diving rock ‘n’ roll, long before vodka and beer prevailed as alternative lube for ecstatic dancefloors.

Even better they both now raise the glass at the longest techno-bar in the world named KOMPAKT EXTRA/SPEICHER. With DREI MILLIONEN KÖLSCH, Reinhard Voigt continues to establish his savvy “way into sound”, which he's pursued for a few years now on his many releases. He’s turning genre clichés into a very personal take with his defiant mix of the deepness of a lonesome cowboy and his implicit faith in the dancefloor and gives the music a very personal touch of ennnoblement of the faith in itself. Technos dignity shall be inviolable.

For me, AUGEN ZU by T.RAUMSCHMIERE is one of the most beautiful masterpieces of bass-heavy “Umta Umta” techno. A few strikingly brilliant vocal lines from the master himself, put through the machines and combined with a relentlessly sequencer that says it all. This cheers my heart and we will always need such tracks to remind us of ourselves. And to forget about ourselves. Smash hits of unreason! Or the prettiest declaration of love to a music which gets its magical moments from what’s happening between the bass drum-beats. But only by this when the bassdrum remains linear and will do so forever. Both Marco Haas and Reinhard Voigt know that. Because after techno comes always techno.

Wolfgang Voigt – May, 2018 Wolfgang Voigt – May, 2018

Braindance skewwiffy

hxh