Juicer jingles

Fwd: Re: late (Ref.: karoshi)

ITSAME

ITSAME [group hugg]

re: laps (roll with iD)

Reptikon 7

a star is bored

(g)Raveyard tools

PROVE UR NOT A ROBOT [SKIP]

morning narcomnastics

Midi Sans Frontieres (Avec Batterie)

Physical: geographic-north.com/vinyl/lifetime-of-love/
Digital: geographicnorth.bandcamp.com/album/lifetime-of-love
Catalog #: GN41
Limited to 300 double-LPs on pink and yellow vinyl
Mastered by Heba Kadry at Timeless Mastering

'Lifetime of Love' is the debut album by Moon Diagrams, the solo recording project of Deerhunter co-founder and drummer Moses John Archuleta. Recorded in Georgia (Atlanta and Athens) and Manhattan (East Village) over a 10-year period, 'Lifetime of Love' finds Archuleta processing various stages of love, loss, and regeneration via forlorn outsider pop, minimal techno, and warm, weightless experimentation.
 
Archuleta follows sudden fits of inspiration or moments of chance, letting the unknown happen naturally while still confining himself to a specific set of boundaries. Samples were often taken from thrift store-sourced LPs, removed from their sleeves and chosen at random to find loops and textures. Elsewhere, Archuleta would anonymize digital songs and sound files, erasing track names, and re-recording new versions of the randomized mixes.

'Lifetime of Love' is the result of three extended fugue states, each marked by specific moments of catharsis. In 2007, between the release of Deerhunter’s breakout LP Cryptograms and 2008 LP Microcastle, Archuleta began his earliest solo experiments. The nascent exploration was enough to free himself and create sounds without inhibition. “Bodymaker” and “Nightmoves” are products of Archuleta’s earliest solo recordings, capturing his willingness to venture outside of the taut, mesmerizing drone rock of his main band. The chilling, ambient techno of “Nightmoves” perfectly foils and compliments the broodingly sullen but sincerely beautiful shuffle into the dark.
 
Between 2012 and 2015, Archuleta experienced a reset of sorts, including the collapse of his marriage (a 10-year long relationship), touring support for Ariel Pink and James Ferraro, and a rekindled interest in his solo material. He began actively cutting himself off from a number of personal relationships and experimented with various drugs to begin recording again. Locking himself in his practice space, Archuleta would use only the spare instruments he found laying around in recording sessions. This period yielded a disparate mix of sonic sketches, from eerily bucolic choir recordings (“Playground”), dusty art-pop (“Moon Diagrams”), and infectiously jubilant dance pop (“End of Heartache”).
 
For the final period, Archuleta found inspiration following an extended stint in Berlin, when he had flown out of the US on Christmas day, largely estranging himself from his friends and family. While holed up in the Michelberger Hotel, Archuleta fully intended to finish his debut LP. Instead, he remained in a state of relative isolation, haunting the hotel and taking in the city’s dark energy. After three weeks, Archuleta returned home in Atlanta, without having made much headway on the album. Feeling unproductive, depressed, and marred by jetlag, Archuleta resolved to finish the LP, working in a three-day fury of productivity that resulted in “Blue Ring,” “Ghost and the Host,” “Magic Killer,” and the final edits of 'Lifetime of Love.'
 
Subtly grandiose and quietly epic, the album explores a hopeful and curious beginning, a morose middle, and a bittersweet, optimistic end.

Moon Diagrams - Bodymaker

Following his debut solo album 'Lifetime of Love' which came out earlier this year after a ten-year gestation period, Moon Diagrams (aka Deerhunter drummer Moses John Archuleta) will be releasing a special pink vinyl remix 7" featuring two artists from Glasgow's underground dance scene - Happy Meals and Komodo Kolektif.

Happy Meals and Moon Diagrams are also playing a special double-header show at Corsica Studios on 20th November. That's the place to be if you wanna grab an advance copy of the 7" - it'll also be available at Sonic Cathedral's stall at the Independent Label Market on 25th Nov, and then after that you can get it on their website.

We're premiering Happy Meals' remix of 'End of Heartache', in which the synth pop duo recast Moon Diagrams' original as a lush slice of '80s electro.

Remixes

PREMIERE: Moon Diagrams- End of Heartache (Happy Meals Redux) [Sonic Cathedral]

♫ Free Download ♫: 
http://www.deephouseamsterdam.com/free-download-andy-stott-numb-marc-holstege-remix/

@marc-holstege

♫ DOWNLOAD ♫

Free Download: Andy Stott - Numb (Marc Holstege Remix)

Remix we did for Moon Diagrams (Moses of Deerhunter) on Sonic Cathedral released on pink vinyl and limited to 300 copies. Features a Happy Meals remix on the flip side.

Still a few copies left on Sonic Cathedral bandcamp so hit that BUY link above.

@sonic-cathedral

Moon Diagrams - The Ghost & The Host (Komodo Kolektif Altered Reality Mix)

Following on from a pair of Extended Players released in 2011 ("Passed Me By" / "We Stay Together") Andy Stott returns to Modern Love with 'Luxury Problems', an 8 track album of new material recorded over the last 12 months. Five of the tracks on the album feature the voice of Alison Skidmore, Andy's onetime Piano teacher whom he hadnt seen since he was a teenager back in 1996. There was no grand gesture in mind, it just sort of happened - but after almost a year of studio work the result is really quite unlike anything you'll have heard from him before. 'Numb' opens the album with Alison's voice; layered and looped but essentially left bare and exposed, tumbling into a dense shuffle, sort of somewhere between Theo Parrish and Sade, but more f*cked. 'Lost and Found' follows and deploys a growling rave bassline and a disturbed vocal, the beat assembling itself around a squashed Linndrum like a submerged Prince/Cameo production, haunted and impenetrable, but full of funk. 'Sleepless' started life as an African drum edit that sooner or later succumbed to Stott's intense rhythmic shifts. It's a sound that's been imitated countless times since the release of 'Passed Me By', here re-tooled and re-built for its next evolutionary phase. 'Hatch The Plan' ends the first half of the album with some heavily treated location recordings and a low end grind that probably doesnt quite prepare you for the vocal arrangements that follow - it's just a beautifuly inverted pop song. The second half opens with 'Expecting', the most recognisably 'Stott' moment on the album: a wrecked, deliriously knocked-out 4/4 shuffle deployed at halfspeed; those heavy kickdrums sucking in everything around them. 'Luxury Problems' is next and offers up the album's most quietly euphoric and open 5 minutes; conventional arrangements and drumloops disrupted by sharp disco bursts that mess with what you know: it's straight and beautiful and unbalanced and damaged, somehow all at once. "Up the box" switches up the narrative and goes somewhere else entirely, an extended intro that seems to build continuously for 3 minutes before breaking off into a slowed-down Amen edit, creating a kind of narcotic Jungle variant that fragments everything and ends just at the point you think it's going to go off, before "Leaving" finishes the album with an almost unbareably beautiful arrangement of voice and synth and a final key-change that takes you from joyful to forlorn in an instant.

Juicer jingles

hxh